Achilleion Palace in Corfu is a magnificent summer palace that was built for Empress Elisabeth of Austria, also known as Sisi, in the late 19th century. The palace is located in Gastouri, a village about 10 km south of the city of Corfu, and provides stunning views of the city and the Ionian Sea. The palace was designed to suggest an ancient palace of mythical Phaeacia, with the motif centered on the hero Achilles of Greek mythology, from which the name is derived.

The Empress of Austria, who was deeply saddened by the tragic loss of her only son, Crown Prince Rudolf of Austria, following the Mayerling incident in 1889, sought refuge in Greece, and specifically in the island of Corfu. Having visited the island for long periods of time while living in Mon Repo, she fell in love with the beauty of nature and the mythological references and wanted to build her own palace. Thus, in the 19th century, she bought the villa of a Corfiot and built Achilleion in its place. She dedicated the palace to Achilles, with many speculations associating it with her lost son, who like Achilles, seemed vulnerable in his own Achilles heel, his forbidden love.

The palace is decorated with imposing statues, with one of the most famous depicting Achilles “the Mortal Achilles” made in 1884. Additionally, the statues of the 9 muses were designed with elements of statues that existed in Ancient Greece. The mural on the roof of the building, a work by the Italian painter Galopi, is also noteworthy as it depicts the four seasons.

After the assassination of Queen Elizabeth by an Italian anarchist, Luigi Luceni, in Geneva on September 10, 1898, German Emperor William II bought Achilleion. The philhellene and lover of ancient Greek culture, also known as “Kaiser”, added another statue of Achilles to the palace with the inscription “To the greatest of the Greeks from the greatest of the Germans”.

The end of the First World War found Achilleion deserted under the ownership of the Greek state, and in the following years, it was turned into a casino after its transfer to a West German company in 1962. King Paul believed that Achilleion would mark the development of the island like another Monaco. Achilleion operated as a casino until 1981 and after it was closed due to political unrest in 1984, it was reopened under the direction of Hellenic Tourism Development Company, within the Greek National Tourism Organization.

Today, Achilleion Palace is a great museum and one of the most famous royal villas in Europe that is worth visiting. The palace reflects Empress Sissy’s love for ancient Greece and mythology, and it is a treasure of cultural elements that one cannot help but feel awe in front of the endless nobility of Ancient Greek-inspired masterpieces that decorate the palace.

Artemis, daughter of Zeus and Leto, the twin sister of Apollo, was the Goddess of the Moon, wild animals, chastity, and childbirth. A temple was dedicated to her in Korkyra (Corfu) in about 580 BC. It was found on the land of the Saint Theodore Monastery in the suburb of Garitsa. It was the first all-stone Doric temple.

The temple was peripteral, surrounded by a portico with columns. It had a width of 77 feet and a length of 161 feet. It was oriented to the east so the interior would fill with light at sunrise. The immense rectangular altar was in front of the temple. The monastery was partly built over the altar.

The ruins were first uncovered during the Napoleonic Wars by troops of the French general Francois-Xavier Donzelot as they were digging trenches. German emperor Wilhelm II busied himself with excavations in Corfu. He had an "obsession" with Gorgon Medusa's sculpture on the pediment of the temple.

Only the foundation of the temple and associated fragments remain on the site. Despite this, the found remains were enough to establish an architectural reconstruction of the temple. The pedimental sculptures of the Gorgon, her children Pegasus and Khrysaor, and the flanking guardian panthers are kept at the Archeological Museum.

Sometime around 600 BC, Menecrates, son of Tlasias and ambassador of Korkyra to Oiantheia (modern-day Galaxidi), was lost at sea. Perhaps there was a battle or pirates. The Korkyreans were determined to honor him with a monument. Praximenes, brother of Menecrates, came from Oiantheia to help with the cenotaph.

In 1843, while demolishing a fortification in Corfu, British soldiers unearthed the cenotaph of Menecrates. The story of Menecrates' disappearance was inscribed on the tomb. A funerary sculpture of a lion was uncovered with the memorial. The lion and the tomb were found in an area known as a necropolis of ancient Korkyra.

