Moulin Rouge in Montmartre opened in 1889, the same year as the Eiffel Tower was built. Aimed primarily at wealthy patrons, it was designed as a lavish garden café-concert where diverse social groups could mingle. Since its opening, the venue offered world-class entertainment, becoming a meeting place for Parisians and visitors from all walks of life. The elegant cabaret attracted the uber-rich, socialites, middle class, artists, and foreign visitors who rubbed shoulders and enjoyed themselves.

Over the years, Moulin Rouge has hosted numerous celebrities and royal guests. In 1890, the Prince of Wales, the future King Edward VII, visited here to witness the new and riveting Can-can dance. A year later, artist Toulouse-Lautrec created his first poster for Moulin Rouge. Sadly, in 1915, the place burned down and had to be rebuilt in 1921. Another intensive renovation, in 1951, produced its current decor.

In 1979, Ginger Rogers graced the cabaret's stage for its 90th anniversary, while Queen Elizabeth II attended a private show in 1981. Other members of the British royal family who have visited Moulin Rouge include Prince Charles (now King Charles III) and Princess Diana, Prince Edward, and Princess Anne. World-known celebrities such as Liza Minnelli, Dean Martin, and Frank Sinatra also took part in special events here. Its centenary celebration featured a star-studded gala with Lauren Bacall, Ella Fitzgerald, and Jerry Lewis.

Over the years, Moulin Rouge has been featured in countless books, plays, and films. The 2001 movie "Moulin Rouge!", directed by Baz Luhrmann, re-popularized this vibrant and one-of-a-kind venue.

Today, visitors can book a table, savor dinner and champagne, and experience firsthand the magic of what has been the center of Parisian nightlife for over 130 years.

Tip:
Visit at sunset for photos of Moulin Rouge's iconic windmill and neon signs lit up against the backdrop of a darkening sky.

A spot at the end of the Champs Elysées Avenue was always considered fit to accommodate some sort of a landmark monument. However, it wasn't until 1806 that Emperor Napoleon Bonaparte finally decreed that a triumphal arch, dedicated to the glory of his army, should be placed there. Napoleon's architectural projects made clear his desire to identify his regime with the glory of Imperial Rome, and this particular design was inspired by the Roman Arch of Titus.

The measure of Napoleon's audacious ambitions can be seen in the sheer size of the Triumphal Arch: a colossal 45 meters wide by 50 meters high, making it almost certainly the biggest triumphal arch in the world. Nowadays, the presence of The Great Arch of the Defense on the western horizon of Paris makes it hard to appreciate the Triumphal Arch's original impact on the cityscape. Back then, it was the most prominent and massive object for miles around – the hegemony retained until the construction of the Eiffel Tower in the 1880s.

Inevitably, the arch quickly became an object of national pride and subsequently the world-famous symbol of French patriotism. Built in the era when war was undoubtedly the "overriding argument of kings", the arch was intended primarily for triumphal entrances into Paris by victorious French troops. Napoleon himself had a chance to pass beneath its mock-up replica only once, in 1810, together with his bride Marie-Louise, the Archduchess of Austria. The other Napoleon – Napoleon III – was more fortunate in this respect, and was able to ride underneath the completed Arch of Triumph upon his ascending to the throne in 1852.

As for the proper victory march, the Triumphal Arch saw it for the first time only in 1919. The aftermath of World War I, however, shifted the French public interest away from war, and, since 1921, the arch has been solely the place of commemoration of the fallen soldiers. It has the Tomb of the Unknown Soldier and the Flame of Remembrance.

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The roundabout encircling the Triumphal Arch is referred to by Parisians as "the Star" for the 12 avenues emanating from it. Climbing the stairs to the top of the arch, you will see the star-shaped pattern of the radiating streets and enjoy a panoramic view of the Champs-Élysées leading towards Concorde Square and the Louvre Museum in the distance.

