Saint Mary's Basilica is one of the city’s most iconic landmarks, rising over the Main Market Square with its distinctive pair of uneven towers. Its history stretches back to the early 13th century, when the original church was built on the foundations of an even earlier Romanesque structure. After the Mongol invasion of 1241 left much of Kraków in ruins, the church was rebuilt in Gothic style, taking on its recognizable form. Over the following centuries, it became one of the most important religious and artistic centers in the city.

Once you find yourself in front of the church, you can clearly see that the left tower is the taller one. In terms of design, it is more intricate than the right one, and its helmet has sharper spires. As you step inside, you will notice the soaring vaulted ceiling painted a deep blue and dotted with gold stars, creating a cosmic effect that draws the eye upward. However, the church’s most celebrated treasure is the monumental wooden altarpiece carved by German sculptor Veit Stoss in the late 15th century. Even though it is visible as soon as you enter the church, its beauty is best admired up close. The famous altarpiece can be found under the chancel opening, which is marked by a huge cross. Considered one of the greatest Gothic sculptures in Europe, the altarpiece depicts scenes from the life of the Virgin Mary in extraordinary detail, with dozens of figures carved from linden wood and highlighted with bold colors and gold leaf.

Another highlight is the basilica’s stained-glass windows, including some of Poland’s finest examples of medieval and 19th-century glasswork. The most impressive windows can be observed behind and beside the Veit Stoss masterpiece. Moreover, richly decorated chapels line the nave, showcasing centuries of donations by wealthy patrons, guilds, and noble families.

Outside, the basilica’s taller tower reveals its more distinct function. From this tower, every hour, a trumpeter plays a brief melody that ends abruptly, commemorating a legendary trumpeter who was shot while warning the city of a Mongol attack. The live performance of this bugle call remains one of Kraków’s most beloved traditions. Don’t miss it.

The Underground Main Square Museum spans almost 4,000 square meters and offers a rare chance to walk beneath the city’s medieval heart and explore centuries of buried history. Opened in 2010 after an extensive archaeological excavation, the museum was created when researchers discovered remarkably well-preserved layers of Kraków’s early marketplace beneath the current Main Square. These findings included foundations of medieval buildings, merchant stalls, workshop areas, and even the remnants of an earlier square that existed before the one laid out after the Mongol invasion of 1241.

The museum is designed as an immersive archaeological park that reveals how life in Kraków unfolded between the 11th and 18th centuries. Interactive exhibits, holograms, and multimedia reconstructions help visitors visualize the medieval trading hub that once thrived above. Among the most significant discoveries are the remains of wooden roads, stone market stalls, and traces of blacksmiths’ and goldsmiths’ workshops. One of the museum’s highlights is the preserved section of ancient city walls and a defensive walkway used by guards who protected the bustling market.

As you walk around the museum, you can also see artifacts uncovered during the excavation-coins, tools, jewelry, toys, and everyday objects that illuminate the daily routines of medieval townspeople. The museum cleverly places these items within archaeological layers, giving a sense of walking through history rather than simply observing it. Glass walkways let you peer directly down onto excavated structures, creating a dynamic connection to the past.

Another notable feature is the reconstructed medieval cemetery and the remains of a merchant’s house, offering insight into how people lived, traded, and moved through the city centuries ago.

Throughout the exhibits, atmospheric lighting, soundscapes, and historical maps reinforce the feeling of descending into Kraków’s buried world.

Florianska Street is one of Kraków’s most famous thoroughfares, forming a key part of the historic Royal Route that once guided Polish kings from the city walls to Wawel Castle. Its origins go back to the city’s 13th-century reconstruction, when Kraków was rebuilt on a grid plan after the Mongol invasion of 1241. The street takes its name from St. Florian’s Church, located just outside the northern gate, and it quickly became one of the city’s busiest commercial arteries. By the late Middle Ages, the street was lined with the homes and workshops of merchants, craftsmen, and wealthy burghers whose fortunes were tied to the bustling Main Square nearby.

Over the centuries, Florianska Street developed into a showcase of Kraków’s architectural evolution. Many of the townhouses still standing today preserve Gothic foundations beneath Renaissance or Baroque façades, while several buildings feature ornate portals, painted ceilings, and preserved courtyards hidden behind unassuming entrances. Among its most notable sites is the famed Jama Michalika Cafe, a meeting place for early 20th-century artists and writers of the Young Poland movement. The street is also home to the Pharmacy Museum, displaying centuries of medical history within an authentic 14th-century building.

Florianska Street is above all an atmospheric passageway that leads straight from the medieval Barbican and St. Florian’s Gate into the Main Market Square. Shops, cafes, bookshops, amber boutiques, and bakeries line the route, making it one of the liveliest pedestrian streets in the Old Town. Street musicians often perform beneath the historic arches, and the view from the gate toward the twin towers of St. Mary’s Basilica is one of the most photographed perspectives in Kraków.

