Sri Kailawasanatan Swami Temple, Colombo (must see)

Sri Kailawasanatan Swami Temple is a historic Hindu temple built by a group of Indian Chetti traders known as the Thiruvilanga Nakarathar, who migrated to Sri Lanka for business around two hundred years ago. At the time, King Kirthi Sri Rajasingha ruled Kandy, while the Dutch controlled the coastal regions and managed trade. The Chetti traders, devoted Hindus, initially worshipped a small Sivalingam kept under a tree, but felt the need for a formal temple built according to Vedic Scriptures. With the support of fellow traders, they laid the foundation for the temple in 1783 on land owned by Sri Veerapathran, a prominent trader who also financed and supervised the construction.

Originally known as the Captain Gardens Temple—named after a Dutch officer overseeing local trade—the temple was designed and sculpted by skilled architects from India.

When visiting Sri Kailawasanatan Swami Temple, begin by pausing just outside the main entrance to take in the gopuram, the tall, ornate gateway tower. This is the best vantage point to observe its layered structure and painted sculptures, which are arranged in horizontal tiers. Looking upward from ground level allows you to see how the figures increase in number and density toward the top, a common feature of Dravidian temple design meant to draw the eye from the earthly to the divine.

After entering the temple grounds, move slowly through the central passageway, where the main shrines are aligned. These are usually marked by smaller sanctum structures and framed by lamps, flower offerings, and ritual objects. The principal shrine dedicated to Lord Shiva is typically the focal point, while surrounding shrines honor other deities such as Ganesha, Murugan, and Parvati. Visitors should observe from the side or rear of worshippers, as these areas are actively used for prayer.

Along the walkways, take time to examine the sculpted columns, which often support covered orridors or halls. These columns feature carved figures, floral motifs, and symbolic forms that are easy to miss when moving quickly. Standing slightly back allows the relief work to become more visible, especially where light falls across the stone.

The ritual spaces are usually identifiable by the presence of oil lamps, incense holders, and offering platforms. These areas are best observed quietly, watching how devotees interact with the space through movement, gesture, and offerings.

The temple is heavily surrounded by railway tracks and urban traffic, making the transition from the busy street to the serene sanctuary inside particularly striking.