The Sistine Chapel is one of the most significant artistic and religious landmarks in the world. Originally known as the "Great Chapel," it was reconstructed and consecrated between 1473 and 1483, under Pope Sixtus IV; hence its name.

The chapel’s fame largely stems from its breathtaking frescoes, particularly Michelangelo’s ceiling and The Last Judgment on the altar wall. Before that, Renaissance painters such as Botticelli, Perugino, and several others had already adorned the side walls with depictions of The Life of Moses and The Life of Christ. Above these biblical scenes, portraits of popes and “deceive the eye” drapery added to the visual splendor. Raphael later designed tapestries for the lower walls in 1515, though many were looted and only partially restored in the 20th century.

Under the patronage of Pope Julius II, in 1508, Michelangelo repainted the chapel's ceiling, originally decorated with a blue background and golden stars. Despite considering himself more of a sculptor than a painter, he undertook the monumental task, conditioned he was given full artistic control. Michelangelo's work, completed in 1512, transformed Western art with vivid colors and a masterful composition that depicted The Creation of the World, The Fall of Man, and The Redemption of Humanity. More than 300 figures, arranged in three layers, included prophets, ancestors of Christ, and nine dramatic scenes from Genesis, covering over 5,000 square feet.

These frescoes are accompanied by the presence of male nudes. Additionally, the spandrels surrounding the vault feature sibyls, prophetesses from pagan mythology, who were embraced by Christian artists during the Renaissance as capable of foreseeing the arrival of Christ. One of the most iconic paintings within the chapel is The Creation of Adam, portraying God reaching out to create Adam against a backdrop of cloudy heavens. This renowned artwork is among the most reproduced religious paintings in history.

In 1535, under Pope Paul III, Michelangelo returned to paint "The Last Judgment" and completed it in 1541. This monumental fresco, portraying Christ’s Second Coming, stirred controversy due to its nude figures, leading to a censorship campaign. The artist mocked critics by incorporating their likenesses into the painting, while later interventions saw parts of the nudity covered.

The chapel’s structure, measuring 35 meters long, 14 meters wide, and 20 meters high, follows precise Renaissance proportions. Though plain on the outside, its interior is a masterpiece of composition and storytelling.

Despite not being the mother church of Catholicism or Rome's cathedral, Saint Peter's Basilica in the Vatican is one of Christianity's holiest sites. Tradition holds that Saint Peter, the first Bishop of Rome, is buried inside, beneath the high altar, known as the Altar of the Confession.

Built to replace the aging original basilica, the new construction began in 1506, under Pope Julius II, and was completed in 1626. Designed by Renaissance masters such as Donato Bramante, Michelangelo, and Carlo Maderno, the structure embodies the grandeur of Italian High Renaissance architecture. Its vast interior makes it the largest church in the world by space.

The Latin cross layout features a vast dome, spanning 42 meters in diameter and towering 120 meters high. Meanwhile, the imposing façade adorned with statues of Saints Peter and Paul is complemented by a narthex housing the Holy Door. The latter, walled up with bricks, is opened only during jubilee years. Inside, the immense nave, wide aisles, and chapels are decorated with elaborate sculptures and artwork. Among these are Michelangelo’s Pietà and Bernini’s Baldachin, a monumental canopy over the Papal Altar. Other notable artworks include Giotto’s Navicella mosaic and equestrian statues of Constantine and Charlemagne.

Michelangelo played a crucial role in shaping the place, refining its design into a more unified and monumental form. His dome, completed in 1590, has profoundly influenced Western church architecture. Slightly more pointed than Michelangelo's original plan, the dome's design blends Renaissance ideals with Baroque dynamism. Encircling the interior is an inscription that reads: "You are Peter, and on this rock I will build my church... and I will give you the keys of the kingdom of heaven."

The basilica also has six bells. The largest of them, "Campanone," weighs 9 tons and is used for ringing for papal blessings. Up on the roof are the sculptures of Christ the Redeemer, Saint John the Baptist, and 11 Apostles. Meanwhile, inside, there are over 100 tombs. Among those laid to rest are many popes, including Pope Jean Paul II, royals, and other historical figures, such as Holy Roman Emperor Otto II and Italian composer Giovanni Pierluigi da Palestrina.