Planty Park is a leafy ring of gardens that surrounds the city’s historic Old Town - the area where the old medieval walls once stood. The park dates back to the 1820s, when the deteriorating fortifications were dismantled, and a decision was made to convert the neglected moats and fortifications into a public green space.

Today, Planty stretches for around four kilometres and covers approximately 21 hectares - a broad green belt that encircles the heart of Kraków and offers a continuous walkway. The park is made up of more than thirty different styles of smaller gardens, each with its own layout and character, linked together by paths, benches, fountains, and leafy promenades.

One of the most appealing aspects of Planty is the blend of calm and history: you walk around what used to be defensive walls, now transformed into a shaded, tranquil belt - perfect for a stroll, a rest after sightseeing, or simply to take in the atmosphere away from the crowds. Along the walkway, you’ll encounter more than twenty monuments and statues honoring important figures, including Nicolaus Copernicus, Jan Matejko, and Queen Jadwiga of Poland.

In addition to the statues, the park offers a changing natural display: shady trees, flowerbeds, fountains, ponds, and benches where one can pause and absorb a softer side of Kraków. Because Planty encircles the Old Town, it also acts as a gentle border between medieval streets and the more modern parts of the city - making a stroll through it a kind of transition between past and present.

Kraków’s Main Square is the largest medieval square in Europe, serving as the vibrant heart of the city for more than 750 years. Covering nearly 40,000 square meters, it was laid out in 1257 after the Mongol invasion, when Kraków was rebuilt according to a new urban plan that emphasized order, trade, and civic life. The square quickly became the centre of commerce and public events, surrounded by merchant houses, noble residences, and key municipal buildings. Over the centuries, it has witnessed royal ceremonies, markets, festivals, uprisings-everything under the sun.

At the center of the square stands the Cloth Hall, a Renaissance trading hall that once formed part of the city’s major commercial network. Today, it houses craft stalls on the ground floor and an art gallery upstairs, continuing its tradition as a marketplace. Nearby rises the iconic St. Mary’s Basilica, distinguished by its two asymmetrical towers.

Elegant palaces line the perimeter, many now home to museums, cafés, and restaurants. Beneath the square, the Rynek Underground Museum reveals archaeological traces of medieval market stalls, roads, and merchant activity, immersing visitors in the city’s early urban history.

The Cloth Hall is a masterpiece of Renaissance architecture standing at the heart of the Main Square. Its origins go back to the 13th century, when a long, narrow market hall was built to house textile merchants who traded cloth, leather, and luxury fabrics from across Europe and the East. After a devastating fire in 1555, the building was rebuilt in the elegant Renaissance style that defines it today, complete with arcaded loggias, decorative attic parapets, and richly sculpted ornamentation designed by Italian architects working in Poland.

For centuries, the Cloth Hall was the commercial engine of Kraków. Merchants gathered here to exchange textiles, spices, wax, salt from the nearby mines, and exotic goods brought along the Silk Road routes. The ground floor remained a bustling trading space well into modern times, featuring the same rows of wooden merchant stalls seen centuries ago. Today, these stalls sell traditional crafts, handmade jewelry, carved wooden items, amber products, and local souvenirs. There is no shortage of things to browse.

Above the market hall, the upper floor houses a branch of the National Museum known as the Gallery of 19th-Century Polish Art. Its beautifully restored exhibition halls display works by celebrated painters such as Jan Matejko and Józef Mehoffer, giving visitors a chance to explore Poland’s Romantic and realist movements in a suitably grand setting. The gallery’s windows also offer charming views across the Main Square.

The Great College is the oldest building of Jagiellonian University and one of the oldest university structures in Poland.

Its story begins in the late 14th and early 15th centuries. In 1400, after the university had been re-established, the reigning king donated a corner townhouse to the academy. From this modest start, over the course of the 15th century, adjacent buildings were acquired and merged. Fires in 1462 and 1492 damaged parts of the complex, but reconstruction and expansion after these events gave the building its late-Gothic appearance: a quadrangle around a courtyard with arcaded galleries.

For hundreds of years, Collegium Maius was the heart of academic life in Kraków. Lectures took place on the ground floor, while professors lived and worked on the upper floors. During the early modern period, and especially the Renaissance, the university became a renowned center for law, medicine, theology, mathematics, and astronomy, drawing students from across Europe. Among the students who passed through these halls was Nicolaus Copernicus, who studied here in the 1490s before going on to lay the foundations for modern astronomy.

