May Avenue Walking Tour (Self Guided), Buenos Aires

Pink House Museum is located inside the main office complex of the President of Argentina, known as Pink House. The museum features exhibits that explore more than 100 years of the Pink House’s role as the seat of power in Argentina.

The museum displays an extensive collection of objects belonging to Argentine leaders throughout the country’s history. The museum was created to exhibit presidential memorabilia. Among its holdings are artifacts from the remains of an old fort that once occupied the site, as well as elements from the former Customs House, designed by British architect Edward Taylor. At one time, the Customs House was the largest building in Argentina.

Exhibits include books, furniture, swords, uniforms, and carriages used by former presidents. More personal items—such as flatware and dolls used by presidential families—are also on display. Several underground rooms correspond to the foundations of earlier government structures that once stood here. In 2011, a modern extension was added to house a mural by Mexican artist David Alfaro Siqueiros—one of his most powerful and immersive works. There is also a dedicated section honoring Eva Perón, former First Lady of Argentina. A lesser-known highlight is the preserved section of colonial-era tunnels, offering a glimpse into the early defensive layout of Buenos Aires.

Tip:
Visitors must reserve in advance to join the free museum tours which are conducted in Spanish. These tours are absolutely worth it and easy to book online. On weekends, you can also visit the Pink House itself on a free guided tour available in both Spanish and English, also with a reservation.

The Monument of General Manuel Belgrano is located in front of the Casas Rosada at the Plaza de Mayo. It was designed by sculptors Louis-Robert Carrier-Belleuse and Maneul de Santa Coloma.

Manuel Belgrano was a revolutionary and an important figure in the Argentine Wars of Independence. He is thought of as one of the primary liberators of Argentina. He is also credited with designing the country's flag.

The bronze statue stands atop a granite pedestal. It shows the general on horseback holding the flag of Argentina.
de of bronze over a pedestal of granite.

The monument was commissioned by general Bartolome Mitre, Enrique Martinez and Mauel Jose Guerrico in 1870. It was completed in 1872 and dedicated on September 24, 1873.

The May Pyramid commemorating the May revolution in Argentina is the oldest national monument in Buenos Aires. It was declared a National Historic Monument in May 1942.

The May Pyramid was designed by architect Pedro Vincente Canete and professor of sculpture, Juan Gaspar Hernandez and completed in 1811. It was inaugurated in May 25th, 1855 although the pyramid was not yet complete. A 13-meter tall pyramid stood on a two-meter tall pedestal.

The present pyramid was built over the old pyramid designed by Canete. Architect Prilidiano Pueyreddon was given the task of redesigning the pyramid and he turned the old structure into an artistic and ornate one. The top of the May Pyramid was adorned with a statue of liberty sculpted by French sculptor Joseph Dubordieu. The base has carvings related to art, commerce, science and agriculture. In 1906, the pyramid was relocated to a site 63 meters east of the original location to make way for a larger monument that was never built. The ashes of the founder of the protest movement Madres de Plaza de Mayo, Azucena Villaflor are buried at the base of the pyramid. The organization she founded consisted of mothers who agitated against the disappearance of their children during the last military dictatorship in Argentina.

Why You Should Visit:
A popular place frequented by the populación of Buenos Aires and also a great place for a photo stop while strolling through the unforgettable Plaza de Mayo.

The Buenos Aires Metropolitan Cathedral is the most significant Catholic church in the city. The site was originally designated for a church in 1580, and several structures were built throughout the 1600s. However, the current building dates to the early 1700s, with a Greek Revival facade added in the early 1800s. In 1836, the church was formally designated as the cathedral.

As you admire the cathedral's facade, you'll observe 12 Neo-Classical columns, symbolizing the twelve apostles. Its frontispiece features a large bas-relief depicting two important figures from the Old Testament: Jacob and Joseph in Egypt, intended as a metaphor for national reconciliation after periods of civil conflict. Walking inside, the cathedral impresses with a 134-foot vaulted ceiling and five naves. Pay attention to the Venetian mosaic flooring, covering the entire interior floor of the cathedral. It illustrates a series of religious motifs and geometric designs crafted by Italian artisans in the late 19th century.

