A spot at the end of the Champs Elysées Avenue was always considered fit to accommodate some sort of a landmark monument. However, it wasn't until 1806 that Emperor Napoleon Bonaparte finally decreed that a triumphal arch, dedicated to the glory of his army, should be placed there. Napoleon's architectural projects made clear his desire to identify his regime with the glory of Imperial Rome, and this particular design was inspired by the Roman Arch of Titus.

The measure of Napoleon's audacious ambitions can be seen in the sheer size of the Triumphal Arch: a colossal 45 meters wide by 50 meters high, making it almost certainly the biggest triumphal arch in the world. Nowadays, the presence of The Great Arch of the Defense on the western horizon of Paris makes it hard to appreciate the Triumphal Arch's original impact on the cityscape. Back then, it was the most prominent and massive object for miles around – the hegemony retained until the construction of the Eiffel Tower in the 1880s.

Inevitably, the arch quickly became an object of national pride and subsequently the world-famous symbol of French patriotism. Built in the era when war was undoubtedly the "overriding argument of kings", the arch was intended primarily for triumphal entrances into Paris by victorious French troops. Napoleon himself had a chance to pass beneath its mock-up replica only once, in 1810, together with his bride Marie-Louise, the Archduchess of Austria. The other Napoleon – Napoleon III – was more fortunate in this respect, and was able to ride underneath the completed Arch of Triumph upon his ascending to the throne in 1852.

As for the proper victory march, the Triumphal Arch saw it for the first time only in 1919. The aftermath of World War I, however, shifted the French public interest away from war, and, since 1921, the arch has been solely the place of commemoration of the fallen soldiers. It has the Tomb of the Unknown Soldier and the Flame of Remembrance.

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The roundabout encircling the Triumphal Arch is referred to by Parisians as "the Star" for the 12 avenues emanating from it. Climbing the stairs to the top of the arch, you will see the star-shaped pattern of the radiating streets and enjoy a panoramic view of the Champs-Élysées leading towards Concorde Square and the Louvre Museum in the distance.

Equally grand from whatever angle you look at it, whether just walking past or watching it from a distance, day or night, the Eiffel Tower lives up to its iconic status easily. The wrought-iron lattice structure on the Field of Mars in Paris was designed by engineer Gustave Eiffel and built between 1887 and 1889. Known locally as the "Iron Lady," it was the centerpiece of the 1889 World's Fair, celebrating the centennial of the French Revolution.

Illuminated by gas lamps at night, the tower was a major attraction from the very beginning, although not to everyone's taste. Before its construction even started, a group of prominent French artists and intellectuals, including writer Guy de Maupassant, condemned the tower as a "monstrous" and "useless" structure that would overshadow Paris' landmarks. By 1918, however, it had become an iconic symbol of Paris – and France – and since then has been one of the most recognizable landmarks in the world.

Standing at 330 meters (or 1,083 feet), the Eiffel Tower is the tallest structure in Paris. It has three levels for visitors, with restaurants on the first and second. The top level, at 276 meters (or 906 feet), offers the highest public observation deck in the European Union. Visitors can ascend via stairs or lift, with 600 steps required to reach the second level. The third level, typically accessed by lift, features a private apartment once used by Gustave Eiffel, where he hosted honorable guests like Thomas Edison.

In recognition of their contribution to the construction, the tower is engraved with the names of 72 French scientists, engineers, and mathematicians.

Unlike other high risers, the Eiffel Tower is there for visitors only. In Paris, where tall buildings are still in short supply, the bird's eye view from the top of the tower is truly unique and indeed breathtaking. In 2022, the tower welcomed nearly six million visitors, becoming the most visited paid monument globally.

The Eiffel Tower is painted in three shades: darker at the bottom, getting progressively lighter towards the top to complement the Parisian sky. Originally reddish brown, it changed the color to bronze, known as "Eiffel Tower Brown," in 1968. In what is expected to be a temporary change, the Eiffel Tower was painted gold in commemoration of the 2024 Summer Olympics in Paris.

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Remember to bring along some warm clothes, because it can get much colder up there, especially when it's windy.
During the day, if it's hot, bring an umbrella, too, to get some shade, and lots of water.

The new boutique on Rue du Faubourg-Saint-Honoré provides an exclusive opportunity to enter the world of CHANEL without the crowds of other locations. Spread across three levels, the boutique features two entrances and separate spaces on the ground floor, with an additional basement area and two spaces on the 1st floor.

The boutique's decor is imbued with the iconic color codes of the House, with soft and light tones contrasted by black and accentuated by gold touches. The works of contemporary artists displayed throughout the space reflect CHANEL's commitment to the arts, including a monumental pearl installation by Jean-Michel Othoniel called White Gold Ribbons, 2021. This work is displayed in the center of a floating staircase made of marble and folded mirrors and embellished with elements made by Goossens, a goldsmith who is part of the Métiers d’art acquired by Maison CHANEL.

