"A Mecca for all lovers of literature." That must be true, judging by all the "lovers of literature" signatures etched into the windows of the house on Henley Street. Years after William Shakespeare left the planet, his admirers came to say hello.

Charles Dickens, Sir Walter Scott, Thomas Carlyle, Lord Byron, Lord Tennyson, John Keats and last but not least, William Thackeray left their names. Here lived the Master of the English Language. What was it like, the house he grew up in? Was it rich, poor, middle class?

It is a very simple house today, but in Shakespeare's time it would have been thought a large dwelling. People were shorter, doors were lower, rooms were smaller. The house was effectively divided in two parts. One was for business and the other for living. Shakespeare's father, John, was a glove maker and a dealer in leather and wool.

It is a restored 16th century half-timbered house in Stratford-upon-Avon, Warwickshire, England. It is a museum now, but in 1564 it was where William Shakespeare was born. The house was constructed of wattle and daub around a timber frame. The fireplaces are of brick and stone and the ground floor is of flagstone.

William Shakespeare inherited the house but by then he had moved with his family to New Place on Chapel Street. Eventually the Henley Street house passed to other owners and by the 1800s it had fallen into a distressed state. In 1846 it was put up for sale. P.T. Barnum of circus fame tried to buy it and ship it "brick by brick" to the USA.

Not having any of that, the Shakespeare Birthplace Committee became the Shakespeare Birthplace Trust by an act of Parliament and stepped in to save the day. The Trust bought the property and restored it to its original state.

Next to the Birthplace is the Shakespeare Centre, a modern building which houses the Shakespeare Birthplace Trust. The Centre contains a library, and a collection of Shakespeare paraphernalia. The Centre also provides admission to the Birthplace.

Why You Should Visit:
William Shakespeare is the heart of this town.

Tips:
Don't worry about driving, parking, etc. There is a tram (good one) and most places to be seen are within walking distance of each other.

Here is an interactive peek into William Shakespeare's childhood and schooling in the 16th century. The Guild of the Holy Cross built the Guildhall in 1420. Over the years more buildings were added, including a schoolhouse, a Chapel and Almshouses. The Guildhall was the headquarter of the Stratford Borough Council from 1553 and 1848.

When the Borough Council left for new digs at the Town Hall, they left the building to the school. The school, known as The King's New school, had been in the Guildhall since 1568. It later became the King Edward VI School (K.E.S.). Three years later seven-year-old William Shakespeare attended his first class. One may assume it was writing.

The school has been in continuous use by the local people since it first opened. The Guildhall has always been used and looked after and never neglected. Not only local students may study here, the school is also open to tourists. They may take an interactive class with William Shakespeare's teacher, Master Thomas Jenkins.

Adjoining the Guildhall is the Armoury. It was originally used a store place for arms, but after 1553 it became an administration center for the school. It also served as courtroom. On the first floor is the Master's chamber. In the center of the chamber is the prefect's table, bearing the names and initials of schoolboys through the years.

Students were mostly the children of wealthy middle class people. Williams' father, for instance, was the bailiff for the town. It was a public school and an entrance exam was required. Students did not pay fees, but they did have to provide their own firewood and candles. Classes frequently went from 6 am to 6 pm. There was a brief midday break.

Why You Should Visit:
to experience a bit how education used to be.

Tips:
When using the feather quill, be wary of ink blots.

"defasyng images in ye chapel". For defacing paintings on the Guild Chapel walls, John Shakespeare, Willam Shakespeare's father, was paid two shillings. Its not a lot, considering the time he put in. Elizabeth I was in office, and she issued an injunction in 1559 to "remove all signs of superstition and idolatry from places of worship."

The Guild Chapel was founded by the Guild of the Holy Cross in 1269. The Chapel stands today on Church Street, across from William Shakespeare's New Place. Hugh Clopton, a former owner of New Place, had presented murals to the Chapel. It is ironic that John Shakespeare made money whitewashing the murals that were funded by Clopton.

The Guild was suppressed during the Reformation. Its property was turned over to the Corporation of Stratford. The murals were uncovered in the 1950s. A major restoration is in progress to restore the mural of Doom over the chancel arch together with the Death Poem. Seen from the outside the Chapel is a plain building with a high tower.

