The Upland Gate (Brama Wyżynna) in Gdańsk, built in the 16th century, served as the main entrance to the Old Town and marked the beginning of The Royal Way. Its strategic upland location above the water level is reflected in its name, 'Upland Gate'. This positioning was significant, as it was constructed in relation to the moat that surrounded the city, emphasizing its defensive function.

The Upland Gate is renowned for its architectural beauty, featuring the Mannerist style typical of its era. It was once a part of Gdańsk's defensive ramparts and was originally accessed via a drawbridge over a moat, showcasing the city's medieval defensive strategies. The system's details, like the metal pulleys for the drawbridge, remain visible under Poland, Prussia, and Gdańsk's coats of arms, providing insight into the gate's history.

Significantly, the gate has long been a site of ceremonial significance, where visiting monarchs were welcomed with keys to the city, symbolizing their access and high esteem. This tradition highlights the gate's role as a symbol of power and hospitality.

The Upland Gate was designed and supervised by Hans Kramer from Dresden, with the artistic contributions of Willem Van Den Blocke, who crafted the sculpted leaves adorning the walls. These elements contribute to the gate's aesthetic and historical significance.

In modern times, the gate has been subject to major renovation work and now houses a tourist information point, making it an essential stop for visitors exploring Gdańsk. Walking through the Upland Gate is akin to retracing the steps of historical figures, offering a tangible connection to the past. This gate is not only an architectural marvel but also a testament to Gdańsk's historical importance and resilience.

The Amber Museum in Gdańsk, established in the year 2000 as a branch of the Gdańsk Museum, is dedicated to the exploration of amber's history, particularly its significance in Poland. This institution came into existence following a decision by the City Board in February 2000. At its inception, the museum started its collection from scratch, which eventually grew to encompass 2,000 specimens of natural amber, including those with fascinating organic inclusions like geckos, tarantulas, and solfugs. Additionally, the museum houses a remarkable array of 675 contemporary works of art and amber products, along with seven antique amber artifacts.

The museum's exhibition is thoughtfully organized across different floors to showcase various facets of amber. Visitors can delve into the historical context of amber, its role in craftsmanship and trade routes, its significance in medicine, its mystic properties, as well as its role as a valuable material for research and artistry. This exhibition blends traditional presentation methods with multimedia elements thoughtfully integrated into specially designed areas within each exhibition space. The museum operates through three distinct departments: natural science, ancient art, and modern art.

In 2021, the museum underwent relocation to a significantly larger premises, now boasting an expansive exhibition area of 1,000 square meters, a notable expansion from its previous location within the Torture Chamber. The new facility is divided into two primary sections: the first floor, dedicated to the natural aspects of amber, covering its history, extraction, production, properties, and inclusions; and the second floor, focusing on the artistic applications of amber across different historical periods, including its contemporary use in the world of art.

The silhouette of the great waterfront Crane of Gdansk is a well known symbol of the city. The first wooden crane at the foot of Szeroka Street dates from at least 1367. This structure was destroyed by fire in the 15th century. The replacement brick crane of today was erected in 1444. The brick western facade was not completed until 1483.

The Crane was the largest water gate in the city by far and it still is. The huge crane structure is flanked by two fortified rounded towers. The ground floor of the crane had cannon emplacements. Firing embrasures mark the upper floors.

The lifting mechanism of the crane was made of two pairs of treadwheels on one shaft. Four workers powered each treadwheel. The men walked inside the wheel like human hamsters. This system provided enough muscle power to lift two tons of load to a height of almost 120 feet. The crane was in ever dwindling use until 1944.

The crane gate was again damaged by fire in 1945. It was rebuilt by 1965 and it has been donated to the Polish Maritime Museum. Inside the crane building today are permanent collections, especially one of ordinary life in the port from the 16th to the 18th centuries. Another fun attraction is the two monstrous drive wheels.

There is admission charged for the granaries, the Crane and the Cultural Centre. Admission to the granaries is free on Wednesdays.

The Long embankment Street of Gdansk stretches almost 1/3 mile along the Motlawa River. Until the 19th century the piers and quays on the embankment served as the port of Gdansk and the river Motlawa provided easy sheltered access to the sea. Not many of the old port facilities remain. The medieval heavy lift crane is now a museum piece.

The pedestrianized area along the west riverfront originated in the 14th century. A series of mostly wooden goods platforms were replaced in the 17th century with a unified walkway. In the rebuilding of the city after World War II the area was refinished with concrete and marble.

