When in Amsterdam, a visit to the Central Station is practically inevitable. Nearly every traveler to the city encounters it at least once.

Amsterdam Centraal is the largest railway station in the city and has the second longest railway platform in the country, with a length of 695 meters, and a cast-iron platform roof spanning approximately 40 meters. A major international railway hub, it is used daily by almost 200,000 passengers, making it the Netherlands' most visited national heritage object.

Amsterdam Centraal was designed by Dutch architect Pierre Cuypers, featuring a blend of Gothic and Renaissance Revival elements.

The station was constructed on three artificial islands, between 1882 and 1889. Controversially located at the city's waterfront, it took a precise total of 8,687 wooden piles to anchor such a monumental structure on the marshy ground. The station spurred significant urban redevelopment and shifted Amsterdam’s focus from a waterfront to an inland city, influencing both transportation and city planning.

Its design celebrates Dutch economic and colonial prowess through various decorative elements. Initially, the entire project seemed like a huge blunder and was swiftly criticized by numerous experts. However, the architects persevered and ultimately vindicated themselves, defying skeptics.

Through the decades, Amsterdam Centraal has undergone multiple renovations and expansions to meet modern demands. Significant developments included the creation of a pedestrian tunnel in the 1950s, expansion of metro facilities in the late 1970s, and a major overhaul in the 1980s and 1990s that introduced new signaling systems, expanded tracks, and additional roofing. Recent upgrades focus on enhancing capacity and accessibility, including extended platforms for international trains, a new bus station, and upgraded retail spaces, marking it as a central hub in Amsterdam’s urban landscape.

Tip:
Take advantage of the several free ferry trips navigating the canals, departing every 5 to 15 minutes from this location; they offer a rewarding experience. You can even cruise back to the station via boat if you wish, rounding out your visit with a picturesque waterborne journey.

What started with skepticism has grown into one of Amsterdam’s most famous attractions. The city’s rich history and stunning art blend seamlessly with its exuberant erotic industry, and thus appeared the world’s very first Sexmuseum. Established in 1985, this unique institution draws over 500,000 yearly visitors, offering a fascinating look into the historical evolution of human sexuality. It’s a place where history meets curiosity, delving into the ways that desire and sensuality have shaped cultures through time.

Now, let’s be clear-this museum is strictly for adults; it’s not designed for children or families. The galleries feature an impressive variety of artworks, including paintings, sculptures, vintage photographs, and cartoons, all exploring the theme of erotica and sensuality. Additionally, you'll find personal artifacts, possessions, and documented histories of influential figures in the realm of sexuality. You can learn about the lives of figures like Madame de Pompadour, the famed mistress who seduced King Louis XV of France; the infamous Marquis de Sade, whose shocking exploits gave rise to the term “sadism”; and the legendary Mata Hari, a glamorous dancer whose name still conjures whispers of intrigue and espionage. Each of their stories weaves into a larger narrative, reshaping our understanding of sensuality, identity, and the complexity of human expression.

One particularly intriguing section dives into the practices of ancient civilizations, especially the Greeks and Romans. Here, you’ll find displays that explore their attitudes toward sexual norms, rituals, and deviations, in a way that’s both educational and entertaining.

In short, Amsterdam’s Sexmuseum is much more than a risqué novelty. It’s an engaging and informative experience that invites visitors to look beyond taboos and appreciate the complex, multifaceted history of human intimacy.

De Bijenkorf, dominating the northern corner of Dam Square and aptly translating to "The Beehive", proffers an exceptionally diverse array of Dutch commodities across its six expansive levels. This selection spans the spectrum from quintessential souvenirs, such as postcards, tea towels, mugs, and t-shirts, perfect for sharing the essence of your journey with loved ones afar, to practical, everyday items like kitchenware and household necessities, which exude a unique and alluring charm. Earning distinction as one of Europe's inaugural department stores, this venerable edifice possesses an external and internal grandeur, itself a cultural treasure.

Tip:
When venturing within, ascend to the uppermost floor, where a delightful culinary enclave awaits discovery. A blend of restaurant and cafeteria, this locale not only captivates with its ambiance but also treats patrons to picturesque vistas of the city, rendering it a must-visit destination within De Bijenkorf.