Tips:
Arrive early in the morning to avoid long queues. Admission is free (until 5 PM when the gates close), but expect to undergo a security check before entering. Remember to dress modestly, with knees and shoulders covered (affordable scarves for ladies are available from nearby vendors). If you're feeling adventurous, ascend to the top of the dome. An elevator ride can save you from climbing more than 300 stairs.

Saint Peter's Square is a grand plaza in front of Saint Peter's Basilica in Vatican City. Both the square and the basilica (the largest Christian temple and spiritual heart of Catholicism), are dedicated to Saint Peter, one of Jesus’s apostles, who is also regarded as the first Pope.

Dominating the square's center is the Vatican obelisk, a red granite structure, rising to approximately 25 meters (or 83 feet). Originally erected in Heliopolis, Egypt, it was moved to Rome by Emperor Caligula in the 1st century AD and was finally relocated to its current position in 1586 by engineer Domenico Fontana under Pope Sixtus V. The obelisk, adorned with bronze lions and a cross-topped Chigi family crest, has remained intact since antiquity. It serves as the plaza's focal point and symbolizes the triumph of Christianity over paganism.

Designed by Gian Lorenzo Bernini between 1656 and 1667 under Pope Alexander VII, the square was intended to maximize visibility for papal blessings. Bernini incorporated colossal Tuscan colonnades, which are four columns deep and comprise 284 columns and 88 pilasters. The colonnades encircle the oval-shaped plaza, symbolizing the "maternal arms of Mother Church." The trapezoidal approach enhances the visual impact, a hallmark of Baroque design.

The square also features two matching fountains, flanking the obelisk, created by Carlo Maderno and Bernini (in 1613 and 1675 respectively), balancing the architectural harmony. The fountains represent the life-giving waters of the Christian faith.

The paving of the square includes travertine lines that radiate outward, breaking up the vast stone surface. In 1817, circular stones were added to transform the obelisk into a giant sundial, marking the sun’s position as it enters each zodiac sign.

Saint Peter's Square is accessible via Conciliation Street, an avenue created between 1937 and 1950 following the demolition of the medieval “spina” area. Its removal, under Mussolini's directive, made the basilica visible from Saint Angel's Castle.

Apart from being an architectural marvel, today the square serves as a gathering space for momentous events and ceremonies within the Catholic Church. These attract annually millions of visitors and pilgrims from across the globe seeking to attend papal audiences and receive blessings from the Pope. During significant occasions like Easter Sunday and Christmas, the square transforms into a splendid backdrop for grand celebrations and religious rituals, much as for capturing memorable photos.

The Mausoleum of Hadrian, commonly known as the Castle of the Holy Angel, is a cylindrical tower in Rome’s Adriano Park. Commissioned by Emperor Hadrian between 134 and 139 AD as a family mausoleum, it was once the tallest building in Rome.

Initially, the mausoleum housed the ashes of Hadrian, his wife Sabina, and subsequent emperors, ending with Caracalla in 217. The structure was adorned with a garden-topped cylinder and a golden quadriga. Hadrian also built the nearby Pons Aelius bridge, which still offers a scenic route adorned with Baroque angel statues.

In 401, the mausoleum was converted into a fortress and incorporated into Rome's Aurelian Walls. Over centuries, its treasures and urns were scattered, including during the Visigoth sack of Rome in 410. The building also served as a defense during the Gothic siege in 537, with statues thrown down on attackers. Some remnants, like a capstone from Hadrian's urn, found their way into significant structures such as Saint Peter’s Basilica.

Legend holds that Archangel Michael appeared over the building in 590, signaling the end of a plague and inspiring the castle's current name. The statue of Michael atop the castle, first sculpted in 1536 and replaced by a bronze version in 1753, commemorates this event.

The popes transformed the structure into a fortress and residence. Pope Nicholas III linked it to Saint Peter's Basilica with the fortified Borgo Passage, while Clement VII used it as a refuge during the 1527 Sack of Rome (by the mutinous troops of the Holy Roman Emperor, Charles V). The castle also became a prison, housing figures like the Italian philosopher and astrologer Giordano Bruno. Executions occurred in its courtyard, and the structure was immortalized in Puccini’s opera Tosca.