Restored in 1983 by Stephen Dykes Bower, The Chapel has a Grade I listing. It is owned and operated by The Stratford-upon-Avon Town Trust. The Chapel is in use as a chapel, providing services for King Edward VI School.

In 1597 William Shakespeare was founder of the Lord Chamberlain's Men and a successful playwright. He had left his Birthplace House. He had moved to his newer, larger house, which he had bought for 129 pounds. The New Place (for so it was called) was located on Chapel Street, but a short walk from the Birthplace House on Henley Street.

New Place had been built in the 15th century by Hugh Clopton. The terms "New" or "Newer" as used in Britain are relative and not to be taken literally. One might say, "newer than the pyramids", for example. The New Place had a five gabled, three bayed, half-timbered frontage. Shakespeare rebuilt the frontage and added a gallery.

New Place was pulled down in the late 17th century by the Clopton family who had reacquired the property. The Clopton's newer New Place itself was demolished in 1759. Now New Place is occupied by a garden designed to memorialize Shakespeare's life and work and to allow visitors to develop their own connections with his legacy.

The Great Garden is behind the site where the house once stood. The garden shows sculptures based on Shakespeare's writings. The Knot Garden has been restored using designs which would have been familiar to Shakespeare himself.

"O for a Muse of fire, that would ascend the brightest heaven of invention...." That comes to mind upon seeing the house and stage of the Royal Shakespeare Theatre (RSC) after its transformation of 2010. The Royal Shakespeare Theatre and the Swan Theatres reopened in 2010 after the extensive changes wrought by the Transformation Project.

This was a redo of the Shakespeare Memorial Theatre (SMT) which had been opened in 1932. The original theatre had been destroyed by fire six years earlier. The new SMT was designed by Elisabeth Scott. Ms Scott's theatre was renamed to Royal Shakespeare Theatre in 1961 after the creation of the Royal Shakespeare Company the previous year.

The RST is a 1,040 seat theatre with a thrust stage, bounded by the audience on three sides. The theatre is owned by the Royal Shakespeare Company (RSC). The new theatre is referred to as a "one room" theatre. Actors and audience are close together in the same room, as in Shakespeare's time. The play is an intimate experience for all.

The Theatre has a Rooftop Restaurant and bar offering views of the river Avon. There are also a Riverside Cafe and Terrace. There is a colonnade linking the RSC and the Swan Theatre. There is a tower, 118 feet in height with dramatic perspectives of the town and countryside. A riverside walk reaches from Bancroft Gardens past the Theatre.

Queen Elizabeth II and Prince Philip officially opened the Theatre in March 2011. An urn with the ashes of Actor Ian Richardson was placed in the foundation by his widow and son in 2007.

It is clear that Willam Shakespeare loved Stratford-upon-Avon. He was born in a house on Henley Street. The house was not far from Holy Trinity Church, where he was baptized, married and finally buried. He wanted to be always in the place where he arrived. He even has a plaque next to his burial place cursing anyone who would dare disturb his rest.

"...and cursed be he that moves my bones." To date, no one ever has. Many, many people have visited the Church, and looked at his effigy and read his plaque and wondered.

The Church dates from 1210. It stands on the site of an old Saxon monastery. It is, in fact, Stratford-upon-Avon's oldest building. John de Stratford founded a chantry here sometime in the 14th century. Dean Thomas Balshall rebuilt the chantry in 1491. Balshall is buried in the Church.

Within the church are several interesting items. There are: A 14th century porch knocker; more than twenty carved misericord seats in the chancel; The American window in Saint Peter's Chapel, donated by George Williams Childs, "The Gift of America to Shakespeare's Church"; and copies of Shakespeare's baptismal and burial certificates.

The monument dedicated to William Shakespeare, located inside the Holy Trinity Church in Stratford-upon-Avon, Warwickshire, honors the famed playwright. This is the same church where Shakespeare was baptized and buried shortly after his passing. Positioned on the church's north wall, the monument is made from pale blue limestone. It's often attributed to Gerard Johnson, a sculptor, but Lena Cowen Orlin has suggested it might actually have been done by Gerard's brother, Nicholas Johnson, based on a life model.

