The KölnTurm (english: Cologne Tower) is a towering 44-storey office skyscraper in the Köln-Neustadt-Nord district of Cologne. It was constructed from June 1999 to November 2001 and stands at a height of 148.5 meters (487 feet). Including its antenna, the tower measures 165.48 meters (542.9 feet), making it the second-tallest building in the city and the twelfth-tallest in Germany. The tower is also the second-tallest in North Rhine-Westphalia, after the Post Tower in Bonn.

The Cologne Tower was designed by the architectural firm Kohl & Kohl in collaboration with Parisian architect Jean Nouvel. The building's floor plan is divided into three areas, with an 18-meter (59-foot) mast at the top. The tower's reinforced concrete construction features a suspended center core and edge between floors that is supported by Pendelstützen.

The Cologne Tower is located near Cologne's MediaPark, making it a popular choice for media sector companies. Additionally, the tower's observation deck and restaurant, located on the 30th floor, offer stunning panoramic views of the city.

One unique feature of the Cologne Tower is its glass facade, which was designed with reflected light in mind. Pictures of the Cologne Cathedral and the skyline of Cologne's Old Town were applied to the glass using screen-printing. Depending on the angle and intensity of light exposure, different combinations of these images appear on the building.

You can enter the city of Cologne through 12 gates and the Hahnen Gate, or 'Hahnentorburg' is the most popular among them. It was through this gate that the German Kings arrived in this city after their coronation in Aachen. They paid a visit to the Cologne Cathedral and prayed at the Three Magi shrine. Construction of this gate spanned five years between 1235 and 1240. The land surrounding the gate was owned by a citizen Hageno and the gate was probably named after him. Over a period of time, people started referring to the gate as Hahnentorburg.

This gate features two towers that are crenelated and semi-circular in shape. Before you enter, look up above the entrance where you will find a beautiful depiction of Cologne’s coat of arms. It was in 1890 that the tower was first renovated. Renovation work was carried out by Josef Stubben, one of the city's famous architects. You can find a memorial plaque here that commemorates his construction outside the city walls. During World War II, the tower was again damaged and reconstructed later.

Hahnentorburg has performed many functions through ages. It has been used as an exposition hall, museum and a prison. Today, this popular tourist spot is home to the carnival society, Ehrengarde der Stadt Köln 1902 e.V.

Why You Should Visit:
Massive gateway from medieval times and probably the best in Cologne.

Tip:
Some great pubs, bars, and restaurants close-by, and worth the walk along parts of the old wall or to the Rhein...

Cologne is one of the beautiful cities in Germany where you can find an extensive range of museums galleries and shopping centers. If you are an avid shopper, you must not miss a visit to the Neumarkt Galerie on your trip to this city.

This is the largest shopping center in Cologne and the beautiful building features a stunning ten meter artwork that depicts the dropped cone or the upside down ice cream cone. This artwork is the crown of the building and was created by Van Brugge and Oldenburg, two American artists.

Enter the shopping center and you will immediately notice its friendly and pleasant environment. The granite floor is indirectly lit by the light in the ceiling. A striking effect is produced by the dark colored wooden hand rails and the stainless steel and glass structure. There are a total of three floors housing 65 shops in this complex.

At the center of Nenmarkt Galerie, you can find the forum. Located under a huge glass copula, this forum has a round lighting unit. Shops at the ground and upper level sell a variety of unique and interesting jewelry, fashion clothing and shoes from popular brands. Visitors find respite from shopping as they relax at the bistros, restaurants and cafes. Visit this vibrant and lively market and enjoy shopping to your heart’s content.

The Imhoff-Schokoladenmuseum was opened by Hans Imhoff on 31 October 1993. It is situated in the Cologne quarter Altstadt-Süd on the Rheinauhafen-peninsula. The exhibition shows the whole history of chocolate, from the beginning at the Olmecs, Maya and Aztecs until the contemporary products and their production methods. The museum belongs to the Top Ten of German museums with 5,000 guidances and 600,000 visitors a year.

A special attraction is the three-meter-high chocolate fountain, at which a woman dips wafers in the liquid chocolate and distributes them to visitors. Another interesting thing for visitors is the small tropiarium consisting of a glass cube with 10-meter edge length showing cacao trees of the species Theobroma cacao and Theobroma grandiflorum. Several production machineries were built as miniatures so that you can have a look at the production process of the small chocolate bars, which are given to the visitors at the entrance of the museum.