By far the most popular avenue in France, Champs-Élysées is a household name and has been described as the "most beautiful avenue in the whole world". Stretching for about two kilometers from Concorde Square to Charles de Gaulle Square, this major thoroughfare boasts exuberant shopping, luxurious dining, and world-class entertainment, not to mention some of the top photographic panoramas of the French capital.

Once a farmland, the area was made into a promenade in 1667, when it was designed as an extension of the Tuileries Garden. Originally called the "Grand Promenade," this wide boulevard lined with elm trees adopted its current name in 1709. The name “Champs-Élysées” is the French for the Elysian Fields, the resting place for dead heroes and blessed souls in Greek mythology.

Throughout the 18th and 19th centuries, the avenue saw significant expansions and renovations, becoming increasingly fashionable, flanked by noble properties such as the Élysée Palace, currently serving as the official residence of the Presidents of France. The Triumphal Arch, commissioned by Napoleon and finished in the 1830s, added grandeur to the area. During Napoleon III’s reign, it was redesigned in an English garden style, introducing winding paths and chestnut trees, while the Universal Expositions of 1855 and 1900 further transformed it, giving rise to the Grand and Small Palaces, now housing a bunch of art galleries.

Throughout French history, the avenue also has been a symbolic site of military parades celebrating victories like that in the First World War, in 1919, and the liberation of Paris in 1944. Once a year, it also sees the finish of the annual Tour de France cycling race.

As a staple destination for foodies, the avenue offers a choice of gourmet eateries fit to spoil even the most discerning gluttons. Among the places particularly noteworthy are: bistro Atelier Renault; Flora Danica – the Danish brasserie, renowned for its caviar; Fouquet's restaurant – aged over 100 years; the famous Ladurée tea room; as well as L'Alsace Bistro specializing, just as the name suggests, in the Alsace regional cuisine and open 24 hours a day.

Those craving entertainment will find it here, too, in rich supply. Cinema Gaumont, France's #1 screen for movie premiers; the world-famous cabaret Lido; the bar and club Montecristo; Le Queen nightclub with some of the top DJs in town, plus the Marigny Theatre are just some of the local entertainment options to consider.

Whatever the season, day or night, Champs-Élysées never fails to impress. And if you come around Christmas, you'll be in for a special treat!

Of all the beautiful bridges spanning the Seine in Paris, the Alexandre III Bridge is celebrated as the city's most ornate and extravagant. Built as part of the preparations for the 1900 World Exhibition, it epitomizes the architectural and artistic grandeur of the Belle Époque. The bridge connects the Champs-Élysées quarter to the areas near the Invalides complex and the Eiffel Tower. In recognition of its historical and cultural significance, it was declared a French historic monument in 1975.

Named after Tsar Alexander III of Russia, who solidified the Franco-Russian Alliance in 1892, the bridge features elaborate Beaux-Arts styling with Art Nouveau elements, including ornate lamps, cherubs, nymphs, and winged horses at both ends. This aesthetic continuity aligns with the Grand Palace across the river, emphasizing a cohesive visual narrative across the cityscape. The foundational stone was placed by Tsar Alexander's son, Nicholas II, in 1896, reinforcing the diplomatic symbolism the bridge carried.

A genuine feat of engineering for its time, showcasing a 6-meter-high single-span steel arch, it was designed to preserve unobstructed views along the Champs-Élysées and towards the Invalides, integrating the structure seamlessly with its surroundings.

Prominently, the bridge is adorned with statues by various sculptors, adding layers of artistic merit. Four gilt-bronze statues of Fames, resting on large masonry socles at each end of the bridge, symbolize different aspects of French culture and achievement. These include the Fame of the Sciences and the Fame of the Arts on the Right Bank and the Fame of Commerce and the Fame of Industry on the Left Bank, each flanked by corresponding figures representing different eras of France, from Charlemagne to Louis XIV to Contemporary France.

The piers and groynes supporting the lower part of the bridge are also impressive, especially for those who sail underneath it.

The center of the bridge features hammered copper nymph reliefs, commemorating the Franco-Russian Alliance, with one facing toward Paris and the other toward Imperial Russia. This symbolic decor is echoed in the Trinity Bridge in Saint Petersburg, also a Franco-Russian memorial, underscoring the deep cultural and political connections between the two countries.

