The Sistine Chapel is one of the most significant artistic and religious landmarks in the world. Originally known as the "Great Chapel," it was reconstructed and consecrated between 1473 and 1483, under Pope Sixtus IV; hence its name.

The chapel’s fame largely stems from its breathtaking frescoes, particularly Michelangelo’s ceiling and The Last Judgment on the altar wall. Before that, Renaissance painters such as Botticelli, Perugino, and several others had already adorned the side walls with depictions of The Life of Moses and The Life of Christ. Above these biblical scenes, portraits of popes and “deceive the eye” drapery added to the visual splendor. Raphael later designed tapestries for the lower walls in 1515, though many were looted and only partially restored in the 20th century.

Under the patronage of Pope Julius II, in 1508, Michelangelo repainted the chapel's ceiling, originally decorated with a blue background and golden stars. Despite considering himself more of a sculptor than a painter, he undertook the monumental task, conditioned he was given full artistic control. Michelangelo's work, completed in 1512, transformed Western art with vivid colors and a masterful composition that depicted The Creation of the World, The Fall of Man, and The Redemption of Humanity. More than 300 figures, arranged in three layers, included prophets, ancestors of Christ, and nine dramatic scenes from Genesis, covering over 5,000 square feet.

These frescoes are accompanied by the presence of male nudes. Additionally, the spandrels surrounding the vault feature sibyls, prophetesses from pagan mythology, who were embraced by Christian artists during the Renaissance as capable of foreseeing the arrival of Christ. One of the most iconic paintings within the chapel is The Creation of Adam, portraying God reaching out to create Adam against a backdrop of cloudy heavens. This renowned artwork is among the most reproduced religious paintings in history.

In 1535, under Pope Paul III, Michelangelo returned to paint "The Last Judgment" and completed it in 1541. This monumental fresco, portraying Christ’s Second Coming, stirred controversy due to its nude figures, leading to a censorship campaign. The artist mocked critics by incorporating their likenesses into the painting, while later interventions saw parts of the nudity covered.

The chapel’s structure, measuring 35 meters long, 14 meters wide, and 20 meters high, follows precise Renaissance proportions. Though plain on the outside, its interior is a masterpiece of composition and storytelling.

Despite not being the mother church of Catholicism or Rome’s cathedral, Saint Peter’s Basilica in the Vatican is one of Christianity’s holiest sites. Tradition holds that Saint Peter, the first Bishop of Rome, is buried inside, beneath the high altar, known as the Altar of the Confession.

Built to replace the aging Old Saint Peter’s Basilica, the new construction began in 1506, under Pope Julius II, and was completed in 1626. Designed by Renaissance masters such as Donato Bramante, Michelangelo, and Carlo Maderno, the basilica embodies the grandeur of Italian High Renaissance architecture. Its vast interior makes it the largest church in the world by space.

The basilica’s Latin cross layout features a vast dome, spanning 42 meters in diameter and towering 120 meters high. The imposing façade adorned with statues of Saints Peter and Paul is complemented by a narthex housing the Holy Door. The latter, walled up with bricks, is opened only during jubilee years. Inside, the immense nave, wide aisles, and chapels are decorated with elaborate sculptures and artwork. Among these are Michelangelo’s Pietà and Bernini’s Baldachin, a monumental canopy over the Papal Altar. Other notable artworks include Giotto’s Navicella mosaic and equestrian statues of Constantine and Charlemagne.

Michelangelo played a crucial role in shaping the basilica, refining its design into a more unified and monumental form. His dome, completed in 1590, rises on a drum with 16 stone ribs. The dome’s structure, slightly more pointed than Michelangelo’s original plan, blends Renaissance ideals with Baroque dynamism. Encircling the dome's interior is an inscription that reads: "You are Peter, and on this rock I will build my church... and I will give you the keys of the kingdom of heaven." The dome has profoundly influenced Western church architecture, including Saint Paul's Cathedral in London, Karl's Church in Vienna, Saint Nicholas Church in Prague, and the Pantheon in Paris.

Gian Lorenzo Bernini also contributed to the basilica’s artistic grandeur. His plan for twin bell towers, eventually revised due to structural issues, left two clocks in their place. The left clock has been electrically operated since 1931, chiming major Vatican events.

