Oratorio di San Giobbe (Oratory of St. Job), Venice

Located in a secluded square filled with cats, the modest Oratory of Saint Job holds a unique charm. Originally built in an early Gothic style, the place of worship underwent modifications in the 1470s by Pietro Lombardo, who introduced Renaissance elements, including the saints depicted above the portal. The bell tower, completed around the same time, boasts elegant Istrian stone mullioned windows and a striking Gothic structure.

As you approach the entrance, you'll notice the decorative motifs on the door jambs gradually transforming as they ascend. Thorny bushes give way to vibrant flowers and fruits, accompanied by animals enjoying their nourishment. Each motif represents Christian allegories, culminating with the eagle, a symbol of rebirth and resurrection. Adorning the arch are statues of three distinguished saints associated with the Franciscan spirit: Saint Bernardino of Siena, Saint Louis of Toulouse, and Saint Anthony of Padua.

Upon entering, the interior reveals an intriguing asymmetry. The left wall boasts numerous chapels, while the right side features a linear arrangement with four altars. This design asymmetry arises from the church's connection to the adjacent monastery, which leaned against its right side.

Notably, the Martini chapel, located second on the left, showcases evident Tuscan influences and is adorned with glazed terracotta in the style of Della Robbia. Unfortunately, the altarpieces by Giovanni Bellini and Vittore Carpaccio, once housed in the church, were removed during Napoleon's suppression of the San Giobbe monastery. These valuable artworks now find their place on display in the Accademia gallery.