Biserica Mare, Sinaia (must see)

Under the leadership of Hegumens Ioasaf and Paisie, construction of The Great Church began in 1842 using funds allocated by the monastery and was completed in 1846. This smaller structure was enlarged by the Board of Civil Hospitals during a period from 1897 to 1903. These efforts gave the building the appearance it has today.

Created by architect George Mandrea, the structure utilizes the Moldavian style and the Brâncovenesc style from Walachia. It is said that the belt of three green enamel lines that encircle the building represent the unity of the Holy Trinity in one God and the unity of the Three Romanian Kingdoms in one country.

The gold mosaic paintings were created by Danish artist Aage Exner in a typical neo-Byzantine style.

The furniture was made of wood by Constantin Babic and his students at the Bucharest Art School (Ṣcoala de Arte si Meserii). The King's throne displays the royal emblem and the motto Nihil sine Deo (Nothing without God). Both thrones are gold-plated.

A remarkable piece adorning the monastery is the epitaphios by Anna Roth, made of silk and gold on a cotton base. It took three years (from 1897 to 1900) to finish.