In the 19th century, the building’s role shifted. After 1840, it was repurposed as the university library. Later, following World War II and restoration work, the Great College found new life as a museum: the Jagiellonian University Museum.

Today, the building is valuable for several reasons. Its peaceful inner courtyard can be accessed directly from the main gateway. Like many courtyards from the same period, its appeal lies in the elegant brick arcades that line the perimeter of the space. Highlights inside the college include the Common Room and the Great Hall. They can be reached via a broad stone staircase visible along the northern side of the courtyard. A wooden door awaits on the left once you reach the top of the staircase. The Common Room used to serve as the main gathering spot for scholars and it is filled with Gothic furnishings and portraits of university rectors. Meanwhile, the Great Hall is an atmospheric room, as it was used to host lectures and ceremonies. It features carved wooden benches, vaulted ceilings and portraits of notable professors.

Another side of the museum showcases a remarkable collection of old scientific instruments: astrolabes, globes (including an early 16th-century globe on which the newly discovered Americas appear), and astronomical, cartographic, chemical, and physical instruments used by scholars.

A charming modern touch is the clock mounted above the northwest arcade of the courtyard. Every two hours between 9 AM and 5 PM, it triggers a small mechanical procession of historical figures tied to the university’s past along with medieval music - a whimsical nod to centuries of academic tradition.

Wawel Cathedral in Kraków carries nearly a millennium of Polish history under its roof.

The earliest sacred building on the hill where the cathedral stands dates back to around the year 1000, when the local bishopric was established. That first church was replaced in the 12th century by a Romanesque basilica, consecrated in 1142. After that structure was destroyed by fire in 1305, a new cathedral was built - the building whose core survives today. Construction of the present Gothic-style nave and chancel began in the early 14th century and the church was consecrated in 1364.

Over the centuries, successive rulers and church dignitaries added chapels, tombs, and artistic touches. This gradual layering resulted in a rich mix of architectural styles: you’ll see Gothic foundations alongside Renaissance and Baroque chapels, Renaissance-era domes and neoclassical details reflecting later modifications. As soon as the cathedral enters your view, you will notice the varied exterior. There is a golden dome, a black dome, a traditional brick tower and two other brick towers topped by jade-green helmets.

Wawel Cathedral offers many points of interest. Among the highlights is Sigismund's Chapel - a Renaissance masterpiece sometimes hailed as “the most beautiful example of Tuscan Renaissance architecture north of the Alps.” Once you step inside the cathedral, the chapel can be reached by turning right into the south aisle. After passing a series of chapels marked by plaques, you will notice a wooden-like fence with a door at its center. That is the entrance to Sigismund's Chapel. Inside, ornate sculptures and the royal tombs of Sigismund I and his son Sigismund II Augustus reflect the wealth and power of the era when Poland was a leading European kingdom. From outside, Sigismund's Chapel is located under the aforementioned golden dome.

It is recommended that you also visit the crypts and tombs beneath the cathedral as this is where many of Poland’s kings, national heroes, and cultural icons rest.

Another compelling attraction of the cathedral is the Sigismund Bell - one of Poland’s most famous bells. It can be reached by turning left from the main altar and then right. A black crucifix is placed on the left wall and to its left there is a door which is the entrance to the bell tower. The massive bell is found at the top of the tower. Cast in the 16th century, its deep toll has echoed across generations and the bell remains an important symbol of national history.

The Wawel Royal Castle stands as one of Poland’s most important historical landmarks, a castle hill complex that oversaw centuries of national, royal, and artistic history.

The hill on which Wawel sits has been inhabited since ancient times, but Wawel began taking shape as a seat of power in the early Middle Ages, with the earliest stone buildings appearing around the 11th–12th centuries. Over the following centuries, successive rulers transformed the residence. In the 14th century, under Casimir III the Great, the castle was fortified and rebuilt in a Gothic style, establishing the core structure that would survive in part to this day.

The 16th century brought a major transformation under Sigismund I the Old. He commissioned Italian architects to rebuild and expand the castle, turning it into a Renaissance-style palace - a shift that reshaped Wawel from a medieval fortress into a grand royal residence. Over time, Baroque and later architectural layers were added, so today the castle exhibits a blend of Romanesque, Gothic, Renaissance, and Baroque styles.

Wawel Royal Castle functions partly as a museum complex - the Wawel Royal Castle National Art Collection - offering access to royal apartments, state rooms, historic art, armor, furniture, tapestries, and a rich collection of paintings and decorative arts. Strolling through the arcade courtyard gives a sense of the Renaissance grandeur that reshaped the castle, while the various rooms and exhibitions reveal the lives of kings and the history of Polish statehood.