Why You Should Visit:
Gives a brief history of chocolate as well as more esoteric things like the religion & culture related to it. Great spot to view the Rhine river, too.

Tip:
Lots of free samples during visits and you can have your own personalized chocolate made.

Welcome to Cologne’s Hay Market-where the past smells faintly of hay, spice, and maybe a little too much fish.

Dating all the way back to Roman times, this square is one of Central Europe’s oldest markets. In the Middle Ages, it bloomed into a buzzing trade hub. Originally, Hay Market and Old Market were one big commercial jumble simply called the Old Market. But as the centuries marched on and city life got more complex, the two parted ways-amicably, we assume...

By the 13th century, Cologne was booming, with a population of over 40,000-massive by medieval standards. Hay Market, thanks to its prime location, became the go-to spot for everything from cheese to chickpeas. Traders hawked vegetables, fish, grain, spices, and yes, actual hay. In 1492, while Columbus was off looking for India, a grain scale was added here to keep the deals honest.

But this wasn’t just your average muddy medieval market. During the Renaissance, Hay Market leveled up in beauty, drawing comparisons to Venice’s St. Mark’s Square. Today, it’s still charming, paved in brick, framed by neatly trimmed trees, and peppered with restaurants that definitely know how to plate a schnitzel.

In 1580, the Cologne stock exchange took root here, too-proof that not just onions were traded. Closer to our days, in 1878, the square got a serious upgrade in the form of a dramatic equestrian statue of Prussia’s King Friedrich Wilhelm III. The Market Hall was added in 1904, and historic flair has been going strong here ever since.

Though nobody comes here for hay anymore, Hay Market is far from quiet. These days, it’s one of the city’s liveliest squares-packed with pubs, breweries, and cafés perfect for watching the world go by. And in winter, it transforms into a holiday wonderland with a cheerful Christmas market and a festive ice-skating rink.

Hay Market may have traded its wagons and wheat for lattes and selfies-but its spirit is very much alive and thriving.

The Wallraf–Richartz Museum is a prominent art museum. It is one of the three major museums in the city and boasts a collection of fine art from the medieval period to the early twentieth century. The museum's origins date back to 1824 when the comprehensive collection of medieval art from Ferdinand Franz Wallraf came to the city of Cologne by inheritance.

The first building was donated by Johann Heinrich Richartz, and the museum was opened in 1861, just after his death. The museum's collection was regularly expanded by donations, especially the Haubrich collection of contemporary art in 1946. In 1976, the collection was split, and the new Museum Ludwig took over the exhibition of 20th-century art.
The current building, designed by Oswald Mathias Ungers, was opened in 2001 and is located near the Cologne City Hall.

The museum houses an impressive collection of Gothic paintings, including the Madonna in the Rose Bower by Stefan Lochner, which is considered typical of his style. Lochner's work usually has a clean appearance, combining the Gothic attention to long flowing lines with brilliant colors and a Flemish influence of realism and attention to detail. Another outstanding Gothic painting in the Wallraf-Richartz's collection is an Arrest of Jesus by the "Master of the Karlsruhe Passion."

It also boasts early Renaissance works, including an altarpiece from the Great Saint Martin Church in Cologne by Jacob van Utrecht. Among other early Renaissance works in the collection are the Adoration of the Child by an unknown artist, previously thought to have been painted by Hieronymus Bosch, and a panel of the Jabach Altarpiece by Albrecht Dürer.

The museum's collection includes works by Baroque and Rococo artists such as Rubens, Rembrandt, Jordaens, Frans Snyders, van Dyck, Frans Hals, Gerard van Honthorst, Pieter de Hooch, Gerard de Lairesse, François Boucher, Nicolas de Largillierre, Jean-Honoré Fragonard, Marguerite Gérard, and Giambattista Pittoni.

In addition, the museum also features works by impressionists such as Monet, Pissarro, Sisley, Gustave Caillebotte, and Berthe Morisot, whose Child among staked roses or "Kind zwischen Stockrosen" was painted in 1881. However, the museum made headlines in 2008 when it was revealed that a Monet painting, On the Banks of the Seine by Port Villez, was a forgery. X-ray and infrared testing revealed that a "colorless substance" had been applied to the canvas to make it appear older. Despite this discovery, the museum still has five authentic Monet paintings in its collection.

Why You Should Visit:
Especially noteworthy for its medieval paintings, but acts as an art glossary or an art-Wikipedia, or if you more prefer a virtual museum, where you can find all relevant data concerning the articles on art terms, historical events, personages, cities, museums, and churches.