The boutique also features two chandeliers in rock crystal and bronze with light gold finishes designed by Goossens, as well as an abstract work created by Alasdair Cooke in ivory and gold tones, a painting by artist Donald Sultan, and a brass Raindrops mirror by the duo Curtis Jeré.

The ground floor of the boutique, situated behind a beautiful freestone facade, is dedicated to accessories, with bags, eyewear, and textile accessories being displayed. Additionally, there is a counter that showcases jewelry and watches. Towards the rear of the room, shoes are presented in a comfortable setting with a sofa, armchair, and large mirror, complemented by a chandelier designed by Goossens. Meanwhile, the basement features a spacious area solely for bags, leading to the display of costume jewelry at the back.

Fragonard perfumery is a must-visit destination for anyone in search of genuine French fragrance and associated products. With multiple stores throughout Paris, the original location stands out for offering a complimentary museum that delves into the art of perfume making. Among the boutique's most highly acclaimed items are their assorted mini scents, solid perfumes, and luxurious soaps. A top pick for gift-giving, a set of 10 of their most popular perfumes can be purchased for just over 20 euros, with other perfume-related gifts ranging between 20-60 euros.

The Louvre Museum, or simply the Louvre, is perhaps the most famous art museum in the world. Originally built as a fortress in the late 12th century, under King Philip II, it later transitioned into a royal residence under King Francis I, in 1546. The Louvre’s current palace structure developed through multiple expansions, although it ceased being a royal residence in 1682 when Louis XIV moved his household to Versailles.

In 1692, the Louvre became home to the Academy of Inscriptions and Fine Writing and the Royal Academy of Painting and Sculpture, which held public exhibitions, or “salons,” marking its early transformation into a public cultural space. During the French Revolution, it was formally established as a museum by the National Assembly, with an initial exhibition of 537 works, mostly from royal and church collections. Following its brief closure due to structural concerns, the Louvre reopened and rapidly expanded its collection under Napoleon Bonaparte, who renamed it Napoleon Museum. Though many seized artworks had to be returned after Napoleon's fall, subsequent monarchs continued to add to the collection, and acquisitions continued through donations and bequests during the Third Republic (between 1870 and 1940).

Today, the Louvre’s collection comprises approximately 500,000 objects housed in over 72,000 square meters of space, with 35,000 pieces displayed at any given time. Divided into eight departments-ranging from Egyptian and Near Eastern Antiquities to Paintings and Islamic Art-the museum showcases everything from sculptures and ornamental works of art to paintings and archaeological artifacts from around the globe. Key masterpieces here include the "Venus de Milo," the "Winged Victory of Samothrace," "The Raft of the Medusa," and, famously, Leonardo da Vinci's "Mona Lisa." For many, the chance to see the Mona Lisa is the main reason for visiting.

Beyond the high-profile pieces, the Louvre's lesser-visited Sully and Richelieu wings reveal the full extent of its treasures. The Richelieu wing is particularly celebrated for its elegant design, glass-covered courtyards, and grand architecture. Its centerpiece is the Napoleon III apartments, adorned with immense chandeliers, red velvet, intricate moldings, and lavish gilded decor-a testament to the opulence that impresses all who enter.

With almost 9 million visitors in 2023, the Louvre remains the most-visited museum globally, surpassing even the Vatican Museums. For those planning to visit, advance ticket purchases are essential, and using the quieter Lions Gate helps ease entry. For a more serene experience, Friday afternoons, when the museum stays open late, are ideal. Once inside, a map is crucial for navigating the expansive galleries, allowing visitors to prioritize the exhibits that resonate most.

Despite its name suggesting newness, New Bridge is the oldest surviving bridge over the Seine in Paris. Located at the western end of the City Island, this historic overpass marks the early heart of the French capital. Built in two parts-one with five arches connecting the left bank to City Island, and the other with seven arches linking the island to the right bank-the bridge offers a unique view of the island’s expanded tip, now home to the Square du Vert-Galant, a park named for Henry IV, also known as the "Green Gallant."

Named "New" to distinguish it from the older bridges existing at the time, traditionally lined with houses on both sides, New Bridge became a cultural and architectural landmark for its open design, which allowed unbroken views of the Louvre. Construction began in 1578, under Henry III, and was completed in 1606, under Henry IV, producing the first stone bridge free from houses, with paved walkways for pedestrian safety and angled spans for resilience. An equestrian statue of Henry IV, destroyed during the French Revolution and restored in 1818, commemorates his legacy.