Crafted by the renowned Dutch architect Jacobus Oud, Dam Square proudly hosts a 22-meter (70-foot) tall obelisk, serving as a poignant memorial to the Second World War. Behind this solemn monument, urns hold soil collected from cemeteries and execution sites. The structure has become a national symbol, where each year, on May 4th, the Remembrance of the Dead ceremony takes place.

While this obelisk garners attention from numerous visitors, only a select few truly grasp its intricate symbolism. Adorned with exquisite details arranged in concentric circles, the obelisk features sculptures depicting men, howling dogs, and birds. On the front side, two male figures symbolize the Dutch Resistance Movement, while the left and right sides represent intellectuals and the working class, respectively. Dogs are emblematic of loyalty and suffering, while a woman with a child represents victory, peace, and new beginnings. Meanwhile, doves ascending to the skies symbolize freedom and liberation.

Why You Should Explore:
One of the most important European symbols that recall the immense tragedy of the Second World War. A tranquil spot for a brief pause while you explore other attractions in the vicinity.

Dam Square, or the Dam, is a central town square in Amsterdam, known for its significant buildings and frequent events. Positioned in the historical heart of Amsterdam, it sits on the site of the original dam on the Amstel River. The square extends some 200 meters from west to east and 100 meters from north to south, connecting Damrak and Rokin streets that trace the Amstel's original course.

The square is also the termination point for other notable streets like New Dike, Calf Street, and Dam Street, with the main red-light district, De Wallen, just beyond its northeast corner. Prominent features on Dam Square include the neoclassical Royal Palace, the 15th-century Gothic New Church, the Madame Tussauds Wax Museum, and the National Monument which honors World War II victims, all of which collectively turn the Dam into a major tourist hub.

The name "Amsterdam" originates from a dam built on the Amstel River around 1270. This dam, integral to the city's development, included a discharge sluice and later locks to facilitate navigation and control water levels. By 1275, the settlement was significant enough to be recorded in connection with a road toll granted by the count of Holland, Floris V. Over time, the dam expanded to accommodate a town square, now known as Dam Square. Eventually, the area became a hub for commercial and governmental activities, featuring a large fish market and a town hall.

Significant changes occurred over the centuries, including the demolition of a weigh house in 1808 to clear the view for Louis Bonaparte’s Royal Palace and the infilling of Damrak Avenue in the 19th century. The square also hosted the Beurs van Zocher stock exchange until 1903. Today, the De Bijenkorf department store has been in its place since 1914. Dam Square has also been a site for national events – such as the National Memorial Day commemorations at the National Monument unveiled in 1956, and public demonstrations, – maintaining its status as a national and cultural gathering spot for the Dutch.

Tip:
For those in need of a restroom, free and well-maintained toilets are available at the De Bijenkorf shop on the 5th floor.

Magna Plaza is a grand 19th-century edifice located behind the Royal Palace on Dam Square. Constructed between 1895 and 1899, it showcases a blend of Neo-Gothic and Neo-Renaissance architectural styles. The building was designed by Cornelis Hendrik Peters and has been listed as a national heritage site of the Netherlands since 1974.

The structure is notable for its elaborate brick exterior adorned with polychromatic brickwork and dressed stone around windows and doors. The roof is distinguished by several dormers, each topped with crow-stepped gables, contributing to its nickname "Perenburg" (or “pear-castle”) due to the pear-shaped crowns atop its towers.

Originally serving as Amsterdam's central post office, the building symbolized the city’s economic resurgence in the late 19th century, a period marked by significant developments like the opening of the North Sea Canal and the hosting of a World's Fair in 1883.

In 1987, plans to transform this historic post office into a luxurious shopping mall were announced by Larmag, a Swedish real estate developer. The renovations, which began in 1991, involved meticulous exterior restorations and a complete rebuild of the interior while preserving the structural and decorative elements. Named after Larmag's CEO, Lars-Erik Magnusson, Magna Plaza opened on August 17, 1992, as a shopping center.

Today, Magna Plaza offers a shopping experience across four floors, complemented by several cafes and a variety of stores. Despite its commercial function, the building remains an architectural gem worth visiting for its aesthetic and historical significance alone.

