Established in 1943, the Campbell House Museum commemorates the home and Victorian lifestyle of Robert Campbell, an Irish immigrant who became an American frontiersman, fur trader, and businessman, and his wife, Virginia Kyle Campbell, an American socialite who hosted members of local high society, including President Ulysses S. Grant, James Eads, General William T. Sherman, and botanist Henry Shaw.

During the preparation of an inventory and evaluation of the estate, experts in history, architecture, and art were amazed by the condition of the property and declared that “probably nowhere in America, possibly nowhere else, is such an intact and integral display of elaborate and ornate furnishings of the middle Victorian period to be found as in the Campbell mansion.”

In the 1940s, the Campbell House was one of the few museums dedicated to the history and decorative arts of mid-Victorian America. The museum was designated a City of St. Louis Landmark in 1946 and was listed on the National Register of Historic Places in 1977.

The museum showcases meticulously restored rooms adorned with original Campbell family furnishings, including ornate furniture, fine china, and period clothing. Notable highlights include a grand dining room with a recreated painted ceiling and a morning room featuring wallpaper patterns restored from 1885 photographs. The museum also displays a collection of carriages and a unique set of interior photographs taken in the mid-1880s, offering a rare glimpse into the home's original ambiance.

In recent years, exhibits have expanded to include narratives on the lives of servants and enslaved individuals associated with the Campbell family, providing a more comprehensive understanding of the household's history.

Tip:
Don’t miss the holiday season tours when the museum is beautifully decorated with antique ornaments. Be advised, however, that on certain days of the week-and during January and February-tours are available by appointment only.

The museum shop is also worth a visit, offering unique lithograph nightlights and books about the St. Louis area.

Housed in the former International Shoe Company factory and warehouse, the City Museum is made largely from repurposed architectural and industrial objects. Popular with both residents and tourists, it attracts hundreds of thousands of visitors each year and bills itself as an “eclectic mixture of children’s playground, funhouse, surrealistic pavilion, and architectural marvel.” Here, visitors are encouraged to touch, climb, and play freely among the exhibits.

The museum was founded by artist Bob Cassilly, who served as its artistic director until his death in 2011, and his then-wife, Gail Cassilly. Since opening in October 1997, the venue has continually expanded, adding new attractions. In 2008, a ten-story slide was installed, starting from the roof and descending to the entrance of the Enchanted Caves. It has become one of the museum’s most popular features, which runs through the center of the building up to the 10th floor.

The first floor features a life-size Bowhead Whale that visitors can walk through to view a large fish tank from the mezzanine food court. The floor is covered with the largest continuous mosaic in the U.S., which extends up the columns.

The second floor houses The Shoelace Factory, where antique braiding machines produce colorful shoelaces for sale, while the third floor offers circus performances and concerts. The fifth floor contains the Lofts at City Museum, apartments ranging from 1,300 to over 2,800 square feet. On the roof, guests can enjoy an old-fashioned Ferris wheel and a wide ramp slide.

Outside, MonstroCity amazes visitors with two Sabreliner 40 aircraft fuselages suspended high in the air, along with a fire engine, castle turret, and other whimsical structures. It’s often described as the world’s largest playground-truly fun for all ages.

Tip:
Be prepared to move, climb, and sweat! Knee pads are highly recommended (and sold in the gift shop). Visit on a nice day to enjoy the outdoor areas-the extra $5 for rooftop access is well worth it.

The Ulysses S. Grant Statue outside City Hall is the work of Robert Porter Binghorst, the first professional sculptor to live in St. Louis.

The statue serves as a public tribute to Grant, who spent six years in St. Louis before becoming the 18th President of the United States. During his time in the city, he met and married Julia Dent and unsuccessfully tried his hand at farming on land along Gravois, known today as Grant’s Farm. Grant also held various jobs here, including selling real estate and clerking at the Customs House. He even applied for the position of County Engineer, but was rejected and eventually moved away to work for his father-in-law.

A gift from the Grant Monument Association of Missouri, the statue was dedicated in October 1888, making it the oldest monument still standing in downtown St. Louis. Originally placed in the middle of 12th Street between Olive and Locust, it was moved to the south entrance of the newly completed City Hall in 1904. However, the Grand Army of the Republic objected, calling the south entrance the “back door,” and successfully had the statue relocated to its present site in 1915.

The plaque at the front of the statue depicts the Battle of Lookout Mountain, commemorating one of Grant’s notable Civil War victories.