The cathedral’s oldest artwork is the 1671 Christ of Buenos Aires. To find it, walk down the central nave and turn right, where the Chapel of the Holy Christ appears among the first on that side; the wooden 17th-century image stands in a small altar niche and is easy to spot thanks to its expressive colonial style. The main gilded wood altarpiece, dating to 1785, rises at the far end of the central nave, directly facing visitors as they enter the cathedral. The monumental 1871 organ, with more than 3,500 pipes, is positioned above the entrance on the choir balcony and becomes visible when you look back toward the main doors. The beautifully preserved 18th-century wooden pulpit, decorated with gold leaf, stands to the left of the central nave, raised on a carved base and easily noticed as you walk toward the altar.

Several important memorials are housed inside the cathedral, each easy to locate as you move through the nave. To the left of the main altar, an ornate marble mausoleum holds the remains of General José de San Martín, one of Latin America’s great liberators; the monument is guarded by statues representing Argentina, Peru, and Chile. Just beside it stands the Tomb of the Unknown Soldier of Argentine Independence, marked by a simple yet solemn inscription.

Pope Francis celebrated Mass here during his years as Archbishop Jorge Bergoglio before his election as Pope in 2013. Today, the cathedral houses the Pope Francis Museum, displaying some of his personal items, liturgical garments, and photographs documenting his time in Buenos Aires.

The National Museum of the Cabildo and the May Revolution tells the story of the Spanish colonial rule in Argentina and the May revolution that ended Spanish supremacy in the country. It is a repository of government and revolutionary exhibits from the 18th century.

The Cabildo that houses the National Museum of the Cabildo and the May Revolution was a former residence of the Spanish Viceroy built in 1764. It became the city hall after Argentina declared independence from the Spanish Crown after the May revolution in 1810. The revolution took place in the Plaza in front of the Cabildo. It is one of the few colonial buildings still standing in Buenos Aires. Its original columns and facades were destroyed to make way for two major avenues and the present structure is the result of a reconstruction in 1940 based on the design of architect Mario Buschiazzo.

Exhibits at the museum include paintings, artifacts, weapons, maps, documents, costumes, jewelry and photographs from the 18th century when the May revolution took place. An ornamental well constructed in 1835 is the only surviving part of the original Cabildo after the 1940 reconstruction. A crafts fair is held on Thursdays and Fridays in the courtyard.

Why You Should Visit:
Entry is free, and inside are a number of rooms detailing the colonial history of the city, with a large number of artifacts.
They have cards in English that give the translation of all the signs and information.

Tip:
Don't forget to go upstairs for good views of Plaza de Mayo and all the surrounding buildings.

The Buenos Aires House of Culture stands as a significant architectural marvel situated in the Montserrat district of Argentina's capital city.

Back in 1894, José Clemente Paz, owner of La Prensa newspaper, replaced its old headquarters with a new one on May Avenue. Architects Carlos Agote and Alberto Gainza designed it in Beaux-Arts style, drawing from their Paris education and taking cues from the work of the French architect Charles Garnier.

In 1898, the new La Prensa office was unveiled in a ceremony attended by approximately 20,000 individuals. The Beaux-Arts façade is especially notable for its spire, crowned with a gilded bronze monument symbolizing the freedom of the press.

In the spire is a siren installed in 1900 by La Prensa to announce important events. It sounded five times in the past century: after King Umberto I's assassination, Apollo 11's moon landing, Argentina's 1978 FIFA World Cup win, during the Falkland Islands invasion in 1982, and at President Raúl Alfonsín's 1983 inauguration, marking democracy's return.

The interior of the building was meticulously crafted with predominantly imported materials, including Spargne elevators from the United States, along with French elements like Boulanger mosaic tiles, clocks designed by Paul Garnier, and wrought-iron creations from Val d'Osne. The focal point of the first floor is the Golden Salon, adorned with frescoes crafted by the Italian-born painters Reynaldo Giudici and Nazareno Orlandi.

Recognized as the House of Culture, this edifice gained the designation of a National Historic Monument in 1995. The passageway that once connected it to the neighboring Buenos Aires City Hall was transformed into the Ana Díaz Salon, where art exhibitions are now hosted.