Decommissioned as a fortress in 1901, the castle now operates as a museum, attracting over a million visitors per year. It offers a fascinating display, featuring cannons, armor, and ornately decorated papal apartments. A highlight is the hidden passageway connecting the Vatican to the castle.

Visitors can enjoy coffee with incredible views of Saint Peter's Basilica at the on-site café. For breathtaking panoramas of Rome and Vatican City, head to the rooftop terrace, ideal on clear days or evenings to experience the city's vibrant nighttime charm. While there is some walking involved, the museum is easily navigable and offers a memorable blend of history, architecture, and stunning vistas.

The focal point of Navona Square, the Fountain of the Four Rivers has been in place since the 17th century. While Rome has a longstanding affinity for fountains, dating back to antiquity, the Baroque era brought a new dimension to these water features, showcasing the generosity of the papacy.

In the case of the Fountain of the Four Rivers, Pope Innocent X, whose family seat – the Pamphili Palace – overlooks the square, entrusted the task to one of the most groundbreaking artists of the time, Gian Lorenzo Bernini. Created in 1651, the fountain was Rome's pinnacle achievement in fountain design, a symbolic masterpiece brimming with the dynamic and dramatic elements sought after by Baroque artists. Its central Egyptian obelisk is crowned with the Pamphili emblem, a dove with an olive twig.

Pope Innocent X chose Bernini after being secretly shown his model. The fountain was innovative, combining sculpture and architecture in a way unmatched by previous Roman fountains.

Here, the travertine base supports sculptures of four river gods, representing the major rivers of the continents over which papal authority had extended at that time. These include the Nile (for Africa), the Danube (for Europe), the Ganges (for Asia), and the Plate (for the Americas). Each figure conveys symbolic details: the Ganges is depicted holding a long oar, symbolizing the river's navigability; the Nile's veiled head signifies its unknown source; the Danube, the largest river near Rome touches the Pope's coat of arms; and the Plate sits atop a pile of coins, reflecting America’s wealth.

The fountain's unveiling on June 12, 1651, was marked by grand celebrations orchestrated by the Pamphili family. Allegorical figures of Fame and Curiosity paraded the streets, urging Romans to witness the reveal. The crowd marveled at the lifelike sculptures and water features, described as naturalistic and astonishing.

However, the project faced significant public opposition. Critics condemned its expense during the famine of 1646 to 1648, expressing their discontent through pasquinades demanding "Bread, not fountains." Street vendors and Roman Jews lamented their displacement from the square's market, which was closed to enhance its splendor.

Despite the controversy, the Fountain of the Four Rivers remains a cornerstone of Rome’s cultural and architectural legacy, blending mythology, artistry, and geographical narratives.

Tip:
To capture the essence of this fountain in photographs, it is recommended to shoot from various angles and positions, so as to get as much detail as possible. With ample space surrounding the fountain, take your time to find the perfect shot-or perhaps even multiple perfect shots.

Navona Square, one of Rome’s most iconic places, is built on the site of the ancient (1st-century AD) Stadium of Domitian. The stadium’s elongated oval shape defines the square’s layout, which was originally designed for Roman games (or agones). Over time, the name evolved from Circus Agonalis (which means “competition arena”) to Navona. After the fall of the Roman Empire, the stadium fell into ruin and was quarried for materials, leaving few remnants today.

In the late 15th century, Navona Square was designated a public space when the city market moved there from Capitoline Hill. It became a celebrated example of Baroque architecture and art during the mid-17th century under Pope Innocent X, whose family property, the Pamphili Palace, overlooks the square. The latter also features several masterpieces, including Gian Lorenzo Bernini’s Fountain of the Four Rivers at its center, crowned by the Obelisk of Domitian. The renowned Church of Saint Agnes in Agone with its impressive dome further highlights the area's artistic significance. Also noteworthy are the Braschi Palace, presently home to the Museum of Rome, and the Cupis Palace, which now offers pre-booked accommodations.