The buildings along the promenade were utterly destroyed in the war. The ancient crane and water gates were rebuilt following medieval styles and plans. New underwater walls were installed. A new lower level quayside extended from the Green Gate to the old Crane Gate to accommodate passenger vessels.

By the 1980s the Hanseatic Mannerist style tenements along the promenade were recreated according to views of 1900. The rebuilt homes house cafes, restaurants and shops. The Crane building is attached to the new Maritime Cultural Center.

Mariacka Street takes its name from Saint Mary's Church. The cobblestoned street is short and narrow, lined with old burgher houses with mini-terraces, gargoyles and fantastic beasts. It lies between the church and Saint Mary's gate by the river Moltawa. The gargoyles guard against evil and spit rainwater away from the walls.

The medieval spirit is alive on Mariacka Street. The original wooden church at the end of the street was founded by Swietopelk II, Duke of Pomerania in the 13th century. The original name of the street says in Latin: "Our Lady's Street."

Saint Mary's Gate, the 15th century water gate, is at the opposite end of the street. The gate bears the coats of arms Gdansk and Prussia and Poland. Mariacka Street was once the home of workshops and stalls. The burgher houses are embellished with scenes from the Bible, e.g., The Dream of Jacob, the Annunciation, and the Good Samaritan.

Gdansk is the home of Baltic amber and Mariacka Street is the go-to street in Gdansk for amber. The most well-known and respected dealers in amber will be found here. Looking for the best coffee? You are in luck. Some of the best coffee shops and cafes are here as well. Let's not overlook Wine Bar Literacka, it has over 100 wines and fine food.

Next to Saint Mary's Gate is the Archeological Museum with its viewing tower. During Saint Dominic's Fair for three weeks in August, the street is crowded with tourists, bands, cartoonists and vendors. Many times however, Mariacka Street appears empty, pensive and serene.

The Royal Route of Gdansk had been the traditional path of procession for Polish sovereigns. One may walk from end to end of Long Street and Long Market, passing through the three elaborate city gates. Highland Gate, Golden Gate, and the Mannerist royal residence, the Green Gate.

The Green Gate is green because its mullioned windows are green. Built around 1570, it spans Long Market and Long Street. It was designed by Dutch Architect Reiner van Amsterdam. The actual construction was by Hans Kramer from Dresden.

Marie Louise Gonzaga, Grand Duchess of Lithuania, became Queen of Poland in 1646. She was an absolutely absolutist monarch and would absolutely not live at the Green Gate residence. Perhaps it was too drafty.

The Green Gate is located between Long Market and the River Motlawa. The building faces the river and straddles the long Market streets leading to the Green Bridge. Four rounded arches span the Long market as seen from the bridge. The building has two stories with one story above the arches.

Three ornate mannerist gables are set against the dormer roof. The construction was powerfully influenced by the design of the Antwerp City Hall. From 1746 to 1846 the Green Gate was home to the Nature Society, also known as the Experimental Physics Society. Today the Gate houses the National Museum and the office of former president Lech Walesa.

AmberSky Gdańsk is a 50-meter tall Ferris wheel that began enchanting visitors in June 2016. After a relocation, it reopened on December 1, 2018, marking a new chapter in its journey. This Ferris wheel stands distinct from the seasonal wheel previously operated by Oscar Bruch from Germany, offering a unique experience to its visitors.

Crafted by Dutch Wheels, a company based in the Netherlands, AmberSky Gdańsk is a testament to modern engineering and design. The wheel features 36 climate-controlled gondolas, each capable of accommodating up to eight people, ensuring comfort and a panoramic experience for its riders. One of the gondolas is a VIP edition with a glass floor, adding an extra layer of thrill to the experience. The structure's impressive weight of 440 tonnes is a testament to its robust and secure construction.

Strategically located in the old town center of Gdańsk, by the scenic Motlawa river, AmberSky offers its guests a unique vantage point to view and explore the historic city center. The wheel's placement not only allows for breathtaking views of the city's architecture and waterways but also turns the Ferris wheel itself into a destination. It stands as a beacon, attracting both tourists and locals alike, who seek a different perspective of the city.

Besides offering stunning views, AmberSky is an integral part of the city's cultural fabric. It hosts a variety of special events, making it more than just an observation wheel but a venue for memorable experiences. With a capacity of 6 to 8 passengers per gondola, it effortlessly accommodates a significant number of visitors, making it an ideal attraction for groups and families.