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If you happen to be on the bridge at night, make sure to walk down the stairs and check out its underbelly for some truly amazing photos.
Also, look out for a small antiques market down there, along the riverfront, for some vintage fashion, excellent silver flatware, and knick-knacks of various sort.

Concord Square is Paris's largest public square, spanning 7.6 hectares at the eastern end of the Champs-Élysées. It was created in the mid-18th century to honor King Louis XV’s recovery. The square's octagonal layout, surrounded by moats and stone bridges, originally featured the equestrian statue of Louis XV at its center.

During the French Revolution, the square gained historical significance as the site of numerous public executions including those of King Louis XVI, Queen Marie Antoinette, and Maximilien Robespierre, one of the most influential and controversial French revolutionary figures. The installed guillotine remained particularly busy throughout the so-called "Reign of Terror" in the summer of 1794 when in a single month more than 1,300 people were executed. Renamed Revolution Square during this period, it was rechristened Concord Square in 1795, symbolizing peace in post-revolutionary France.

Today, the square is home to iconic landmarks. The Luxor Obelisk, a gift from Egypt, was raised there in 1836. In 1998, it was capped with a gold-leaf top. Aged over 3,000 years, this is by far the most ancient monument in Paris, originally standing at Luxor Temple’s entrance. The 230-ton obelisk is complemented by two fountains: the Maritime Fountain, symbolizing France’s seas, and the Fluvial Fountain, representing its rivers. The square’s Neoclassical buildings house important institutions like the former headquarters of the French Navy. In continuation of the nautical theme, there are 20 rostral columns throughout the square adorned with a ship prow which is part of the official Paris emblem.

On its eastern side, the Tuileries Garden connects with museums like the “Game of Palm” National Gallery (a former tennis court turned into an art gallery) and the Orangery, home to Monet’s Water Lilies painting.

Concord Square continues to host significant events, including Bastille Day parades and, more recently, Olympic celebrations. In 2021, plans were announced to make the square more pedestrian-friendly by reducing traffic, adding green spaces, and creating tree-lined areas around monuments.

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A big Ferris wheel in Concord Square is for those keen on getting a bird's eye view over the nearby river Seine, Louvre, Tuileries Garden, Champs-Élysées, Triumphal Arch, and the Eiffel Tower. This wheel turns three times faster than the London Eye and is much cheaper too!

The Palais Garnier, also known as the Opéra Garnier or the Paris Opera, is a grand 19th-century building designed by architect Charles Garnier and inaugurated in 1875. Having served as the principal venue for the Paris Opera until the opening of the Opéra Bastille in 1989, it continues to be used for ballet performances and concerts.

The structure is an architectural masterpiece, featuring a grand façade with elaborate sculptures, bronze busts of famous composers, and a stunning rotunda adorned with a multi-colored mosaic. The interior is equally impressive, with a grand marble staircase, a massive chandelier weighing over six tons, and a spectacular auditorium decorated with frescoes and a ceiling painted by Marc Chagall.

One interesting historical curiosity about the Palais Garnier is its association with the Phantom of the Opera. This legend inspired Gaston Leroux's famous novel, which was later adapted into a musical. According to the legend, a mysterious figure called the Phantom haunted the opera house's underground tunnels and caused chaos in the theater. Although the story is fictional, the Palais Garnier's underground lake and maze-like passages do exist and can be visited on a guided tour.

Another curiosity of the palace is the grand foyer, a lavish space designed for the elite of Parisian society to see and be seen during intermissions, which features opulent decorations, including a ceiling painted by Paul-Jacques-Aimé Baudry and sculptures by Carpeaux and Jean-Baptiste Klagmann. The grand foyer has been meticulously restored, and visitors can admire its beauty during guided tours.

Overall, a must-visit destination for architecture and history buffs, music and theater lovers, and anyone looking to experience the grandeur and beauty of one of Paris's most iconic landmarks.