Navona Square is also home to two additional fountains. The Fountain of the Moor, at the southern end, was originally sculpted by Giacomo della Porta in 1575, with Bernini adding a statue of a Moor wrestling a dolphin in 1673. At the northern end, the Fountain of Neptune, also by della Porta (created in 1574), gained its central Neptune statue in 1878.

The square has a rich cultural history, hosting theatrical performances and festivals, including a popular annual Christmas market, from December to January.

Navona Square made an appearance in several movies, including “Angels & Demons” (of 2008, starring Tom Hanks), “Yesterday, Today and Tomorrow” (with Sophie Loren, made in 1964), and “The Talented Mr. Ripley” (directed in 1999 by Anthony Minghella, featuring Matt Damon). The atmosphere in Navona Square exudes a cool and relaxed vibe which, complete with its cinematic and architectural appeal, makes it an ideal spot for photography.

Tip:
In the evenings, when the central fountain is illuminated, the square becomes particularly scenic.
If looking for more intimate and more value-for-money meals and refreshments, consider venturing onto one of the side streets adjacent to the square, filled with multiple eateries and cafes.

The Pantheon is one of Rome’s most iconic landmarks, renowned for its architectural brilliance. Originally a Roman temple, its name comes from the Ancient Greek "pan theos," which means dedication to all gods. Built on the site of a temple commissioned by consul Marcus Agrippa during Augustus’ reign, the current structure was completed under Emperor Hadrian around 126 AD. It was transformed into a Catholic Church of Saint Mary and the Martyrs in 609 AD, ensuring its preservation through centuries.

The Pantheon’s unique design combines a classical portico supported by Corinthian granite columns with a domed cylindrical structure (called a rotunda). The unsupported concrete dome, still the largest of its kind in the world, features a central oculus that provides natural light, ventilation, and symbolic celestial connections. The rotunda's harmonious dimensions-43 meters in both height and diameter-epitomize Roman engineering excellence, while its original massive bronze doors, each weighing over 20 tons, and intricate drainage system (allowing to effectively divert rainwater) highlight the ingenuity of its creators.

Throughout its history, the Pantheon has been a vibrant part of Roman life. It served as a burial site during the Renaissance, housing notable figures like painter Raphael and Italian kings Victor Emmanuel II and Umberto I. Its materials, such as bronze, have been repurposed for other projects like Bernini’s baldachin above the high altar of Saint Peter's Basilica. However, its core structure remains remarkably intact. Today, the church still host religious ceremonies, including masses, weddings, and Pentecost celebrations.

The Pantheon’s influence extends far beyond Rome. Its dome inspired architectural marvels like the Florence Cathedral and Rotunda of the U.S. Capital in Washington D.C., while its combination of classical and modern elements shaped countless government and academic buildings worldwide.

With over six million annual visitors, the Pantheon remains a symbol of Roman ingenuity and artistic achievement. Tourists can enjoy free entry to this historic site or soak in its splendor from Rotonda Square, savoring gelato while marveling at its timeless beauty.

Tip:
Incredible at night (from the outside), it is especially so if you enjoy musicians with talent and engagement... but beware of pickpockets.

The Doria Pamphilj Gallery is a prestigious private art collection housed in the historic Doria Pamphilj Palace. While the Vatican Museums hold global fame and are highly popular, this impressive palace offers one of the most captivating and rewarding artistic experiences in Rome.

Still owned by the princely Doria Pamphilj family, the palace was constructed in 1505 by a Catholic cardinal. It later came under the ownership of another cardinal, whose niece, in turn, married Camillo Pamphilj, nephew of Pope Innocent X.

The collection was significantly enriched by the Pope, who bequeathed artistic treasures to his nephew. Its highlights include Diego Velázquez's Portrait of Innocent X which captures the Pope’s controversial character with striking realism. This celebrated painting is housed in a dedicated room with a bust of the Pope created by Italian sculptor and architect Gian Lorenzo Bernini.

The collection, amassed over centuries by the Doria, Pamphilj, Landi, and Aldobrandini families, features masterpieces from the Renaissance and Baroque periods, with a focus on the 16th and 17th centuries. The palace's stately rooms feature vaulted ceilings and exquisite decorations, showcasing a vast array of Medieval and Byzantine art. One wing houses the Aldobrandini Gallery, which displays an eclectic mix of paintings and garden statues.