The monument and the lion were made of limestone. The monument is a stone cylinder with a conical roof. The conical cover has stones radiating down from a rectangular capstone. The cylinder wall is made of five circular rings in an isodomic construction ( an ancient wall construction technique of finely cut and worked stone). The tomb is almost five feet high and over 15 feet in diameter.

The lion was found near the cenotaph and most likely belongs to it. There is some speculation the lion may belong to the tomb of the warrior Arniadas, who had distinguished himself at a battle by the river Arachthos. The style of the sculpture is Assyrian, and it is in excellent condition. It is kept at the Archeological Museum.

The Corfu British Cemetery, also known as the English or British Cemetery, is a hidden gem on the popular Greek island of Corfu. The cemetery was opened in the mid-19th century and served as a military cemetery for British soldiers stationed on the island. Today, it provides an interesting glimpse into Corfu's past.

The cemetery contains 13 First World War burials and 16 Second World War burials, mostly casualties from destroyers mined in the Corfu channel. Additionally, there are 438 non-war military and civilian graves maintained by the Commission, including an unnamed civilian teacher buried in Plot 3, Grave 20. The cemetery also features a collective grave containing an unspecified number of unidentified victims of the collision of H.M.S. Orwell in Plot 3, Grave 4.

The lush and garden-like cemetery is home to more than 500 graves, including those of civilians. While the island is now part of Greece, the cemetery is still used today by Anglican families descended from British settlers.

In the warmer months of April and May, the cemetery is filled with beautiful orchids, adding to its serene atmosphere. The gravestones are surrounded by luscious grasses, plants, and trees, making the whole place feel more like a forgotten garden than a graveyard. Even tortoises can be seen roaming freely around the cemetery, soaking up the sun.

The caretaker of the graveyard is a wealth of information and can tell visitors all about the cemetery's history and notable burials. For those interested in history or seeking a peaceful escape, the Corfu British Cemetery is a must-visit destination.

Central Market in Corfu is a bustling market located under the shadow of the New Venetian Fortress on a sunken street. Its arcade runs along the length of the street, and it is an excellent place to immerse oneself in the island's culture.

The market is filled with all kinds of goods, including fresh fish and other seafood, fruits and vegetables, as well as locally produced sweets and herbs. Many of the herbs are grown in small market gardens, adding to the market's authentic atmosphere.

Visitors to the market can sample the local produce, gaining a taste of the island's unique flavors. The market is also an excellent place to observe the locals' way of life, as they gather here to shop and socialize.

After a morning of exploring the market's stalls, visitors can take a break at one of the two cafes on-site. These cafes offer a chance to rest weary legs and soak up the bustling atmosphere of the market.

The Central Market in Corfu is a vibrant and lively marketplace where visitors can experience the island's culture, sample its delicious produce, and see how locals live.

High above the old harbor, the New Fortress of Corfu looms like a stony reminder that Venice never did anything halfway when it came to defense. After the Ottomans came knocking in 1537, it became clear that the Old Fortress wasn’t enough. So in 1577, the Venetians rolled up their sleeves, flattened entire neighborhoods, and raised this new citadel on the hill of Saint Mark. By 1645, the work was largely done, and what emerged was a masterclass in military engineering-bastions, moats, and underground passages all stitched into the fabric of Corfu’s skyline.

The fortress is built on two levels, each with its own perks. The lower level holds a three-story building and a pentagonal bastion, strung together with arched halls, staircases, and labyrinth-like ramps. Baroque gates and a long, dry moat added extra muscle. Higher up, the bastions of Skarponas and Epta Anemoi command the town and sea, reached by way of the aptly named Bell Castle. Later centuries left their fingerprints too-the 18th-century Venetians fortified the western hills, the French shored up Vidos Islet, and the British, practical as ever, added their barracks.

For adventurers, the payoff is layered. You can wander through its shadowy tunnels, touch the thick stone walls, and read the Venetian lion carved in relief since 1728, all while imagining the fortress as the shield it once was. Or, climb to the higher bastions and let the view unfold-the tiled rooftops of Corfu Town, the sweep of the sea, and the Old Fortress standing watch in the distance.

Today, the former barracks host art exhibitions and cultural events. The New Fortress, in its mix of grit, history, and unexpected beauty, shows how Corfu has always been more crossroads than outpost.