Tip:
If you only possess a mild acquaintance with the opera genre but aspire to experience its glory, Palais Garnier emerges as a suitable destination. The edifice is an ideal venue to witness a classic Italian opera, such as the legendary creations of Verdi or Puccini, which usually span for around 3.5 hours, including intervals, and have great music you might recognize. The website provides comprehensive information on the duration of each performance.
A self-guided tour of the palace is also feasible, or alternatively, a guided tour is available that encompasses access to places off-limits to solo explorers and confers a deeper insight into the history of the palace and opera.

The iconic glass pyramid entrance to the Louvre is a testament to the lasting fascination of the French with ancient Egypt, and perhaps the first thing associated with the Louvre in the eyes of the numerous tourists visiting Paris these days.

Initially considered a bit too futuristic and arousing concerns over its expedience and extravagance (as being too big or too glassy), this pyramid nonetheless has played well the role of a "beacon" for visitors, just as intended. Amid the debate as to whether the Louvre's great size demanded multiple smaller entrances, instead of just one, to ensure getting in and out quicker, the idea of the Grand Louvre pyramid being more than just a gate but a symbol of national power and greatness prevailed.

Whether one admires the pyramid or not, it is hard not to appreciate its sheer engineering magnificence, projecting both solidity and immateriality. Similar to the one in Giza, the Louvre pyramid follows the golden mean proportions and features specially laminated glass that lacks the greenish tinge present in commercially available glass, resulting in minimal color distortion when viewing the Louvre's facade through it. On Wednesdays and Fridays, as well as on the first Saturday of the month, the museum stays open through the night and the pyramid goes ablaze, giving the Louvre a very special touch.

In 2019, to celebrate the pyramid's 30th anniversary, Californian artist JR produced a collaborative artwork that created a colossal optical illusion, making it seem as though the pyramid had vanished underground. Fortunately, it was just an entertaining stunt, and the genuine pyramid remains in its place. However, if you want to be sure, pay a visit to the Louvre when you're next in Paris, and confirm it for yourself!

The Louvre Museum, or simply the Louvre, is perhaps the most famous art museum in the world. Originally built as a fortress in the late 12th century, under King Philip II, it later transitioned into a royal residence under King Francis I, in 1546. The Louvre’s current palace structure developed through multiple expansions, although it ceased being a royal residence in 1682 when Louis XIV moved his household to Versailles.

In 1692, the Louvre became home to the Academy of Inscriptions and Fine Writing and the Royal Academy of Painting and Sculpture, which held public exhibitions, or “salons,” marking its early transformation into a public cultural space. During the French Revolution, it was formally established as a museum by the National Assembly, with an initial exhibition of 537 works, mostly from royal and church collections. Following its brief closure due to structural concerns, the Louvre reopened and rapidly expanded its collection under Napoleon Bonaparte, who renamed it Napoleon Museum. Though many seized artworks had to be returned after Napoleon's fall, subsequent monarchs continued to add to the collection, and acquisitions continued through donations and bequests during the Third Republic (between 1870 and 1940).

Today, the Louvre’s collection comprises approximately 500,000 objects housed in over 72,000 square meters of space, with 35,000 pieces displayed at any given time. Divided into eight departments-ranging from Egyptian and Near Eastern Antiquities to Paintings and Islamic Art-the museum showcases everything from sculptures and ornamental works of art to paintings and archaeological artifacts from around the globe. Key masterpieces here include the "Venus de Milo," the "Winged Victory of Samothrace," "The Raft of the Medusa," and, famously, Leonardo da Vinci's "Mona Lisa." For many, the chance to see the Mona Lisa is the main reason for visiting.

Beyond the high-profile pieces, the Louvre's lesser-visited Sully and Richelieu wings reveal the full extent of its treasures. The Richelieu wing is particularly celebrated for its elegant design, glass-covered courtyards, and grand architecture. Its centerpiece is the Napoleon III apartments, adorned with immense chandeliers, red velvet, intricate moldings, and lavish gilded decor-a testament to the opulence that impresses all who enter.