St. Louis City Hall is a historic building that has served as the center of local government for over a century. Designed by architects Eckel and Mann, the building draws inspiration from the French Renaissance City Hall in Paris and features ornamental dormer windows and towers reminiscent of the Chambord castle.

The interior of the City Hall is just as ornate as the exterior, with marble and gold trim adorning the walls and ceilings. The building also boasts interesting murals on the Market Street and Clark Avenue entrances.

Construction on the City Hall began in 1890 and was completed in 1904. Although the building was never fully finished, lacking carved decorations on the ornamental dormers due to a lack of funds, it has still been praised for its splendid architectural composition.

Today, the City Hall houses the offices of the Mayor of St. Louis, the Board of Aldermen, and the St. Louis Department of Public Safety. It is also the venue for the majority of local government meetings, many of which are open to the public.

In recognition of its historical and architectural significance, the City Hall was designated a St. Louis City Landmark in 1971. It remains an impressive period piece of craftsmanship and an important symbol of the city's government and history.

Since its opening in 2009, Citygarden has drawn countless visitors to downtown Saint Louis. Beyond boosting the city’s economy, its popularity has also sparked renewed interest in revitalizing the 16-block Gateway Mall.

It’s hard to believe that before becoming a vibrant urban park and sculpture garden, this site was nothing more than two empty blocks of grass. The vision was to create open lawns for large-scale artworks while reserving smaller spaces for more intimate experiences-a concept that has proven highly successful.

Today, Citygarden showcases 24 sculptures valued at over $12 million. Highlights include a massive bronze head lying on its side by Igor Mitoraj, digital screens of walking figures by Julian Opie, and Erwin Wurm’s whimsical Big Suit, a bodiless pink suit. Visitors are encouraged to touch, walk through, and even interact with the works, though this means some require frequent maintenance, such as re-waxing. Materials range from bronze, stainless steel, and cast aluminum to fiberglass and polyester.

Guests can enhance their visit with an audio tour narrated by more than 20 prominent locals, among them former St. Louis Cardinals star Ozzie Smith, St. Louis Symphony Orchestra director David Robertson, Olympic champion Jackie Joyner-Kersee, and actors Jenna Fischer and Kurt Warner.

Nature plays just as important a role here as art. The garden features ginkgo trees, native plants, and broad walkways, divided into three sections that echo the natural landscapes of the Saint Louis region. A northern limestone wall represents the Mississippi River bluffs, while a southern meandering wall mirrors the region’s waterways. Between them lies a floodplain-inspired zone with rain gardens, large trees, and major sculptures.

Citygarden also delights with water features, a welcome escape on hot summer days. Unlike many sculpture parks, it invites visitors to fully immerse themselves-free of charge.

Tip: Visit at night to enjoy a beautifully lit stroll, then stop by the café with patio seating or grab a bite from a nearby food truck.

The Wainwright Building is an iconic early skyscraper, widely recognized as a masterpiece of architecture. Designed by Dankmar Adler and Louis Sullivan, the building was completed in 1891 and named after local businessman Ellis Wainwright. With ten floors and a height of 41 meters (or 135 feet), the Wainwright Building was one of the tallest structures in Saint Louis at the time of its construction.

One of the building’s most striking features is its tripartite composition, consisting of a base, a shaft, and an attic. This design, inspired by the classical column, emphasizes the building's height and presence. Sullivan, a leading figure in the Chicago School of architecture, believed that the skyscraper should be celebrated as a modern, functional structure rather than an imitation of classical styles.

The Wainwright Building is also notable for its use of terra cotta, a type of ceramic material commonly employed in late 19th-century architecture. Its intricate ornamentation, which includes geometric patterns and stylized plant motifs, reflects Sullivan’s belief that decoration should be integrated with the structure itself.

Today, the Wainwright Building is owned by the State of Missouri and serves as office space for state agencies. Despite its age, it continues to be celebrated as a landmark of American architecture and attracts tourists and architecture enthusiasts alike. In 2013, it was featured in an episode of the PBS series 10 That Changed America, which highlighted the most influential buildings in American history.

Kiener Plaza, a popular gathering spot in downtown Saint Louis, offers one of the best views of the Old Courthouse and the Gateway Arch. Thanks to its central location, the plaza often hosts public events, including outdoor free movies and a winter festival. It is also regularly used as a rallying point for demonstrations and protest marches.

In the 1800s, the area was home to a jail that held prisoners awaiting trial at the Old Courthouse, including enslaved people who sued for their freedom.

Originally developed in 1962, the plaza is named for Harry Kiener, a local philanthropist, steel company executive, and former member of the USA Track & Field team, who competed at the 1904 Olympics in Saint Louis.