The Agia Theodora Mitropolis Orthodox Cathedral, located in the heart of Corfu Town, is one of the island’s most significant religious landmarks. Serving as the metropolitan church of Corfu, it is dedicated to Saint Theodora, a revered Byzantine empress and saint whose relics are preserved inside. The cathedral traces its origins to the 16th century, when it was built on the site of an earlier church, and it has since remained a focal point of spiritual life on the island. Its location near the Old Town’s maze of Venetian-style streets makes it easily accessible for visitors exploring Corfu’s historic centre.

Architecturally, the cathedral combines traditional Orthodox design with influences from Venetian rule, which shaped much of Corfu’s built environment. Its simple yet elegant exterior gives way to a richly decorated interior, where visitors can admire gilded iconostasis screens, painted icons, and chandeliers that add to the solemn atmosphere. The highlight of the cathedral is the silver reliquary containing the body of Saint Theodora, who played a decisive role in restoring the veneration of icons during the Byzantine era in the 9th century. Pilgrims and visitors alike come to pay their respects and witness the deep-rooted traditions of the Orthodox faith in Corfu.

The cathedral also serves as the seat of the local archbishop, making it a hub for religious ceremonies and major liturgical events. During feast days, the building fills with worshippers, and processions often spill into the streets, accompanied by music and age-old customs that connect Corfu’s past to its present. For tourists, visiting the Agia Theodora Mitropolis Cathedral offers not only a chance to appreciate its art and architecture but also an opportunity to glimpse the living religious heritage that continues to shape the island’s identity.

Saint Spyridon Church in Corfu isn’t just a building you pass by-it’s a 16th-century heavyweight in both history and faith. Raised in 1589, it honours Corfu’s patron saint, Spyridon, a 4th-century figure celebrated for his miracles and steadfast belief. After his death, his relics were safeguarded in Constantinople until the city fell, then ferried to Corfu, where they eventually found a permanent home in this church within the old city walls.

Its Venetian stamp is hard to miss. The red-domed bell tower-tall enough to make its presence known across the Ionian Islands-dominates Corfu Town’s skyline. Inside, it’s all about detail and devotion: golden flourishes, a painted ceiling narrating episodes from the saint’s life, and at the heart, the silver casket holding his relics. These remains are central to Corfu’s identity, carried through the streets in processions that mark the island’s brushes with sieges, plagues, and survival against the odds.

The crypt adds its own intrigue, with a double sarcophagus encasing the saint’s body, surrounded by 53 incense burners-18 fashioned in gold, the rest in silver. Even the Romanov coat of arms above the west door tells a story of connections that looks hard to believe at first glance.

Step inside today, and you’ll find a place where Orthodox devotion meets Venetian elegance, where pilgrims kneel in reverence and curious visitors look upward in awe. The church and island are in good hands, as Saint Spyridon had centuries to master his craft. Even though not always in physical form.

Imagine stepping into a 19th-century Corfiot mansion where the walls quite literally have something to say-that’s Casa Parlante. This Venetian-style house museum sits in the Old Town, not far from Liston and Spianada Square, and it whisks you straight into the refined world of Corfu’s aristocracy during the British protectorate. Furniture, portraits, and heirlooms set the scene, but the twist is how the place “talks.” With animatronics, sounds, and even scents, the mansion feels less like a static exhibit and more like a home mid-conversation.

As you move through the rooms, you’ll cross paths with the count and countess, their children, and the staff, all frozen in moments of daily routine yet curiously alive. You might hear a waltz seeping through the walls, smell dishes simmering in the kitchen, or find yourself in the middle of an afternoon tea that looks convincingly underway. Every chamber doubles as a slice of noble life, complete with rocking chairs that creak, music that lingers, and details that give the sense you’ve caught the household by surprise.

The Talking House doesn’t feel like a typical museum; it’s closer to walking through a living play where history is staged with a wink. It turns the aristocratic past into something tangible, not only to observe but to experience, making a centuries-old lifestyle both memorable and oddly familiar.

