Manggha, Krakow

Situated atop the Wawel Hill, the Manggha is a museum with a dedicated focus on Japanese art, literature, and technology. Its inception dates back to 1994, and ever since then, the Manggha has remained a integral part of the National Museum of Krakow.

Over the passage of time, the Manggha has garnered a reputation that extends beyond being merely a museum; it has evolved into a thriving cultural hub. Distinguishing itself from traditional museums, the Manggha's mission transcends the mere presentation of valuable artifacts from a civilization's history. Instead, it actively engages in comprehensive educational endeavors, striving to transform into an institution that facilitates comprehension and advancement of the arts. Through an array of lectures, artistic courses, and inclusive classes catering to individuals from diverse backgrounds, the Manggha emerges as a unique establishment that redefines the conventional notion of a museum.

Conceived through the joint efforts of Andrzej Wajda and Krystyna Zachwatowicz, the origins of Manggha can be traced back to the visionary Feliks Asienski, fondly known as Manggha. Stemming from a prosperous family of landowners, Feliks Asienski gained recognition as a Polish critic and an avid art collector. His extensive assemblage predominantly consisted of art and craftsmanship from the Far East, which he exhibited in Warsaw, Lviv, and Krakow. Subsequent to his passing, this remarkable collection found a home within the National Museum of Krakow, where it now takes pride of place within the Manggha's exhibition.