Kiener Plaza features a wide stone-paved plaza, a network of walking paths, and a grassy lawn suitable for a variety of events. Amenities include bicycle parking, a shade garden with café tables and chairs, marble circular benches, organic wooden benches, and a fenced creative children’s playground with an engaging play surface.

In his will, Kiener left a bequest to the city to build a fountain and athletic statue. Today, the center of the plaza features a fountain with a splash pad and the statue “The Olympic Runner” by William Zorach.

The park is an ideal spot for parents to relax while their children burn off energy. Its diverse elements are complemented by a bistro area, perfect for a family brunch, lunch, or dinner outing.

Now part of the Jefferson National Expansion Memorial, the Old Courthouse sits on land originally donated in 1816 by Saint Louis founder Auguste Chouteau. His stipulation was that the land be “used forever as the site on which the courthouse of the County of Saint Louis should be erected.”

Built as a combined federal and state courthouse, the original Federal-style building was completed in 1828, designed by the same firm, Lavielle and Morton, that created the Old Cathedral. It was extensively rebuilt between 1839 and 1862, with its cupola replaced by an Italian Renaissance cast-iron dome modeled after St. Peter’s Basilica in Vatican City.

The interiors of the Old Courthouse are adorned with elegant plasterwork, ornate wood carvings, and richly detailed moldings, while sweeping spiral staircases connect the floors with graceful curves. Period paintings, decorative columns, and intricately designed balustrades complete the refined atmosphere.

Over the years, the Old Courthouse has held many titles: Missouri’s tallest habitable building from 1864 to 1894, the tallest building in Missouri and Saint Louis until 1896, when Union Station was built, and the largest structure within the monument area (created in 1940) until the Gateway Arch was erected in 1965. Today, the courthouse sits directly beneath the Arch, marking the spot over which the monument soars.

The courthouse also played a pivotal role in American history. In 1857, Dred and Harriet Scott sued for their freedom here, followed by more than 300 other enslaved African Americans over the years. In 1875, women’s suffrage activist Virginia Minor fought for her right to vote in this building, and the last slave auction at the courthouse took place in 1861.

Tip:
Visit the courtroom where the first Dred Scott decision was rendered, then climb the stairs to the top for panoramic views of the Gateway Arch and downtown Saint Louis.

Commonly known as the "Gateway to the West," the Gateway Arch is a memorial commemorating the westward expansion of the United States. Clad in stainless steel and shaped as a weighted catenary arch, the structure is an iconic symbol of Saint Louis, visited annually by more than four million people.

At 630 feet (or 192 meters), it is the tallest accessible building in Missouri and the tallest man-made monument in the United States. Some sources even claim it is the tallest human-made monument in the entire Western Hemisphere. Meanwhile, the Gateway Arch National Park is the smallest national park in the United States.

The Arch was designed by Finnish-American architect Eero Saarinen and German-American structural engineer Hannskarl Bandel in 1947. It opened to the public on June 10, 1967. The surrounding grounds were initially designated as the Jefferson National Expansion Memorial, created on the site of the earliest buildings, which were deliberately demolished in 1942 to make way for the monument.

The Arch is hollow and houses a unique tram system in each leg – a chain of eight cylindrical, five-seat compartments that can carry up to 40 visitors at a time to the observation deck at the top. Near the top, passengers climb a slight incline to reach the observation area, which accommodates up to 160 people and has 16 windows on each side.

While in motion, the trams swing like Ferris-wheel cars, giving rise to their description as "half Ferris wheel, half elevator." The trip to the top takes four minutes, with a three-minute descent. In addition to the trams, there are two emergency staircases (one per leg) and a 12-passenger elevator.

In 1965, the Federal Aviation Administration warned that pilots flying beneath the Arch would be fined and could have their licenses revoked. To date, at least ten daredevils have defied this order.

Visiting the Arch is a quintessential Saint Louis experience. The lift mechanism may seem quirky, but the panoramic views of the city and its historic waterfront make it well worth the ride.

Tip: Go early to explore the small (free) museum before taking the tram to the top.

The Basilica of Saint Louis, formerly the Cathedral of Saint Louis, is named for King Louis IX of France, the same monarch for whom the city itself is named. Also known colloquially as the Old Cathedral, it was the first cathedral built west of the Mississippi River, completed in 1834.

Surrounded by the Gateway Arch grounds, the church is technically not part of the Gateway Arch National Park. Fortunately, it was spared demolition due to its historical significance, while other neighboring buildings were destroyed to make way for the Arch.