The basilica also has six bells. The largest of them, “Campanone,” weighs 9 tons and is used for ringing for papal blessings. Up on the roof are the sculptures of Christ the Redeemer, Saint John the Baptist, and 11 Apostles.

Inside, the basilica houses over 100 tombs. Among them are many popes, including Pope Jean Paul II, royals, and other historical figures, such as Holy Roman Emperor Otto II and Italian composer Giovanni Pierluigi da Palestrina.

Tips:
Arrive early in the morning to avoid long queues. Admission is free (until 5 pm when the gates close), but expect to undergo a security check before entering. Remember to dress modestly, with knees and shoulders covered (affordable scarves for ladies are available from nearby vendors). If you're feeling adventurous, ascend to the top of the dome. An elevator ride can save you from climbing more than 300 stairs.

Rome hosts the largest collection of obelisks in the world, including eight Egyptian and five Roman ones. While Egyptian obelisks were typically erected as single blocks in front of temples or pyramids honoring the sun god Ra, Roman obelisks often served as dedications to the ruling emperor of the time. Unlike their Egyptian counterparts adorned with hieroglyphics, Roman obelisks were simpler in design.

The obelisk in Saint Peter's Square has a fascinating history. Now known as the Vatican Obelisk, it was brought from Heliopolis, Egypt, by Emperor Caligula in 40 AD. Transporting obelisks was a complex and challenging task, requiring the construction of special boats, known as "obelisk boats", designed specifically for the purpose. The Caligula obelisk was originally installed at the center of his circus, later known as the Circus of Nero. This site is now largely encompassed by Vatican City.

Saint Peter was martyred in Rome in 64 AD under Emperor Nero. According to legend, he was crucified upside down, at his own request, deeming himself unworthy to die like Jesus. His crucifixion occurred in the Circus of Nero near the obelisk, which is now revered as a memorial “witness” to Peter’s death.

In 1586, Pope Sixtus V ordered relocating the obelisk to its current position next to Saint Peter’s Basilica, as a symbolic gesture representing the triumph of Christianity over paganism. This monumental task, directed by architect Domenico Fontana, took over 13 months of preparation and the use of 800 men, 160 horses, and 45 winches. On the day of the move, a sailor named Benedetto Bresca famously shouted, “Water on the ropes!” to prevent the ropes from snapping under the obelisk's weight.

A medieval legend held that the bronze globe atop the obelisk once contained the ashes of Julius Caesar or Trajan. During the obelisk relocation, the globe was removed and eventually placed in the Conservators' Palace in 1848. Sixtus V granted indulgences to those venerating the cross atop the obelisk which was believed to have included a relic of the True Cross within it. However, no relic was discovered during later restorations. In 1740, a reliquary from Saint Peter’s Basilica was placed inside the cross.

The red granite monument reaches a height of over 25 meters (or nearly 40 meters together with its cross and bronze-lion base) and is the only ancient obelisk in Rome that has never fallen.

The obelisk’s inscriptions reflect its historical journey. Two ancient inscriptions commemorate its dedication to the emperors Augustus and Tiberius, while four inscriptions added during its re-dedication in 1586 highlight its Christian significance. These include declarations of Christ’s victory and the acknowledgment of Domenico Fontana’s pivotal role in moving and erecting the obelisk.

The Pantheon is one of Rome’s most iconic landmarks, renowned for its architectural brilliance. Originally a Roman temple, its name comes from the Ancient Greek "pan theos," which means dedication to all gods. Built on the site of a temple commissioned by consul Marcus Agrippa during Augustus’ reign, the current structure was completed under Emperor Hadrian around 126 AD. It was transformed into a Catholic Church of Saint Mary and the Martyrs in 609 AD, ensuring its preservation through centuries.

The Pantheon’s unique design combines a classical portico supported by Corinthian granite columns with a domed cylindrical structure (called a rotunda). The unsupported concrete dome, still the largest of its kind in the world, features a central oculus that provides natural light, ventilation, and symbolic celestial connections. The rotunda's harmonious dimensions—43 meters in both height and diameter—epitomize Roman engineering excellence, while its original massive bronze doors, each weighing over 20 tons, and intricate drainage system (allowing to effectively divert rainwater) highlight the ingenuity of its creators.