Liston's name is up for debate. Depends who you ask. Scholars will point to the Venetian lista-a term for a grand promenade. Locals with a taste for legend prefer the tale of a literal “list” of aristocrats who alone were allowed to strut along here before Corfu joined Greece in 1864. Whichever story you choose, the walkway has been Corfu’s living room ever since.

The French put their stamp on the place between 1807 and 1814, shaping the arcades to mirror Paris’s Rivoli street. With its neoclassical arches stretched along the edge of the Spianada, the Liston gave Corfu a dose of cosmopolitan flair. Today, those same arches frame cafés that never seem to empty, their terraces packed with conversations and clinking cups.

Geography keeps the Liston at the heart of it all. It links Spianada Square to the Old Town, just steps from the Old Fortress, the Palace of Saint Michael and Saint George, and Saint Spyridon’s Church. At Easter, the arcades glow purple with lanterns, processions wind past, and locals toss clay pots from balconies in a thunderous ritual that rattles the air. On quieter days, you might hear folk music, watch a cricket match on the lawn, or stumble into a street exhibition.

And then there’s the simple pleasure: sipping coffee under the shade, nibbling kumquat sweets, or raising an eyebrow at the polished chaos of traffic and cricket sharing the same square. The Liston is a performance that never ends, starring whoever happens to be passing through, which today, happens to include you.

Spianada Square in Corfu, whose name comes from the Italian spianare, meaning “to flatten,” lives up to its name-though not in spirit. It spreads out as the largest square in the Balkans, a broad stage where centuries of history have left their mark. The Venetians began the story in the 16th century, clearing away houses to create an open zone of defense for the Old Fortress. Later came the French, with their taste for order and neat urban planning, followed by the British, who sprinkled in their own additions. The result is a patchwork of empires, still visible in stone, gardens, and arcades.

At the heart of the square stands the Peristyle of Maitland, a circle of twenty Ionic columns raised in 1817 by General George Whitmore. It rests on top of what was once a water cistern, though the locals still call it the “Sterna.” Monuments dot the area like footnotes in marble-among them the statue of Count von der Schulenburg, remembered for repelling the Turks in 1716. In the “Boschetto” garden, fountains and busts of figures such as poet Konstantinos Theotokis and author Gerald Durrell soften the grandeur with quieter, more personal notes.

One side of Spianada is framed by the Liston Arcade, a French-era creation from 1807 inspired by Paris’s Rivoli street. Today its arcades shelter cafés whose tables are among the most coveted in Corfu. Not far off rises the Palace of Saint Michael and Saint George, a British-built neoclassical landmark from 1824, now housing the Museum of Asian Art. Together, they turn the square into a living open-air gallery of European design.

But Spianada is no museum piece. Cricket matches-an odd British legacy-still play out on its lawn, while Easter parades, concerts, and festivals keep the square buzzing with life. It is Corfu’s civic heart, where military history, imperial flair, and everyday social life continue to mingle in the open air.

A jagged rock rising from the sea, crowned with walls that have seen more as many cannons as boats floating in the sea. That’s Corfu’s Old Fortress, first fortified back in the 6th century AD when locals, tired of getting knocked around by Ostrogoth raids, hauled themselves onto this peninsula for safety. The Byzantines took over the project in the 12th century, adding towers on two peaks and giving the place its dual identity as Old Castle and New Castle.

Then came the Venetians, and with them, big ideas. From 1386 to 1797, they carved the Contrafossa canal, severing the fortress from the town and turning it into a floating citadel. They stacked on bastions, underground passages, and towers robust enough to stare down three separate Ottoman sieges. The last, in 1716, dragged on for seven weeks until Count von der Schulenburg and his defenders forced the Ottomans packing. But the fortress wasn’t invincible-two years later, a lightning strike hit the powder magazine and blew the place sky-high, Venetian commander included.

Roll forward to the British in the 19th century, who added their own flair with a lighthouse and military barracks. Later chapters got grim: Italian bombs in 1923, and under Nazi occupation, the fortress became a holding prison for Corfu’s Jews before deportation-a story that ended in tragedy for most.

And yet, the fortress endures. Today it’s home to the Public Library of Corfu and the Ionian University’s Music Research Lab, and its courtyards double as stages for concerts and exhibitions. Wander the bastions, slip through shadowy tunnels, or just climb high for sweeping views over Corfu Town’s terracotta rooftops, the Ionian shimmer, and Albania’s distant peaks. Part monument, part cultural playground, the Old Fortress is history with a pulse.