The palace itself has evolved over time. In the 17th century, Camillo Pamphilj and his wife Olimpia Borghese expanded it substantially, despite local opposition. Its renovations continued under the supervision of Camillo’s descendants, including Anna Pamphilj and her husband. In the 18th century, frescoes by renowned Italian artists adorned the staterooms.

In the 20th century, Princess Orietta Pogson Doria Pamphilj and her English husband, Commander Frank Pogson, restored the gallery and opened it to the public. Today, her adopted children, Jonathan and Gesine Doria Pamphilj, oversee its care. The collection, one of the largest private art troves in Rome, remains a testament to the family’s legacy.

The Doria Pamphilj Palace offers a serene visit with its Gallery of Mirrors, featuring French-imported mirrors and Hercules-themed frescoes tied to the Pamphilj lineage. The Primitives Room displays wooden-panel paintings. Visitors can enjoy a free audio guide, numbered exhibits, a relaxing cafeteria, and a bookshop, avoiding Rome's typical tourist crowds.

Tip:
For personal (non-commercial) use, you can acquire a 'Photo Pass' from the bookshop, allowing you to capture memories of your visit.

The Victor Emmanuel II National Monument, also known as the Altar of the Fatherland, honors Italy’s first king and symbolizes the nation’s unification. Constructed from 1885 to 1935, its design was inspired by the Roman Forum. The neoclassical monument blends Hellenistic influences with modern urban design, featuring grand staircases, Corinthian columns, fountains, and statues, including a striking equestrian statue of Victor Emmanuel II.

Its dimensions are imposing, with a width of 135 meters and a height of 81 meters, including statues of the goddess Victoria atop quadrigas. Also adding to its grandeur are the two colossal Italian tricolors at the sides.

The monument's key features include the Tomb of the Unknown Soldier, inaugurated in 1921. Its eternal flames perpetually guarded by soldiers reflect classical traditions of remembrance. Sculptures like The Thought and The Action are complemented by allegorical decorations and mosaics highlighting Italian virtues, sciences, and intellectual achievements. The site also honors Italy's pre-unification legacy through sculptures of 14 historic capitals and other artistic elements.

Ascending the central staircase rewards visitors with a view of the monument itself but also a panoramic vista over the city. This elevated spot offers an ideal opportunity for capturing memorable photos. For added convenience, a lift was installed in 2007, enabling visitors to reach the rooftop and enjoy a bird's-eye panorama of Rome (please note that there is a small fee for the ride).

Flanking Venice Square, the Fountains of the Two Seas symbolize Italy's geographical unity, representing the Adriatic and Tyrrhenian Seas. Beneath the monument lies a crypt built with materials from World War I battlefields, creating a sacred space for reflection.

At the base of the complex, visitors can explore the Central Museum of Italian Unification, which chronicles the country’s history from the late 18th century to World War I, and the Shrine of the Flags, showcasing military flags and artifacts. The admission is free.

The monument is a centerpiece for national celebrations like Republic Day and Liberation Day. Although initially met with controversy and subjected to derogatory nicknames like the "wedding cake," it has become one of the city's most popular attractions after the Vatican and the Roman Ruins. Despite some locals considering it tacky, there is an undeniable allure in witnessing triumphal architecture that aspires to rival the grandeur of ancient structures.

Tip:
Visit the monument at night when it is beautifully illuminated.

The Trevi Fountain is one of Rome’s most iconic landmarks, drawing visitors to the eponymous Trevi Square all day long. Surprisingly, the fountain was not initially built in the heart of the city; instead, the city grew around it. Its name derives from the Latin word "trivium," which means “three streets,” as it sits at the junction of three streets: De Crocicchi, Poli, and Delle Muratte.

The fountain’s history dates back to 1629 when Pope Urban VIII commissioned Gian Lorenzo Bernini to redesign it, though his plans were never realized. Later, Pope Clement XII organized a competition in 1730, leading to Nicola Salvi's selection for the project, who incorporated the fountain into the rear of the Poli Palace. Salvi passed away before its completion. Giuseppe Pannini and other artists finalized the work in 1762.