Anne Frank once found comfort in the gentle chimes of the Western Church’s bells-a reassuring hint of life outside her secret refuge-until those very bells were melted down for the German war effort. The church’s 85-meter-tall tower still stands as Amsterdam’s most dazzling spire. Rising gracefully above the city, it offers balconies with stunning panoramic views of the center and a carillon that strikes every quarter-hour, plus occasional full musical interludes. At its tip, you’ll find Emperor Maximilian’s crown, a proud emblem of Amsterdam and a glittering highlight of this Protestant landmark. Built by Hendrick de Keyser and completed in 1631, a decade after his passing, the church was a vital piece of the city’s early expansion.

Outwardly, the Western Church projects an air of restrained elegance; inside, however, it embraces Calvinist simplicity. Apart from the ample plain-glass windows that flood the space with natural light, the main attractions are the grand Baroque organ and the ornate wooden pulpit, topped by an oversized sounding board that once lent authority to lengthy sermons. While the Protestant elite shunned opulent decorations, they did indulge in a little exclusivity: boxed-in benches at the base of the nave’s stone columns, rented out by the well-to-do to signal their status.

Feeling adventurous? From April to October, you can climb the tower for a firsthand look at the bells and unbeatable views from a platform near the top. The stairs are steep enough to be interesting, but not so tough as to keep you from reaching one of the best vantage points in Amsterdam.

The Royal Palace of Amsterdam is a historic monument on Dam Square and is one of the four palaces in the Netherlands still left at the disposal of the Dutch Royal Family.

Its inception dates back to 1655. Back then, the city had recently thwarted William of Orange's attempts to subdue it and the city council sought a residence that would symbolize Amsterdam's municipal authority and pride. This led to a remarkably forward-thinking design-the Dutch interpretation of the classical principles revived during the Italian Renaissance. The architectural project led by Jacob van Campen implied over 13,500 wooden piles to support the building.

Initially designed as the town hall overlooking the bustling Damrak wharves, it was converted into a royal palace by King Louis I of Holland, brother of Napoleon Bonaparte, in 1806.

In 1936, the building was designated a property of the Kingdom of the Netherlands. Today, it serves a ceremonial role for the monarchy, hosting state visits, official functions, and award ceremonies. The palace also played a pivotal role during the investiture of Queen Beatrix in 1980.

The building's distinctive sandstone façade has darkened over time. Astride the rear of it is a 6-meter statue of Atlas carrying the globe.

The interior is equally opulent, notably in the Citizens' Hall, featuring an arcaded marble chamber where the enthroned figure of Amsterdam presides over the earthly and celestial realms. Three circular, inlaid marble maps, depicting the eastern and western hemispheres, as well as the northern sky, lie at her feet. Other allegorical figures include Wisdom and Strength, flanking "Amsterdam" on her left and right, while the reliefs on either side of the central group portray the principles of good governance. On the left, the god Amphion plays his lyre, persuading stones to form a wall; and on the right, Mercury seeks to lull Argos to sleep, thus emphasizing the importance of vigilance.

Tip:
Before your visit, be sure to check online for opening hours, as the palace may occasionally be closed due to royal events.
Free entry for those under 18 and discounts for seniors and students are available.

This old house in Amsterdam's Jews Broadway, with an ornate facade adorned with intricate wooden shutters and an elaborate pediment, was once the home and studio of the Dutch painter Rembrandt van Rijn. Commonly known as Rembrandt, he was a prominent 17th-century figure, rightfully acclaimed as one of the foremost artists of the Dutch Golden Age-a period when the Dutch Empire enjoyed the zenith of its power and renown.

Originally built in 1606, the property served as the artist's residence during the pinnacle of his fame, a place where he resided for nearly two decades, from 1639 to 1658, and created some of his most iconic masterpieces, such as "The Night Watch."

However, the lavish expenditure on furnishings ultimately contributed to Rembrandt's financial downfall. After his bankruptcy, the house changed hands and underwent various renovations before it was purchased by Amsterdam's municipality, in 1907, and then restored and converted into a museum by 1911. The building was redesigned in the 20th century based on the inventory drawn up during Rembrandt's bankruptcy.