Tip:
There's a big shop-cafeteria area downstairs where you can sit down for a break or when you've finished.

In the Old Market Square of Cologne, cobblestones carry gossip older than most European countries.

Once connected to the Hay Market, this lively square has seen everything from Renaissance flair to full-blown weaver revolts. Today, it's home to beautiful façades, a dramatic fountain, and, come winter, one of Cologne’s coziest Christmas Markets. But don’t let the mulled wine distract you from the centuries of drama baked into these stones.

Markets and homes have stood here since at least the year 922-that’s not a typo... The oldest surviving building dates back to 1580, though many historic structures were wiped out during WWII bombings. Still, Cologne rebuilt with style, as it always does.

One particularly spicy chapter unfolded here in 1371: the Cologne Weaver Uprising. Picture disgruntled guild members facing off with the city council. The weavers lost-badly-and were either arrested or politely escorted out of town with pitchforks (not the musical kind).

At the heart of the square stands the Jan von Werth fountain, completed in 1884. The story it tells is pure soap opera. Young Jan, a lowly farm boy, fell for Griet. But Griet wanted someone with a bit more... coin. Heartbroken, Jan headed off to the Thirty Years’ War, leveled up to war hero status, and returned to find Griet peddling fruit in the square. She gasped, “Jan, who would’ve thought it?” To this, he shrugged and delivered the ultimate verbal mic drop: “Griet, the one who should have” (and with these words, he turned away).

Around the square, you’ll find old-school German architecture, statues of the city’s founders, and-up near house No. 24-a cheeky little sculpture called Kallendresser. It shows a man relieving himself into a gutter. Tasteful? Not exactly. But pointed absolutely-it’s likely a rebellious jab at the city hall conveniently located on the square’s west side.

Today, the Old Market is car-free and people-full. With its bars, restaurants, and ice cream shops, it buzzes well into the night. So, come here for the history, stay for the beer-and maybe watch out for flying weaver spindles...

Ah, the Great Saint Martin Church-this seriously good-looking temple with a riverside address and medieval drama to spare is proof that if a building can survive fire, war, and questionable Baroque interior design choices, it deserves your full attention.

This Romanesque heavyweight was built between 1150 and 1250, and its iconic tower has been photobombing Old Town’s skyline ever since. But the site’s résumé goes way back. In Roman times, this spot was actually an island in the Rhine, where they built a humble chapel-probably to appease both the gods and the weather.

In the 10th century, a new church was built. In 1150: Boom. Fire. Ashes. Time to build again! By 1172, they’d got a fancy tri-apsidal structure. It survived another fire in 1185. But in 1378, the towers' roofs caught fire again, and by 1434, a storm decided to finish the job and blew them clean off. Truly, the medieval weather had no chill...

In the 1700s, someone got ambitious with the interior, adding Baroque decorations. Not everyone was thrilled. Some clergy officials thought it looked more Versailles than virtue, and out came the paintbrushes.

Then came the French in 1794. They stuck around for 20 years, turned the abbey into barracks, and eventually pulled the plug on the monastery altogether. Monks out, soldiers in. Not exactly a spiritual upgrade...

By 1847, restoration kicked off, and not a moment too soon. Because in World War II, the church took a beating-fires again, naturally-but was lovingly rebuilt between 1948 and 1985. Now, that’s what we call long-term commitment...

Pro tip:
The entrance plays hard to get-it’s tucked away at the back. And if you fancy ancient basements, head downstairs to see the Roman foundations. Because nothing says timeless like a church that’s literally built on history.

If there's a place where Cologne’s sweet tooth for chocolate (figuratively speaking) meets a serious craving for modern art, it is definitely Museum Ludwig.

Indeed, this isn’t just any museum but a temple to Pop Art, Abstract dreams, and surreal oddities. Proudly housing one of Europe’s largest Picasso collections - yes, that very same Picasso - it has nearly 900 of his works displayed here. And if you feel your eyebrows lifting already, wait until you meet Warhol’s Brillo Boxes and Lichtenstein’s M-Maybe. Oh, and don’t peek too fast at George Segal’s eerily lifelike Restaurant Window - it just might blink back.

The museum owes its name (and its wildly valuable starter pack of 350 artworks) to Peter Ludwig - a man who turned cocoa into culture. This generous chocolatier donated pieces worth $45 million back in the day, giving Cologne a sugar rush of artistic prestige. Throw in a stellar modern art stash from Josef Haubrich and an unrivaled collection of early Russian avant-garde art - 600 works strong, the largest outside of Russia - and you've got yourself an art jackpot.