Crossing over the Green bridge in Gdansk, one may pass through the riverside arches of the Green Gate. Emerging from the arches, one finds oneself in the restored medieval Long Market Square.

As early as 1552, Polish monarchs would formally enter the city through the Green Gate. The visiting royalty would be lavishly entertained at the wealthy tenements lining the square. There were feasts and fireworks galore.

The square was often a venue for more than feasting. Executions of witches, heretics and criminals took place here as well. After World War II the street was restored to its former glory. The Dutch and Flemish Mannerist tenements once more line the square.

Hewel House was the 17th century dwelling of shipbuilder Georg Hewel. Author Reinhold Curicke lived at number 9. Johannes Uphagen built his mansion at No. 1776. The 1560 Faber House was built for Mayor Constantin Farber. The Lion Castle houses the Russian Center of Science and Culture.

Other sights are the Schumann House, also known as the King's House. The Town Hall, rebuilt in 1561, has a golden statue of King Sigismund. Neptune's Fountain, created in 1617 by A. van den Blocke and surrounded by Polish eagles, flows again. Artus Court, built in 1350, is a branch of Gdansk History Museum.

The noble tenants are gone, but the historical square lives on replete with shops, restaurants, and cafes. It is a memorable, exciting stroll.

In 1606 Mayor Bartholomaus Schachmann of Gdansk decided the city needed a monumental fountain. The fountain would be near the site of an old well, not far from the river Motlawa and before the facade of Artus Court. The 14th century Town Hall would be seen in the background. The Artus Court is now a branch of the Gdansk History Museum.

Construction began in 1606. The statue of the god faces the royal residences, posed in a deferential bow and wielding his famous trident. The sculpture project was under the direction of Abraham van den Blocke. The statue was made by Flemish sculptor Peter Husen. Neptune is made of bronze, cast in the local guild by Gerdt Benning.

The statue stem is black volcanic tuff. The style is related to Flemish Mannerism. There were delays, such as the Polish-Swedish War, the death of Herr Blocke and the renovation of the Artus Court. The fountain was opened in 1633. In 1634 it was enclosed in a fence with golden Polish eagles. Nazis removed the eagles in World War II.

The fountain was renovated and back in operation with the eagles restored by 1957. In 1988 the god's genitals were covered with a fig leaf. The fountain was fully renovated in 2012.

The Old Town (Stare Miasto) of Gdansk stands as a monumental testament to Europe's rich history. Renowned as one of the continent's largest historical centers, this medieval heart of Gdansk is notably twice the size of its counterpart in Krakow. The Old Town has a unique ability to transport visitors back to the Middle Ages, thanks to its remarkable layout and architecture. Despite the significant reconstructions undertaken after World War II, the area retains a substantial number of authentic, centuries-old buildings.

The layout of the streets in the Old Town has remained largely unchanged since medieval times, adding to the area's historical authenticity. Impressively, more than 30% of these streets have retained their original names for over half a millennium, reinforcing the sense of timelessness and historical continuity.

Gdansk’s legacy as a prominent Hanseatic town is palpable throughout the Old Town. This rich mercantile past is reflected in the numerous handicraft shops scattered across the area, where visitors can purchase locally made crafts. A particularly noteworthy aspect of Gdansk's local craftsmanship is its exquisite amber jewelry. Known as the "gold of the Baltic," this golden-hued gem is a significant part of the region's cultural heritage. Artisans skillfully incorporate amber into various forms of jewelry and artwork, including necklaces, rings, bracelets, and other decorative items, making them unique souvenirs or gifts that capture the essence of Gdansk's Old Town.

The Main Town Hall of Gdansk is on the Royal Route, on the corner of Long Street and Kaletnicza Street. It is really a building complex of various additions. It is the second highest building of the Old City after Saint Mary's Church. Long Street is closed to all but pedestrian traffic year-round. The Hall is reached by walking.

In 1346 the city of Gdansk replaced Lubeck law with the so-called Kulm law. This change divided government into two parts, the council and the judiciary. Each division required its own hall. Reconstructions occurred in 1382, 1457, 1488, and 1492. There were fires in 1494 and 1556. After the 1556 fire, the hall was rebuilt and enlarged.

The post 1556 rebuild was done by Dutch architects and master-builders Wilhem van den Meer, Dirk Daniels, and Anthonis van Obberghen. A golden statue of King Sigismund II was mounted on top of the tower and a carillon was placed inside.