The museum shows Rembrandt's living and working quarters, giving the visitor an idea of the artist's daily life. Stepping inside here feels akin to entering one of Rembrandt's own paintings, with quintessential Dutch interiors featuring black-and-white tiled floors and traditional box beds. Two particularly captivating highlights include a nearly complete collection of Rembrandt's etchings, exhibited in its modern wing and etching cabinet. In Rembrandt's old house, there are also works of art by his teacher, Pieter Lastman, and his pupils, Ferdinand Bol and Govert Flinck. The museum also hosts temporary exhibitions throughout the year of the works by Rembrandt's contemporaries and (contemporary) followers.

In 2019, research confirmed that two pots found in Rembrandt’s old cesspool were used by him for mixing quartz soil, a unique canvas preparation method. These pots are now on display here.

Tip:
Reserve some time to browse the museum's quaint shop, offering a selection of delightful, high-quality souvenirs at reasonable prices. It is highly likely that you will want to get something as a keepsake for yourself too.

The Weigh House, a medieval trading hub dating back to 1488, began as a customs house, where goldsmiths and silversmiths worked their magic on the upper floors. Today, it’s home to a lively bar and restaurant, but inside you can still marvel at the hefty timber beams and what’s left of the old weighing scales.

Originally, this building was taller, but the 16th-century city planners had other ideas. When Amsterdam’s defensive walls came down, the gatehouse lost its fortification and its height. The surrounding moat was filled in, creating a bustling market square, and the ground level was raised, leaving the Weigh House looking quite different than it did in its heyday.

Even so, the building remained at the heart of Amsterdam’s cultural life. It was here that Rembrandt van Rijn painted “The Anatomy Lesson of Dr. Nicolas Tulp,” the work that launched his legendary career. Over the centuries, the Weighing House served many roles, hosting museums, city institutions, and even a fire brigade. In 1996, it found new purpose under the care of the Waag (“Weigh House”) Society, ensuring its historic charm endures for generations to come.

Amsterdam’s oldest building, the Old Church, boasts the largest medieval wooden vault in Europe. The initial wooden chapel on this site was built around 1213. Eventually replaced by a stone structure, in 1306, the church was dedicated to Saint Nicolas. To ensure its stability in a marshy area, the foundations were set on an artificial mound.

Throughout the centuries, the church has undergone numerous transformations. The most significant, in the 15th century, included the addition of north and south transepts, forming a cross shape, and the expansion of the aisles prompted by the necessity to recover from the destruction caused by fires in the early 1400s. Originally Roman Catholic, the church transitioned to its present Calvinist denomination in 1578, after the Dutch Revolt against Spanish rule. This transition led to the Iconoclastic Fury, with rioters destroying much of the church's art.

The Old Church boasts significant artistic and personal histories. It has ties to Rembrandt, who was a frequent visitor here for his children’s christenings. Today, this connection is honored by the annual celebration of Rembrandt’s wife, Saskia, who is buried inside. Each spring, on March 9, her tomb is illuminated by a unique play of sunlight in the morning.

The entire floor of the church is covered in gravestones. This is because it's built over a cemetery. Locals continued to be buried here until 1865. There are in total 2,500 graves, holding the remains of some 10,000 parishioners. Among them are the famed organist and composer Jan Pieterszoon Sweelinck; the revered naval hero Jacob van Heemskerck; and Frans Banning Cocq, the central character in Rembrandt's painting "The Night Watch".

Also, the interior – surprisingly spacious – contains a collection of exquisite stained glass, rare ceiling frescoes, and four pipe organs, including the renowned Vater-Müller organ built in 1724 and recognized as one of the finest Baroque organs in Europe.

As of 2012, the Old Church has been home to an art institute, the newest in town, featuring specific installations and a permanent exhibit on the history of Amsterdam.

Each year in mid-March, Catholics arrive at the Old Church to celebrate the so-called "Miracle of Amsterdam" which occurred in 1345. Legend has it that after taking communion, a dying man vomited the Sacramental bread – known as the Host – which is used in the Christian ritual of the Eucharist. When the bread was thrown into a fire, as prescribed by the tradition, it did not burn and was proclaimed a miracle. The Host was then put in a chest and displayed at the church. However, it disappeared during the Reformation period.

Tip:
Wonderful views from the tower (note the fee payable with credit/debit cards only); coffee and snacks are available in a charming garden.