In recognition of its importance, Pope John XXIII designated it a basilica in 1961-a special designation given to church buildings distinguished for ceremonial purposes.

Built in the Greek Revival style, the basilica is noted for its marble altars, a painting of Saint Louis venerating the Crown of Thorns (a gift from Louis XVIII, King of France and Navarre), and an accurate copy of Diego Velázquez’s Crucifixion, installed in the latter half of the 20th century.

Engraved in gold over the entrance are the Latin words: "In honor of Saint Louis. Dedicated to the one and triune God. A.D. 1834." Hebrew letters, intended to spell out the Tetragrammaton, are also inscribed above the main entrance.

The mosaics in the Cathedral of Saint Louis are a breathtaking showcase of artistry and devotion, covering nearly every inch of the church’s walls, ceilings, and floors. Crafted with vibrant colors and intricate designs, they depict biblical scenes, saints, and symbols of the Catholic faith. Highlights include the detailed representations of Christ, the apostles, and Saint Louis himself, as well as ornamental patterns that draw the eye upward toward the soaring ceilings.

In the basement of the church, visitors can see a number of artifacts associated with the history of the Roman Catholic Archdiocese of Saint Louis, including a bell donated by the governor of the Louisiana Territory in the early 19th century.

Busch Stadium is a state-of-the-art baseball park that is the home of the St. Louis Cardinals, the city's Major League Baseball (MLB) franchise. The stadium opened in 2006 and replaced Busch Memorial Stadium, also known as Busch Stadium II. The stadium has a seating capacity of 44,494 and is known for its excellent sightlines and amenities.

One of the unique features of Busch Stadium is its proximity to Ballpark Village, a commercial area built adjacent to the stadium that occupies the remainder of the former stadium's footprint. This area features a wide variety of restaurants, bars, and entertainment options, making it a popular destination for fans before and after games.

The stadium has hosted a number of major events, including the highest attendance for a sports event other than baseball when 48,263 people watched a friendly match between Chelsea Football Club and Manchester City Football Club in 2013. The largest attendance for a baseball game at the stadium occurred on Mother's Day in 2019, when 48,556 people watched a game between the Cardinals and the Pittsburgh Pirates.

Busch Stadium is the third stadium in St. Louis to carry the name Busch Stadium. The first stadium, Sportsman's Park, was renamed Busch Stadium in 1953 by team owner August Busch Jr. He had originally planned to name it Budweiser Stadium, but league rules prohibited naming a venue after an alcoholic beverage. Busch named the stadium after himself and later created Busch Beer. The first Busch Stadium closed in 1966, and both the baseball Cardinals and the NFL's team of the same name (now the Arizona Cardinals) moved to a new multi-purpose stadium, named Busch Memorial Stadium.

Anheuser-Busch Brewery was built in 1855 and is one of the most famous breweries in the USA. You can, if you so wish, see and learn something about the production process of beer. The brewery also has some old stables and a hospitality room where you can sample the beer. Tour this spectacular building that played an important role in the American Civil War, and visit the historic Budweiser Clydesdale Stable, the Beechwood Lager Cellars, the historic Brew House and the Bevo Packaging Facility.

Why You Should Visit:
You can get a free tour or a paid Beer Master Tour to go behind the scenes where the free tour won't take you (such as the Clydesdales stables, the mashing room, the beer museum, the canning and packaging lines and then finishing up at the finishing tank), so there's something for every budget and interest level in beer. They've got a restaurant, bar, and gift shop on site, so plenty to do if you have to wait for your tour. At the end, you get a gift bag with a beer fresh off the line and coupon for a free beer to drink after in the beer garden.

Tip:
Note that you must have closed shoes to enter the Beer Master Tour!
Note also that it's not the best place to bring little kids because of lots of walking and some stairs. Recommended for older kids only.

St. Louis Union Station, designed by Theodore Link and opened in 1894, was once the world’s largest and busiest train terminal, with all tracks and passenger areas on one level. Expanded in 1903 for the 1904 St. Louis World’s Fair, it became a powerful symbol of the city’s prosperity. At its peak in the 1940s, the station served 100,000 passengers daily and united 22 railroads-more than any other terminal in the world. A mural by Louis Grell, added during this period, depicted iconic scenes from St. Louis’s history, reflecting the grandeur and spirit of the city’s golden age of rail travel.

However, as air travel became dominant in the 1950s and 1960s, passenger rail declined, and the enormous station grew too costly to maintain. By 1961, some of the once-busy train tracks had been converted into parking spaces. In 1970, St. Louis Union Station was designated a National Historic Landmark, but by 1978, the last Amtrak train had departed, marking the end of an era.