The monument depicts Shakespeare in a half-length figure holding a quill and a piece of paper, a style typical for honoring scholars and professionals of the 17th century. The figure's attire, including a doublet and a gown, was likely originally vibrant with colors like scarlet and black, and details like hazel eyes and auburn hair, though it has been repainted entirely in white in the 1790s. This image of Shakespeare is one of the few accepted as a true representation of his appearance.

Above the figure, there's a decorative element and a shield with Shakespeare's coat of arms, flanked by symbolic figures representing Work and Rest. The monument's structure includes black marble columns, sandstone decorations, and originally had alabaster details, replaced with marble in the mid-18th century. The entire piece, including an effigy and cushion, is carved from Cotswold limestone, with inlays of black touchstone.

The exact date of the monument's erection is unclear, but it was definitely before 1623, as referenced in a poem published that year in the First Folio of Shakespeare's works. The monument, which has been restored and repainted over the years, serves as a significant tribute to Shakespeare's legacy.

Anne Hathaway's Cottage is a farmhouse with twelve rooms situated in the village of Shottery, Warwickshire. It was the childhood home of Anne Hathaway, the wife of William Shakespeare, located approximately 1 mile (1.6 kilometers) west of Stratford-upon-Avon. The property boasts spacious interiors and multiple bedrooms, now surrounded by expansive gardens.

Constructed before the 15th century, the oldest section of the house contrasts with the 17th-century additions. Originally known as Hewlands Farm during Shakespeare's time, the property encompassed over 90 acres (36 hectares) of land, making the term "cottage" somewhat of a misnomer due to its considerable size. Like many homes from that era, it features numerous chimneys to evenly distribute heat throughout the premises in winter, with the largest chimney designated for cooking. The visible timber framing reflects the traditional Tudor architectural style prevalent in vernacular constructions of the period.

Following Hathaway's father's passing, ownership of the cottage transferred to her brother Bartholomew, remaining in the Hathaway family until financial difficulties compelled its sale in 1846. Despite this, the family continued to reside there as tenants until the Shakespeare Birthplace Trust acquired the property in 1892. The Trust undertook the removal of subsequent modifications and extensions. In 1969, a fire severely damaged the cottage, prompting its restoration by the Trust. Today, it operates as a museum open to the public.

The Stratford-upon-Avon Canal is a historic waterway located in the south Midlands of England, stretching for 25.5 miles (41.0 kilometers) and connecting the region through two distinct sections. Constructed between 1793 and 1816, this canal has played a significant role in the area's industrial and recreational life. The canal's course is divided at Kingswood Junction, which serves as a critical link to the Grand Union Canal, marking a pivotal point in its navigational route.

In its early years, the Stratford-upon-Avon Canal thrived; however, after its acquisition by a railway company in 1856, it faced a gradual decline. By 1945, the southern section had become un-navigable, and the northern section was in a similar state of neglect. The canal's fortune began to turn in 1947 when the northern section became the focus of a landmark campaign by the Inland Waterways Association. The campaign notably included a dispute over the right of navigation under Tunnel Lane bridge, leading to a requirement for the Great Western Railway to adjust the bridge to allow for boat passage. This event was instrumental in saving the northern section from closure.

The southern section's revival was spearheaded by the National Trust in 1959, with significant restoration efforts led by David Hutchings and the Stratford Canal Society between 1961 and 1964. These efforts came after successfully preventing an attempt to close the canal, leading to its rejuvenation. The canal's restoration was honored by a reopening ceremony conducted by Queen Elizabeth the Queen Mother, symbolizing its return to prominence.

In 1988, the stewardship of the Stratford-upon-Avon Canal was transferred to British Waterways, marking a new chapter in its history. Today, the canal stands as a testament to the enduring appeal and importance of Britain's waterways, serving both as a vital link in the nation's navigable canal network and as a cherished recreational resource, reflecting the successful preservation and restoration of an essential part of England's industrial heritage.