Throughout its history, the Pantheon has been a vibrant part of Roman life. It served as a burial site during the Renaissance, housing notable figures like painter Raphael and Italian kings Victor Emmanuel II and Umberto I. Its materials, such as bronze, have been repurposed for other projects like Bernini’s baldachin above the high altar of Saint Peter's Basilica. However, its core structure remains remarkably intact. Today, the church still host religious ceremonies, including masses, weddings, and Pentecost celebrations.

The Pantheon’s influence extends far beyond Rome. Its dome inspired architectural marvels like the Florence Cathedral and Rotunda of the U.S. Capital in Washington D.C., while its combination of classical and modern elements shaped countless government and academic buildings worldwide.

With over six million annual visitors, the Pantheon remains a symbol of Roman ingenuity and artistic achievement. Tourists can enjoy free entry to this historic site or soak in its splendor from Rotonda Square, savoring gelato while marveling at its timeless beauty.

Tip:
Incredible at night (from the outside), it is especially so if you enjoy musicians with talent and engagement... but beware of pickpockets.

The Spanish Steps, a monumental stairway of 135 steps, holds the distinction of being the longest and widest in Europe. The steps link Spanish Square, at the base, with the Trinity of the Mountains Square at the top.

The stairway was completed under Pope Clement XI in 1717, deriving its name from the nearby Spanish Embassy to the Holy See. Financed in part by a French diplomat, it features Baroque elements, inspired by garden stairs, and incorporates symbolic decorations such as the Bourbon heraldic lily flowers and papal eagles.

As a cultural and seasonal hub hosting public events such as Christmas cribs, spring azalea displays, and a flower market, the Spanish Steps have captivated artists and people of letters since the 18th century. Among them was the renowned English poet, John Keats, who lived and died practically next door. His house, at the base of the steps (located to the right, if you face the stairs), is now a museum.

Other nearby landmarks include the Ferrari di Valbona Palace, redesigned in 1936, and Babington's tea room, a resilient establishment that has withstood two world wars and numerous adversities, ultimately becoming a beloved tourist attraction.

The steps' cinematic appeal also made them a backdrop for numerous films, including the Hollywood blockbuster “Roman Holiday” made in 1953, starring Audrey Hepburn and Gregory Peck. In the scene where Joe Bradley, played by Peck, meets Princess Ann, played by Hepburn, she sits on the steps, enjoying the view and eating ice cream. Fresh after the haircut, the princess takes compliments for her new look and makes up a story that she has run away from school. She accepts his proposal to spend the day together before she returns, and thus the Roman Holiday story begins!

Other filmmakers also made a mark on the steps, such as “The Talented Mr. Ripley” movie with Matt Damon, shot in 1999, and “Mission: Impossible – Dead Reckoning Part One,” featuring Tom Cruise, which premiered at the steps on June 19, 2023.

Consequently, the Spanish Steps became a magnet for aspiring models, affluent Romans, international travelers, and people from all walks of life. The tradition of gathering here is deeply ingrained in the locals and visitors alike. Today, the steps are protected by strict regulations against loitering, eating, or damaging, with heavy fines introduced to maintain decorum.

Tip:
The staircase offers picturesque views of Rome from its pinnacle, particularly at sunset—a truly unbeatable sight!
The afternoon and late hours are the best for visiting, so to avoid the heat of the day.
Alongside tourist activities such as carriage rides, you'll find nearby an array of shops and bars worth exploring.

The Trevi Fountain is one of Rome’s most iconic landmarks, drawing visitors to the eponymous Trevi Square all day long. Surprisingly, the fountain was not initially built in the heart of the city; instead, the city grew around it. Its name derives from the Latin word "trivium," which means “three streets,” as it sits at the junction of three streets: De Crocicchi, Poli, and Delle Muratte.

The fountain’s history dates back to 1629 when Pope Urban VIII commissioned Gian Lorenzo Bernini to redesign it, though his plans were never realized. Later, Pope Clement XII organized a competition in 1730, leading to Nicola Salvi's selection for the project, who incorporated the fountain into the rear of the Poli Palace. Salvi passed away before its completion. Giuseppe Pannini and other artists finalized the work in 1762.

Measuring over 26 meters in height and 49 meters in width, it is the largest Baroque fountain in Rome.