It is safe to say that Museum Ludwig doesn’t just display art, it stages it. Room after room opens like a theatrical act, each work granted space to breathe, stare you down, or whisper something strange.

And before you go, duck into the bookstore. It’s not your average fridge-magnet zone - it’s a literary goldmine stacked with gorgeous art books in multiple languages. One step in and suddenly, you're curating your own collection.

Modern, bold, and full of surprises - Museum Ludwig is Cologne’s ultimate plot twist!

The Hohenzollern Bridge-Cologne’s grand old crossing that’s equal parts iron, history, and sentimental hardware. Stretching across the Rhine like a steel spine, it’s the city’s most beloved blend of romance and railway precision.

Built in 1911 to replace the overworked Cathedral Bridge, this heavy-duty thoroughfare was Cologne’s answer to the rising tide of traffic. It handled trains, trams, cars, pedestrians-you name it. Its name is a royal nod to the House of Hohenzollern, the Prussian dynasty that once ruled over this corner of the world. In fact, the whole project was inaugurated by none other than Kaiser Wilhelm II, who likely admired it for being both majestic and punctual.

Watch your step-or your stirrup-because each end of the bridge is guarded by towering equestrian statues of German emperors and Prussian kings. On one side: Friedrich Wilhelm IV and Wilhelm I. On the other: Friedrich III and Wilhelm II. A cavalry of stone to usher you across.

Now, history took a turn in 1945 when German forces-perhaps not appreciating the bridge’s architectural flair-blew it up during their retreat. Luckily, the bridge rose from the ashes, rebuilt by 1959, and polished up again in the '80s. It still carries trains today-lots of them-and now features pedestrian paths and bike lanes too.

But wait-this is no longer just a bridge. Since 2008, it’s become Cologne’s unofficial temple of love. Couples attach padlocks to the railings, whisper sweet nothings, and toss the keys into the Rhine. By 2015, over half a million locks had been added. That’s a lot of commitment. And a lot of extra weight, too...

A place where steel meets sentiment, this is the best spot to gaze at the Cologne Cathedral from across the water-and maybe reflect on the nature of love, war, and urban planning...

Pro tip:
Go at night. The city lights up, the cathedral glows like a Gothic lantern, and the bridge hums with quiet magic. Trust us, it’s a whole different mood after sunset.

Perched atop the sleek KölnTriangle building, the Triangle Observation Deck isn’t just a fancy name-it’s a 103-meter-high front-row seat to Cologne in all its sprawling glory. The building itself is shaped like a Reuleaux triangle, which basically means someone got fancy with a geometry set and decided curves were cooler than corners. Bonus: Its double-skin south facade acts like the building’s lungs, breathing in fresh air for your convenience.

Up at the top, the observation deck delivers a full panoramic wow-factor. Directly across the Rhine, the Cologne Cathedral poses majestically like it knows it’s being watched (because it is). The deck is outdoors but protected by glass panels, so you can embrace the wind in your hair without worrying about losing your hat-or your dignity.

Feeling peckish after all that skyline admiration? There's a rooftop restaurant that serves up views and food, both equally worth savoring.

Whether you're a daytime wanderer or a dusk-chaser, the deck stays open from sun-up to starlight, letting you witness Cologne flip its switch from postcard-perfect to nighttime sparkle.

The Cologne Cathedral - a place where Gothic ambition met a 600-year-long construction delay and still came out looking fabulous... Indeed, the magnitude of this building dwarfs your expectations and your camera’s field of view.

This towering masterpiece is Germany’s most visited landmark, with 20,000 people dropping by daily - not bad for a church that took over six centuries to finish. At 157 meters (that’s 515 feet for those who still think in feet), it’s the tallest twin-spired church on Earth, the second-tallest church in Europe, and the third tallest in the world. Clearly, Cologne doesn’t do things halfway...

Construction began in 1248, then took a casual break around 1560. The west tower wasn't completed until 1880, when 19th-century officials unearthed the original blueprints and reasoned, “Why not finish it?”

But the site’s sacred history runs much deeper than that. Since the 4th century, Christians have been building here. The "Old Cathedral" stood from 818 to 1248, and even earlier, a baptistery once graced the eastern end.