With almost 9 million visitors in 2023, the Louvre remains the most-visited museum globally, surpassing even the Vatican Museums. For those planning to visit, advance ticket purchases are essential, and using the quieter Lions Gate helps ease entry. For a more serene experience, Friday afternoons, when the museum stays open late, are ideal. Once inside, a map is crucial for navigating the expansive galleries, allowing visitors to prioritize the exhibits that resonate most.

Despite its name suggesting newness, New Bridge is the oldest surviving bridge over the Seine in Paris. Located at the western end of the City Island, this historic overpass marks the early heart of the French capital. Built in two parts-one with five arches connecting the left bank to City Island, and the other with seven arches linking the island to the right bank-the bridge offers a unique view of the island’s expanded tip, now home to the Square du Vert-Galant, a park named for Henry IV, also known as the "Green Gallant."

Named "New" to distinguish it from the older bridges existing at the time, traditionally lined with houses on both sides, New Bridge became a cultural and architectural landmark for its open design, which allowed unbroken views of the Louvre. Construction began in 1578, under Henry III, and was completed in 1606, under Henry IV, producing the first stone bridge free from houses, with paved walkways for pedestrian safety and angled spans for resilience. An equestrian statue of Henry IV, destroyed during the French Revolution and restored in 1818, commemorates his legacy.

Another distinctive element of the bridge was the semicircular bastions jutting out above the piers. These were made to allow people to step aside so as not to get wet or soiled in mud by passing carriages. Later on, they served as popular gathering spots and, at one point, even functioned as trading areas for street vendors and even tooth-pullers. Now that the tooth-pullers are gone, these bastions are primarily occupied by tourists and enamored couples seeking to immerse themselves in the city's romantic ambiance.

New Bridge's decorative features include 381 mascarons - Renaissance-style stone masks with high relief - on the outer edges of the bridge, close to the cornice. In the 1850s, they were replaced with copies. On closer examination, it becomes apparent that each mascaron is unique, with its distinct and rather unconventional expression; some appear to be contorted in grimaces or otherworldly visages.

Between 1712 and 1719, a large pump house was built on the bridge. Decorated with an image of the Samaritan woman at the well, it was aptly called the Samaritan. Years later, it inspired the eponymous department store “La Samaritaine,” established in the area in 1869.

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Ardent bridge enthusiasts seeking a unique perspective of New Bridge should consider embarking on a River Seine cruise with the "Vedettes du Pont-Neuf" company, conveniently located nearby. Their cruise offers excellent value for money, and you can even obtain a discount voucher from most tourist information offices in Paris.

While the Eiffel Tower is an instantly recognizable symbol of France, the Notre-Dame Cathedral is an unmistakable symbol of Paris. Notre-Dame de Paris, or "Our Lady of Paris," is a medieval Catholic church renowned for its French Gothic appearance. Among other features, this cathedral showcases period architectural innovations such as the rib vault and flying buttress, as well as large rose windows and rich sculptural decoration. Notre-Dame’s architectural and historical significance is underscored by its vast pipe organs, iconic bells, and its role in hosting significant ceremonies like Napoleon’s coronation, the celebration of the Liberation of Paris in 1944, and the funerals of presidents Charles de Gaulle and François Mitterrand.

Before Notre-Dame, a temple to Jupiter and later a cathedral dedicated to Saint Étienne occupied the site. Construction of Notre-Dame began in 1163 and concluded in 1260, incorporating architectural advancements in four major stages, with additions in the 13th century enhancing stability and light. At the time of its construction, it was the most ambitious cathedral project ever undertaken in France, its vaults rising over 33 meters and holding a national height record for several decades.

In 1431, Notre-Dame saw the coronation of King Henry VI, and during the French Revolution, suffered vandalism when it was repurposed as a warehouse. In the 19th century, Victor Hugo’s novel, The Hunchback of Notre-Dame, spurred its restoration, largely preserving Notre-Dame’s legacy.

Amid the Second World War, upon the Fall of France, there were fears that the German invaders might destroy the freshly renovated stained glass of the rose window. As a result, the lion's portion of it was hidden and re-installed only after the war.