Nestled in the historic district of Anemomylos in Corfu lies the venerable Church of the Holy Apostles Jason and Sosipater, a cherished monument from the Middle Byzantine era and among the island’s most significant architectural treasures. Dedicated to Saints Iasonas and Sosipater-faithful disciples of Apostle Paul who brought Christianity to Corfu in the first century AD-this church bridges Corfu’s ancient origins with its medieval spiritual heritage.

Dating back to around the year 1000, the current structure was expertly built by artisans from Attica and Boeotia, replacing an earlier monastic catholicon originally dedicated to Saint Andrew. Architecturally, it is a prime example of the cross‑in‑square Byzantine design: a domed structure supported by sturdy walls and two columns, making it one of the oldest and best‑preserved of its kind on the island. Its lower masonry features large limestone blocks-likely repurposed from the ruins of ancient Palaiopolis-while the upper portion showcases the distinctive cloisonné technique, embellished with decorative ceramic patterns.

Inside, visitors once encountered a rich array of frescoes, though many were lost when the walls were whitewashed in 1820. Today, fragments endure-from a depiction of Saint Arsenios, the archbishop of Corfu, in the narthex, to later scenes of hierarchs and a baptismal tableau featuring two surviving angels. The church’s artistic highlights also include a stunning Baroque marble iconostasis and poignant “despotic” icons by Emmanuel Tzanes, a leading figure of the Cretan School who contributed these magnificent works in 1650, his most notable work in Corfu.

Adding to its spiritual resonance, the church houses the tombs of Saints Iasonas and Sosipater, whose feast is celebrated annually on April 29. For travelers seeking both historical depth and spiritual ambiance, the Church of the Holy Apostles Jason and Sosipater offers a profound window into Corfu’s Byzantine past and enduring cultural legacy.

Since 2001, the villa and estate of Mon Repos (My Rest), located in the forest of Palaiopolis, has been used to house the Museum of Palaiopolis-Mon Repos. The name Mon Repos was given to the villa by King George I of the Hellenes. He received the villa as a summer residence from a united Greece in 1864.

The villa was built in 1831 for the British Lord High Commissioner of the United States of the Ionian Islands, Frederick Adam. In 1833 it housed a school of fine arts. The park around the villa was opened to the public in 1834. It was a royal summer residence until 1967, when King Constantine II, the last king of Greece, fled the country.

The villa at the Mon Repos estate is a perfect example of Neoclassicism of the Regency era. The permanent display is spread throughout 14 galleries. The uppermost floor hosts temporary exhibitions and cultural events.

In the galleries are archeological finds, documents, prints, and photos. The mansion contains Regency-style furniture, objects, and a collection of watercolors and botanicals. The estate covers 260 acres of trees, temple ruins, and the botanical gardens of the Ionian Academy.

On the northeastern shore is the ancient well of Kardaki. It is said if a stranger drinks from this well, he will stay in Corfu forever. Overlooking the sea is the cave of Nymphs and an ancient theatre. In the Mon Repos area, one may find the temples of Hera, Artemis, and Apollo.

The Temple of Hera, or Heraion, was probably built circa 610 BC in the ancient city of Korkyra, also known as Palaiopolis. It is located within the Mon Repos estate. Hera's sanctuary is considered an early piece of Archaic Greek architecture.

The temple roof was adorned with lions, gorgons, and abstract-looking Daidala maidens painted in bright colors. It was among the most decorated temples of Archaic Greece. The temple had stone columns from the beginning establishing that Doric architecture had made rapid strides around 600 BC.

The Temple of Hera was erected at the top of Analipsis Hill, which made it easily visible to ships passing Korkyra. The Digital Archaic Heraion Project at Mon Repos has begun to digitize fragments found at the Corfu Heraion. The goal is to reconstruct in 3D virtual space Temple at Palaiopolis.

A major fire destroyed the temple in the 5th century BC. It was rebuilt as a new temple in the 4th century. The reconstructed temple was ruined again in the Venetian and Byzantine eras, mostly by looting stones.