So, what kicked off this giant Gothic project? A golden box. Specifically, the Shrine of the Three Kings, believed to hold relics of the Three Wise Men (also known as the Magi - the ones who visited baby Jesus and offered him gifts). Its construction started at the eastern arm to house the shrine, then the west front followed - until everything just kind of stopped in 1473. The work-in-progress look lasted for centuries, complete with a giant crane stuck on top for 400 years. Talk about an eternal fixer-upper...

The cathedral's highlights include the 1322 black marble High Altar and that aforementioned blingy shrine, which began in 1190 and shines brighter than a royal wedding. There's also the 10th-century Gero Crucifix, the 1290 Milan Madonna, and a legal twist - a 13th-century stone tablet that once granted rights to Cologne’s Jewish residents.

And, of course, there are bells - eleven in total. The Saint Peter Bell, cast in 1922, was once the biggest free-swinging bell in the world. You’ll feel it before you hear it...

Insider Tip:
Don’t skip the rear mosaics - they're stunning. Brave the climb for sky-high views, or sneak into the underground parking to see the cathedral’s ancient roots... literally.

If you’ve ever wondered where the phrase “Eau de Cologne” got its start, follow your nose to the 4711 House of Fragrances-part museum, part perfume playground, and all-around aromatic adventure.

Back in the early 1700s, an Italian-born perfumer named Johann Maria Farina set up a shop in the city. He created a light, citrusy fragrance that reminded him of “an Italian spring morning”-a stark contrast to the heavy, musky scents popular at the time. This he poetically dubbed “Eau de Cologne” (or “Water from Cologne”) in honor of his new hometown.

Farina’s creation became wildly popular across European courts as the must-have splash for royals and nobles who probably appreciated smelling like lemon zest instead of battlefield sweat. The fragrance was so successful that “Eau de Cologne” became a generic term for light, fresh scents.

But the story didn't stop there. Later in the century, another Cologne-based entrepreneurial wild card, Wilhelm Mülhens, brewed up his own “miracle water,” marketing it as medicine. During the French occupation, a soldier doing a building census randomly numbered Mülhens’ workshop as “4711.” And voilà-the most famous house number in fragrance history was born.

In 1810, Napoleon demanded that all medicinal products reveal their ingredients. Rather than spill the secret sauce, Mülhens pivoted. Forget medicine-this was now officially a perfume. Smart move. He even tried to borrow prestige by buying the rights to the Farina name... except the Farina family wasn’t selling it and took him to court. So in 1881, Mülhens finally embraced the 4711 name for good. Drama? Oh yes. But it smelled great.

Though the original building didn’t survive, the modern 4711 flagship store still draws scent lovers from around the world. Inside, you’ll find a museum, antique Rosoli bottles, old-school perfume flasks, and the legendary Fragrance Fountain, which continuously flows with the iconic 4711 Eau de Cologne. And just to keep things classy, the building even serenades the street with 20 bells chiming out three melodies every hour.

Hot tip:
You can blend your own personal fragrance or simply stock up on gift-worthy scents and quirky souvenirs. Just don’t blame us if you leave smelling like royalty...

In the heart of Cologne stands a building once marked by silence, now filled with testimony-the NS Documentation Center, housed in the former headquarters of the Cologne Gestapo. From 1935 to 1945, this unassuming structure served as a key site of Nazi terror. Known as the EL-DE Haus-a name derived from the initials of businessman Leopold Dahmen, who leased the still-unfinished building to the Nazis-it became a dark chapter in the city’s history.

Beneath its ground floor, ten prison cells were constructed in the basement. Today, that space endures as one of the most chilling and best-preserved Nazi detention sites in Germany. The Gestapo Prison memorial is now the country’s largest memorial dedicated to victims of Nazi persecution. More than 1,800 inscriptions-carved or written on the cell walls by prisoners-remain, bearing raw witness to suffering, hope, despair, and resistance.

The permanent exhibition above examines the rise and machinery of National Socialism, with a particular focus on Cologne’s experience under the regime. Visitors will encounter detailed accounts of Nazi propaganda, administrative structures, systemic racism, and the deportation and murder of the city’s Jewish population. Stories of local resistance movements also find their place here-quiet acts of defiance that stood against overwhelming force.

The Center functions not only as a museum but as a research institution. Its library and archives continue to support scholarship on the Nazi era, ensuring that this part of history remains rigorously studied and publicly accessible.

A word to visitors:
Take the audio guide-it’s essential for grasping the deeper context behind what you’ll see. Start your journey in the basement, among the cells, and work your way upward. Lockers are available free of charge to store bags, leaving you free to absorb the weight of this place with undivided attention.