The Trevi Fountain features a Corinthian façade and bas-reliefs depicting the origins of the Acqua Vergine aqueduct, constructed in 19 BC. According to legend, a virgin guided Roman engineers to the aqueduct’s source, an event depicted in the fountain’s bas-reliefs. The aqueduct, which survived the Gothic invasions and was restored during the Middle Ages, still supplies water to the fountain today.

At the heart of the fountain is Oceanus, depicted riding a shell-shaped chariot drawn by two horses and guided by Tritons. The horses symbolize the sea’s contrasting moods—calm and turbulent. Flanking Oceanus are the statues of Abundance and Salubrity, representing prosperity and health. The symmetrical Rococo design combines dynamic artistry with Baroque grandeur, reflecting 18th-century European trends.

The Trevi Fountain is also known for the tradition of tossing coins, which promises a return to Rome. Popularized by the 1954 Hollywood film "Three Coins in the Fountain," visitors toss coins over their left shoulder with their right hand, generating daily about €3,000. This money, collected by municipal authorities, is donated to charity.

Celebrated in films like Roman Holiday and La Dolce Vita, the Trevi Fountain’s global fame is further evidenced by replicas worldwide. Access to the fountain is now limited to 400 visitors at a time, ensuring a more enjoyable visit to this timeless masterpiece. Surrounding the fountain are charming shops, restaurants, and gelaterias, making it a delightful spot to soak in Rome’s vibrant atmosphere.

Tip:
The fountain holds particular allure at night, especially after 10 pm when it is beautifully illuminated and the crowds dissipate, allowing you to enjoy the site almost exclusively.

The Colosseum, Rome’s iconic elliptical amphitheater, is the largest ancient amphitheater ever built, covering 24,000 square meters. Constructed between 69 and 80 AD by the Flavian dynasty, it was initially called the Flavian Amphitheater. Its modern name stems from the Colossus of Nero statue that once stood nearby, with the term "Colosseum" emerging during the medieval period.

Built on the land reclaimed from Emperor Nero’s landscaped Domus Aurea complex after the Great Fire of 64 AD, the Colosseum represented a gift to the Roman people under Emperor Vespasian. It was constructed using travertine, tuff, and concrete and was funded by spoils from the Jewish War. The latter, fought in 70 AD, led to the Siege of Jerusalem and brought back numerous prisoners who largely contributed to the massive workforce needed for the construction. The amphitheater comprised four tiers that could hold between 50,000 and 80,000 spectators at a time. Its free-standing structure features three architectural orders – Doric, Ionic, and Corinthian.

The lowest tier was for the emperor and the royal family, the two middle ones were for the noble Romans and members of government, while the highest tier was for the ordinary citizens. The elaborate system included 80 entrances, passageways for crowd control, and numbered pottery tickets for seating. Admission was free and the main sponsor was the emperor himself.

The Colosseum hosted gladiatorial contests, animal hunts, and mythological reenactments. Events often featured exotic animals imported from Africa and the Middle East. Emperor Trajan's games, for example, involved over 11,000 animals and 10,000 gladiators over 123 days! The below-ground passages were used to bring men and animals into the arena, which was separated from the audience by a ditch. Occasionally, it was reportedly even flooded for naval battles. Executions were common during intervals, with the condemned facing wild beasts or acting out tragic myths.

During the medieval period, the Colosseum served as a fortress and even a stone quarry. Passers-by habitually chipped off pieces of it for souvenirs which, together with some natural causes like earthquakes, led to its partial destruction.

Despite popular belief that the early Christians were martyred here in numbers, evidence suggests that most executions occurred elsewhere. By the 17th century, the Colosseum became recognized as a sacred site. Today, it hosts the Pope’s Good Friday “Way of the Cross” procession.

Only the north side of the building, as well as the underground passages, have survived intact. The arena floor is totally gone. Inside the Colosseum, there's a historical exhibition with both permanent and changing displays.

Tips:
Visit early in the morning or late in the evening to avoid long queues and heat. The ground and first floors are open to visitors without a special ticket, while the subterranean part and the third floor are accessed on pre-booked tours only. Opt for a guided tour to skip lines and access the Forum area. Alternatively, buy tickets in advance or at the Roman Forum. Enhance your experience with an audio guide for detailed historical insights.