Measuring over 26 meters in height and 49 meters in width, it is the largest Baroque fountain in Rome.

The Trevi Fountain features a Corinthian façade and bas-reliefs depicting the origins of the Acqua Vergine aqueduct, constructed in 19 BC. According to legend, a virgin guided Roman engineers to the aqueduct’s source, an event depicted in the fountain’s bas-reliefs. The aqueduct, which survived the Gothic invasions and was restored during the Middle Ages, still supplies water to the fountain today.

At the heart of the fountain is Oceanus, depicted riding a shell-shaped chariot drawn by two horses and guided by Tritons. The horses symbolize the sea’s contrasting moods-calm and turbulent. Flanking Oceanus are the statues of Abundance and Salubrity, representing prosperity and health. The symmetrical Rococo design combines dynamic artistry with Baroque grandeur, reflecting 18th-century European trends.

The Trevi Fountain is also known for the tradition of tossing coins, which promises a return to Rome. Popularized by the 1954 Hollywood film "Three Coins in the Fountain," visitors toss coins over their left shoulder with their right hand, generating daily about €3,000. This money, collected by municipal authorities, is donated to charity.

Celebrated in films like Roman Holiday and La Dolce Vita, the Trevi Fountain’s global fame is further evidenced by replicas worldwide. Access to the fountain is now limited to 400 visitors at a time, ensuring a more enjoyable visit to this timeless masterpiece. Surrounding the fountain are charming shops, restaurants, and gelaterias, making it a delightful spot to soak in Rome’s vibrant atmosphere.

Tip:
The fountain holds particular allure at night, especially after 10 pm when it is beautifully illuminated and the crowds dissipate, allowing you to enjoy the site almost exclusively.

The Spanish Steps, a monumental stairway of 135 steps, holds the distinction of being the longest and widest in Europe. The steps link Spanish Square, at the base, with the Trinity of the Mountains Square at the top.

The stairway was completed under Pope Clement XI in 1717, deriving its name from the nearby Spanish Embassy to the Holy See. Financed in part by a French diplomat, it features Baroque elements, inspired by garden stairs, and incorporates symbolic decorations such as the Bourbon heraldic lily flowers and papal eagles.

As a cultural and seasonal hub hosting public events such as Christmas cribs, spring azalea displays, and a flower market, the Spanish Steps have captivated artists and people of letters since the 18th century. Among them was the renowned English poet, John Keats, who lived and died practically next door. His house, at the base of the steps (located to the right, if you face the stairs), is now a museum.

Other nearby landmarks include the Ferrari di Valbona Palace, redesigned in 1936, and Babington's tea room, a resilient establishment that has withstood two world wars and numerous adversities, ultimately becoming a beloved tourist attraction.

The steps' cinematic appeal also made them a backdrop for numerous films, including the Hollywood blockbuster “Roman Holiday” made in 1953, starring Audrey Hepburn and Gregory Peck. In the scene where Joe Bradley, played by Peck, meets Princess Ann, played by Hepburn, she sits on the steps, enjoying the view and eating ice cream. Fresh after the haircut, the princess takes compliments for her new look and makes up a story that she has run away from school. She accepts his proposal to spend the day together before she returns, and thus the Roman Holiday story begins!

Other filmmakers also made a mark on the steps, such as “The Talented Mr. Ripley” movie with Matt Damon, shot in 1999, and “Mission: Impossible – Dead Reckoning Part One,” featuring Tom Cruise, which premiered at the steps on June 19, 2023.

Consequently, the Spanish Steps became a magnet for aspiring models, affluent Romans, international travelers, and people from all walks of life. The tradition of gathering here is deeply ingrained in the locals and visitors alike. Today, the steps are protected by strict regulations against loitering, eating, or damaging, with heavy fines introduced to maintain decorum.

Tip:
The staircase offers picturesque views of Rome from its pinnacle, particularly at sunset-a truly unbeatable sight!
The afternoon and late hours are the best for visiting, so to avoid the heat of the day.
Alongside tourist activities such as carriage rides, you'll find nearby an array of shops and bars worth exploring.