Among the standout attractions are the historic royal apartments and state chambers, furnishings, and art. For those interested in arms and military history, the museum’s collection of armor, weapons, and historic artifacts provides a vivid window into past conflicts and noble life. The castle’s collections also include fine tapestries, period furniture, ceramics, and decorative art - including items from across Europe and the Near East - showing Poland’s historical ties and international influences.

Beyond indoor treasures, the castle’s position on the hill beside the river, its layered architecture, and its atmosphere provide a strong sense of place - a fitting way to describe one of the earliest UNESCO World Heritage Sites.

For many centuries, Kazimierz thrived as a realm where Polish and Jewish cultures coexisted and blended harmoniously. The northeastern sector of the district held a rich Jewish history, with its Jewish residents being forcibly uprooted in 1941 by the occupying German forces to the Krakow ghetto just on the opposite side of the river in Podgórze. In the present day, Kazimierz stands as one of Krakow's foremost tourist destinations, playing a pivotal role in the city's cultural tapestry.

The genesis of Kazimierz owes itself to the efforts of King Casimir the Great, the namesake of the town. Yet, it was the decision of King Jan Olbracht that prompted the migration of Krakow's Jewish population to Kazimierz. Following this migration, instances of violence and clashes between these two predominant communities notably decreased. These communities coexisted relatively seamlessly until the early 19th century, when the distinct Jewish township was incorporated into Krakow. The intellectual and societal elite largely departed from Kazimierz during this period, gravitating toward other parts of Krakow. Nonetheless, within the old town, those who remained were primarily impoverished and orthodox Jews, and their presence is responsible for the enduring appreciation of the area's architecture and structures.

The upheaval of the Second World War further exacerbated the community's decline and desolation. By the conflict's conclusion, the once-vibrant Jewish enclave had been reduced to ruins, erasing a melting pot of unique and diverse Jewish heritage.

It wasn't until the year 2000, quite recently, that the most economically disadvantaged district of Krakow began to attract the attention of the burgeoning hospitality sector. Before long, the buildings became havens for some of the city's most charming cafes and restaurants. Additionally, each year at the close of June, Kazimierz hosts the Jewish Culture Festival, the largest of its kind in Europe, drawing in visitors from across the globe. The festival boasts an array of music from various regions, played by ensembles hailing from the Middle East, the USA, Africa, and beyond.

Why You Should Visit:
If you're looking for a place to wander pretty streets and dip in and out of nice places, then this is the area for you.

Tip:
If you head toward the corner of Ulica Józefa and Ulica Nowa, the walkways in that area are the perfect mix of local shops and atmospheric alleyways. You'll see lots of cute shops with fun graffiti and artwork painted on the side of them.

Oskar Schindler’s Factory is one of the city’s most compelling places to encounter the history of the Second World War. Located in the Podgórze district, the former enamelware plant was taken over by the German industrialist Oskar Schindler in 1939. During the war, the factory produced metal goods for the German army, but it became far more significant for the lives it saved. By employing Jewish workers from the Kraków Ghetto and later from the Płaszów concentration camp, Schindler used his position and resources to protect more than a thousand people from deportation and death. His efforts-later documented in Thomas Keneally’s book and Steven Spielberg’s film Schindler’s List-turned the factory into an enduring symbol of individual courage within a brutal system.

Today, the site no longer operates as a factory but houses a major branch of the Historical Museum of the City of Kraków. The permanent exhibition Kraków Under Nazi Occupation 1939–1945 transforms the building into an immersive narrative space, guiding visitors through recreated streets, rooms, and archival displays that trace the city’s wartime experience.

The main attractions of the exhibition are Schindler’s office and the Płaszów Concentration Camp Room, both located on the third floor. Upon entering the museum, the ticket office is visible straight ahead. After passing it, a door on your right opens into a hall containing the elevator and the staircase leading to the upper floors, where the main exhibition unfolds. The layout of the exhibition is intuitive, guiding visitors through rooms and hallways in a natural sequence until they reach the next staircase.

On the third floor, after progressing through several rooms, you will arrive at a hall depicting everyday life between 1941 and 1943. Two rooms are located on the right side of this hall. The second room is the more significant one-Schindler’s office-which features the famous glass installation ''Survivors’ Ark,'' filled with enamelware produced by the factory. After leaving the office and passing through three additional rooms, you will reach the Płaszów Concentration Camp Room. You will recognize it by its circular layout and the wooden gate reinforced with barbed wire. As its name suggests, the room is a re-creation of elements of the Płaszów camp and is designed to convey its tense, oppressive atmosphere.

Beyond these key attractions, the museum offers a broader portrait of daily life, resistance, and propaganda through photographs, documents, and objects once used in the factory. These displays appear throughout the exhibition’s rooms and corridors. Move with the narrative at your own pace, and you will gain a powerful understanding of Kraków’s wartime history.