A major renovation in the 1980s gave St. Louis Union Station a new life as a hotel, shopping, and entertainment complex. The former headhouse and parts of the vast train shed were transformed into the elegant St. Louis Union Station Hotel, now operated by Marriott. Around the hotel, restaurants, boutique shops, and family-friendly attractions line a scenic lake.

On the upper level, the Memories Museum showcases artifacts and exhibits celebrating the station’s railroading history. The Grand Hall, with its 65-foot barrel-vaulted ceiling, stained glass, and gilded details, remains the station’s most breathtaking feature. Its “whispering arches” still delight visitors, while the evening light show across the ceiling adds a magical touch to this architectural gem.

Tip:
A light show happens every hour, from 5-11pm. It is on the ceiling of the historic Grand Hall. There are comfortable seats and a full-service bar.

The Cathedral Basilica of Saint Louis is a remarkable landmark of Saint Louis. This impressive cathedral is located in the Central West End neighborhood and serves as the mother church of the Archdiocese of Saint Louis. It is also the seat of its archbishop, currently Mitchell T. Rozanski. The cathedral was constructed in 1914 and was named after Saint Louis. In 1997, it was designated a basilica by Pope John Paul II.

The construction of the cathedral began on May 1, 1907, when workers started clearing the ground for the building. It replaced the previous Saint Louis Cathedral, which is now the Basilica of Saint Louis, King of France, situated along the Mississippi River. Although the superstructure was complete by 1914, the dedication of the cathedral and its first Mass did not take place until October 18, 1914. The church was consecrated more than a decade later on June 29, 1926.

The Cathedral Basilica of Saint Louis is famous for its large mosaic installation, which is one of the largest in the Western Hemisphere. The installation is made up of over 41 million pieces of glass in more than 7,000 colors, depicting various religious themes and events. The work was completed by more than 20 different artists, who contributed to the design and execution of the mosaics.

Another notable feature of the cathedral is its burial crypts, which are located beneath the main altar. The crypts are the final resting place for several archbishops of Saint Louis, as well as other prominent members of the Catholic Church. Visitors to the cathedral can explore the crypts and pay their respects to those who are interred there.

Why You Should Visit:
One of the must-see Cathedrals in America, and definitely one of Saint Louis' highlights. The tile mosaic works on the ceilings and walls are amazing all by themselves. The acoustics are incredible, so if you're able to attend a concert or musical performance of some kind, you're in for a treat. Small but packed gift shop probably has a memento you'd like or a gift for someone you care about.

Tip:
Don't miss out on the lower-level museum which shows how the mosaics were made, from drawing to installation. Also enjoy the grounds and sculptures there.

Bellefontaine Cemetery is a non-profit, non-denominational cemetery and arboretum that was founded in 1849. Initially created as a rural cemetery, Bellefontaine has become the final resting place for over 87,000 people, including many notable figures such as William Clark, Adolphus Busch, Thomas Hart Benton, Rush Limbaugh, and William S. Burroughs.

One of the defining features of Bellefontaine Cemetery is its impressive collection of architecturally significant monuments and mausoleums. The Louis Sullivan-designed Wainwright Tomb is among the most famous and is listed on the National Register of Historic Places. Other notable mausoleums include the Busch Mausoleum, designed by Barnett, Haynes & Barnett in 1915, and the Brown Brothers Mausoleums, designed by Isaac Taylor in 1910 and Mauran, Russell and Crowell in 1928.

The cemetery is also home to a large number of Union and Confederate soldiers from the American Civil War, as well as many local and state politicians. In addition, Bellefontaine contains the graves of many pioneers to the West, businessmen, and generals who played significant roles in the history of St. Louis and the United States.

As an accredited arboretum, Bellefontaine boasts over 180 species of trees and shrubs spread across its 314 acres of land. It also contains over 14 miles of paved roads and has recently converted some of its open, unused land into prairie and woodland.

Visitors to Bellefontaine Cemetery can take guided tours of its historical and architectural highlights or obtain self-guided tour brochures at the cemetery office. With its rich history and stunning architecture, it is no wonder that Bellefontaine Cemetery was listed on the National Register of Historic Places in 2014.

Why You Should Visit:
100% friendly to visitors. Staff is very helpful with maps and self-guided tours of the cemetery with highlights and stories of the famous & the infamous buried within the grounds.
This cemetery is also a lovely arboretum with fascinating architecture. A must if you're a history buff and/or cemetery aficionado!

Tip:
Check out their website for the many events and walks they have.