At present, the Town Hall is home to the Historical Museum of the City of Gdansk. In the summer season one may visit the observation gallery of the tower. There is an admission charge.

The Artus Court was built by 1350. Today it is a branch of the Gdansk History Museum. The name Artus is derived from the legend of English King Arthur. Wherever knights and nobility would meet in Europe the name Arthur was often used as a sign of chivalry. Artus Courts in Poland were founded and used by the bourgeoisie.

The old court burned down in 1476. There were several restorations and in 1617 the court was rebuilt by Abraham van den Blocke. The style, as with the much of Gdansk buildings, is Dutch Mannerism. Statues of ancient heroes adorn the building. Scipio Africanus, Themistocles, Marcus Camillus and Judas Maccabeus stand guard.

The goddess Fortuna and allegories of strength and justice are on the gable. On each side of the portal are busts of King Sigismund III and Wladyslaw IV. The interior is an enormous Gothic hall. The walls are wainscoted with friezes of mythological and historical themes. There are paintings and tapestries, ship models and armor.

There is a 36 foot high furnace built in 1546. It is covered with more than five hundred tiles showing prominent European leaders of the time. Currently the court is open to the public along with the department of the Gdansk History Museum.

The formal name for Saint Mary's is Basilica of the Assumption of the Blessed Virgin Mary. Between 1536 and 1572 the church had been used jointly by Catholics and Lutherans. From the late 16th century until 1945 it was the second largest Lutheran church in the world. The church has been Catholic since 1945.

The church is an aisled hall church with transept. It is 346 feet long. The nave is 217 feet wide. It can hold up to 25,000 souls at one time. The first stone for the church was laid in 1343. It so happened to be the feast of the Assumption. The original basilica had six bays and a low turret. It was finished in 1360.

The current building was started in 1379 by architect Heinrich Ungeradin. The primary building material was brick. This was common to Gothic style churches of Flanders and the Netherlands. The church was finished and the tower raised by 1466. The nave core and vaulting was done by 1500, just in time for the Protestant Reformation.

No serious structural changes were carried out under Lutheran auspices. There was heavy damage to the church during World War II. Restoration began again in 1946. The church is frequently called the "Crown of Gdansk." It is considered to be the largest brick temple in Europe and the finest among the towns of the old Hanseatic League.

Inside the church is a wealth of medieval artifacts. There is a stone Pieta from 1410, and a copy of The Last Judgement made in 1472 by Hans Memling. An astronomical clock made in 1467 by Hans Duringer is here. The main altar was built in 1510-1517. The church does hold services. It is open to visitors year-round.

The Great armory, part of the defensive walls of the Main Town, was built in 1605. The design is Dutch Mannerist.

The building was used as an arsenal until the end of the World War I. During the Free City era between World War I and II, the ground floor was converted to a shopping arcade. The upper floors were for goods storage. In 1945 the interior of the building was consumed by fire. The roofs, interiors, gables and domes were restored by 1954.

The Armory is a perfect example of Dutch renaissance architecture. It has two octagonal towers on the eastern facade. There are two facades and four gabled roofs parallel to each other. The corner turrets have domes and spires. The basement has a barrel vault with lunettes and pillars. The ground floor has four naves with six bays.

The west face is designed with four tenement house facades. The portals have arches with quoins. The Mannerist decorations are lush in the upper facades.

In May, 1954 the Armory became the home of the Academy of Fine Arts. Work continued on the facades and interiors up to 2005. Today the building is dedicated to "exhibition, education, promotion and archiving." It is considered an "Armory of Art."

The Golden Gate straddles Long Street at the inland entrance to the Royal Route of Gdansk. It was built in 1614 to replace a 13th century Gothic Gate called Long Street Gate. The Golden Gate forms part of the old city fortifications, together with The Highland Gate and the Prison Tower, also located on Long Street.

The Golden gate was designed by architect Abraham van den Blocke of Holland. The style is Dutch Mannerist. Each side of the Gate has attiques with figures representing civic values. The values are: Peace, Freedom, Fortune, Fame, Concord, Justice, Piety and Wisdom.

A Latin inscription declares small republics prosper in concord and fail in discord. Badly damaged in World War II, the Gate was restored completely in 1957. More comprehensive restoration works, including the facade decor of murals and gilding were carried out in 1998.