In 2019, a fire severely damaged the cathedral's oak roof and spire. Firefighters saved much of the building, including the world's biggest 13th-century glass window and other artifacts and relics which were temporarily removed for safety. Though many decorations have been removed over time, the cathedral retains Gothic, Baroque, and 19th-century sculptures, altarpieces, and revered relics, including the Crown of Thorns and fragments from the True Cross.

As a symbol of Paris and France, Notre-Dame is renowned for its traditional Lent sermons since the 1830s and attracts annually around 12 million visitors.

Shakespeare and Company, an English-language bookstore in Paris, offers an excellent choice of new, second-hand, and antiquarian books of various genres and periods. Whether you want to stock up on study materials, seek the latest titles from the British press, or perhaps search for some hidden literary treasures, this place has everything you need. And there are plenty of cozy nooks and crannies where you can take a break and just read or peruse books.

The shop was opened in 1951 by American George Whitman under the name "Le Mistral." It was renamed in 1964 in tribute to the original Shakespeare and Company bookstore and William Shakespeare's 400th birthday. This name change cemented the store's connection to its legendary predecessor, which opened in 1919 by Sylvia Beach and welcomed famous writers such as Ernest Hemingway, James Baldwin, and James Joyce. Sylvia famously defied the system by publishing Joyce's "Ulysses" in 1922, but her store closed down in 1941.

After the war, Whitman took up the mantle, celebrating literary giants. The new Shakespeare and Company has been a cultural hub ever since, attracting authors like Allen Ginsberg, William Burroughs, and James Baldwin, who found here not just a place to obtain books but a vibrant community. Described by its founder as a "socialist utopia masquerading as a bookstore," this place has the tradition of hosting aspiring writers-referred to as "Tumbleweeds"-who stay in beds among the bookshelves for free in exchange for helping around the store, committing to reading daily, and writing a single-page autobiography for the store’s archives.

After George Whitman's passing, his daughter Sylvia took over in 2003, continuing the bookstore's legacy of literary fervor and community spirit. Despite facing significant challenges, including an 80% drop in sales in 2020 due to the COVID-19 pandemic, the store has maintained its role as a literary sanctuary under Sylvia’s stewardship. The store’s motto, "Be Not Inhospitable to Strangers Lest They Be Angels in Disguise," perfectly captures its ethos of openness and hospitality. Since its inception, the store has welcomed over 30,000 guests.

Shakespeare and Company also made its mark in publishing, launching significant literary journals such as Merlin, which first published Samuel Beckett in English. The store's influence extends into popular culture too, featuring in films like Richard Linklater's "Before Sunset," Nora Ephron's "Julie & Julia," and Woody Allen's "Midnight in Paris."

Located within the grand complex of the Sorbonne, the Chapel of Saint Ursula was originally constructed in the 13th century, having underwent a transformation in the 17th century to make way for a more fitting Roman Catholic place of worship. The layout of the former medieval chapel is still visible in the main courtyard of the historic Sorbonne complex.

This impressive structure was commissioned as part of a restoration initiative spearheaded by Cardinal Richelieu, a prominent religious figure and statesman who served as the principal of the College of Sorbonne. Access is restricted to guided tours, offering visitors an opportunity to marvel at its exterior before stepping inside.

The building is widely recognized as a masterpiece of French Classical architecture. Take note of its grand scale, the symmetrical Corinthian columns, and the striking elegance of the dome. Designed by the esteemed French architect and engineer Jacques Lemercier, it is believed to be the first French building featuring an extravagant dome resting on a high drum.

During the turbulent days of the French Revolution, the chapel fell victim to looting, with many statues and paintings stolen, and the grand mausoleum defaced. Richelieu's gravesite, along with those of his kin, was desecrated, and their remains were callously thrown into a communal grave. The chapel suffered severe damage, and its demolition was considered. Thankfully, reason prevailed, and the building was spared. Its preservation was ensured when it was officially declared a historical monument in 1887.