Chiesa e Museo di Orsanmichele (Church and Museum of Orsanmichele), Florence

Once a modest 8th-century oratory, this structure has gone through quite a few changes over the centuries. By 1290, it had been repurposed into an open-air loggia where locals came to buy and sell grain. After a fire swept through just a decade later, the building was rebuilt as a covered loggia-market. Then in the late 14th century, its open arches were replaced with windows. Although those openings are now bricked up, you can still make out the elegant Gothic tracery that hints at the structure’s medieval past.

Inside, the space is divided into two parallel naves, creating a layout that feels both intimate and grand. On the right side stands a remarkable 14th-century Gothic altar—a work of true artistry, featuring cherubs, carved reliefs, and richly colored marble and glass. At its center is Bernardo Daddi’s “Virgin and Child”, framed by delicately sculpted angels that seem to watch over the room.

Walk around the outside, and you’ll see a series of niches along the outer walls—each one housing a statue of a patron saint representing Florence’s powerful trade guilds. Among the fourteen figures featured are Saint Mark, Saint Philip, Saint Thomas, Saint James, Saint Peter, John the Baptist, and Madonna of the Rose, each reflecting the pride and spiritual devotion of their respective guild.

One sculpture that truly stands out is “Doubting Thomas”, created around 1470. In a brilliant touch, the figure of Christ remains fully contained within the niche, while Saint Thomas steps forward—his right foot breaking the frame. That small gesture, subtle as it is, gives a surprising sense of movement and realism to the entire piece. To see the original sculptures, visitors can stop by the adjacent museum, which is open on Mondays.