Another distinctive element of the bridge was the semicircular bastions jutting out above the piers. These were made to allow people to step aside so as not to get wet or soiled in mud by passing carriages. Later on, they served as popular gathering spots and, at one point, even functioned as trading areas for street vendors and even tooth-pullers. Now that the tooth-pullers are gone, these bastions are primarily occupied by tourists and enamored couples seeking to immerse themselves in the city's romantic ambiance.

New Bridge's decorative features include 381 mascarons - Renaissance-style stone masks with high relief - on the outer edges of the bridge, close to the cornice. In the 1850s, they were replaced with copies. On closer examination, it becomes apparent that each mascaron is unique, with its distinct and rather unconventional expression; some appear to be contorted in grimaces or otherworldly visages.

Between 1712 and 1719, a large pump house was built on the bridge. Decorated with an image of the Samaritan woman at the well, it was aptly called the Samaritan. Years later, it inspired the eponymous department store “La Samaritaine,” established in the area in 1869.

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Ardent bridge enthusiasts seeking a unique perspective of New Bridge should consider embarking on a River Seine cruise with the "Vedettes du Pont-Neuf" company, conveniently located nearby. Their cruise offers excellent value for money, and you can even obtain a discount voucher from most tourist information offices in Paris.

The Holy Chapel on the City Island in Paris is a stunning 13th-century example of Rayonnant Gothic architecture. Commissioned by King Louis IX who led the 7th and 8th Crusades to the Holy Land, it was designed as a grand reliquary to house sacred relics, such as the Crown of Thorns purportedly worn by Jesus himself, which Louis acquired in Constantinople.

This two-story chapel has an upper level with remarkable stained-glass windows, reserved for the royal family, while its lower level, adorned with floral designs, served palace courtiers and staff. The Holy Chapel was once part of the medieval City Palace, the former residence of French kings until the 14th century, alongside the neighboring Conciergerie, which later became a prison.

The chapel faced considerable damage over the centuries, particularly during the French Revolution when its sculptures were destroyed, royal emblems defaced, and interiors looted. By the 19th century, extensive restoration efforts were undertaken to revive its medieval charm. Skilled craftsmanship was applied to restore the chapel, making it a blend of medieval and 19th-century artistry. Miraculously, around two-thirds of the original stained glass survived, creating a captivating effect, especially when sunlight illuminates the intricate biblical scenes depicted in the windows.

Architecturally, the Holy Chapel is distinguished by its simplicity and harmony. Unlike many Gothic churches, it lacks flying buttresses, relying instead on deep buttresses and metal supports for stability. A rose window on the west front, added in the 15th century, features scenes of the Apocalypse, while a cedarwood spire captures the essence of Gothic style. The chapel was intended to symbolize Jerusalem, a vision of paradise for the saved at the Last Judgment.

Today, Holy Chapel remains a marvel of medieval design and an enduring symbol of King Louis IX’s devotion and legacy.

While the Eiffel Tower is an instantly recognizable symbol of France, the Notre-Dame Cathedral is an unmistakable symbol of Paris. Notre-Dame de Paris, or "Our Lady of Paris," is a medieval Catholic church renowned for its French Gothic appearance. Among other features, this cathedral showcases period architectural innovations such as the rib vault and flying buttress, as well as large rose windows and rich sculptural decoration. Notre-Dame’s architectural and historical significance is underscored by its vast pipe organs, iconic bells, and its role in hosting significant ceremonies like Napoleon’s coronation, the celebration of the Liberation of Paris in 1944, and the funerals of presidents Charles de Gaulle and François Mitterrand.

Before Notre-Dame, a temple to Jupiter and later a cathedral dedicated to Saint Étienne occupied the site. Construction of Notre-Dame began in 1163 and concluded in 1260, incorporating architectural advancements in four major stages, with additions in the 13th century enhancing stability and light. At the time of its construction, it was the most ambitious cathedral project ever undertaken in France, its vaults rising over 33 meters and holding a national height record for several decades.

In 1431, Notre-Dame saw the coronation of King Henry VI, and during the French Revolution, suffered vandalism when it was repurposed as a warehouse. In the 19th century, Victor Hugo’s novel, The Hunchback of Notre-Dame, spurred its restoration, largely preserving Notre-Dame’s legacy.

Amid the Second World War, upon the Fall of France, there were fears that the German invaders might destroy the freshly renovated stained glass of the rose window. As a result, the lion's portion of it was hidden and re-installed only after the war.

In 2019, a fire severely damaged the cathedral's oak roof and spire. Firefighters saved much of the building, including the world's biggest 13th-century glass window and other artifacts and relics which were temporarily removed for safety. Though many decorations have been removed over time, the cathedral retains Gothic, Baroque, and 19th-century sculptures, altarpieces, and revered relics, including the Crown of Thorns and fragments from the True Cross.

As a symbol of Paris and France, Notre-Dame is renowned for its traditional Lent sermons since the 1830s and attracts annually around 12 million visitors.