Café Tortoni, established in 1858 by a French immigrant named Touan, derives its moniker from the Parisian café situated on Boulevard des Italiens, known as Tortoni, frequented by the Parisian cultural elite during the 19th century. This coffeehouse draws inspiration from the coffee houses of the Fin de siècle (end of century) era.

The café's current location once housed the Templo Escocés ("Scottish Temple"), while Café Tortoni itself initially occupied the intersection of Rivadavia and Esmeralda. In 1880, it shifted to its current premises, though the entrance faced Rivadavia Street. In 1898, a new entrance was opened on May Avenue, accompanied by a redesign of the facade by architect Alejandro Christophersen.

Throughout its history, Café Tortoni has welcomed a multitude of notable individuals, including politicians like Lisandro de la Torre and Marcelo Torcuato de Alvear, beloved figures such as Carlos Gardel and Juan Manuel Fangio, as well as international luminaries like Albert Einstein, Federico García Lorca, Hillary Clinton, Robert Duvall, and Juan Carlos de Borbón.

At present, the basement of the café serves as a stage for jazz and tango performers, as well as hosting book presentations and poetry contests. The café has meticulously preserved its original decor from its early years, featuring a library and offering amenities like billiards, dominoes, and dice in its rear facilities.

Located at the busy intersection of Avenidas de Mayo and 9 de Julio, this bronze sculpture of anti-hero Don Quijote – received in 1980 as a gift from the Spanish Government on the occasion of the Buenos Aires’ 400th anniversary – is a little unique in that the bodies of the subjects are partially encased in the stonework, and appear to emerge from the same. This forms a black-and-white contrast between the subject and the stone, best viewed from the front.

Sculpted by Aurelio Teno, a renowned Spanish artist celebrated for his multiple renditions of Don Quixote, the sculpture stands at a towering height of 15 meters and boasts a remarkable weight of 200 tonnes. Erected in Uruguay, in collaboration with a team of seven skilled engineers and over 100 laborers, its construction spanned over half a year to reach its completion.

If you’re nearby and looking for photo ops, you could take you photos by this monument, and nearby photo ops such as the iconic concrete obelisk on Avenida 9 de Julio, some of the historic buildings on Avenida de Mayo, and the many comic-type statues on Avenida Corrientes.

The Avenida Theatre located on Buenos Aires' central Avenida de Mayo, had its grand opening in 1908 with a captivating production of "Justice Without Revenge," written by the renowned Spanish dramatist Lope de Vega. This momentous occasion was masterfully directed by María Guerrero, a prominent figure in Argentine theater, who had a significant influence on popularizing classical drama in the country during the late 19th century. In 1921, Guerrero went on to establish the esteemed Cervantes Theatre, further enriching the theatrical landscape in Argentina.

For years, the Avenida Theatre was the main Spanish theater in Buenos Aires. In 1933, it changed focus due to the Cervantes Theatre's transformation. Federico García Lorca's play "Bodas de Sangre" was staged there that year. The theater gained fame for varied shows like operettas, zarzuelas, and events like the 1939 charity production of "Aida" to help post-Civil War Spanish charities.

Over time, Spanish theater waned at the Avenida, leading to a switch to hosting Broadway shows. In 1967, "La Traviata" amazed audiences. Faustino García acquired the Avenida in the '60s, reviving Moreno Torroba's presence in 1970 and bringing back the beloved zarzuela.

The onset of Argentina's last military dictatorship in 1976 dealt a severe blow to the local theater scene, resulting in the Avenida Theatre's closure in 1977. Tragically, in 1979, a destructive fire nearly reduced the theater to ashes. Despite these challenges, the Avenida Theatre triumphantly reopened on 19 June 1994. However, the top section of the original building, which once housed the esteemed Hotel Castilla, remained unrestored.

The Barolo Palace, commissioned by Argentine textile magnate Luis Barolo, was designed to house offices and stood as the tallest building in Buenos Aires until 1936 . Barolo hired Italian architect Mario Palanti in 1910, sharing the common fear among some Europeans of the era that Europe might collapse under the pressures of war. Palanti, an admirer of Dante Alighieri, designed the building as a symbolic architectural interpretation of The Divine Comedy.

The structure has 24 floors—2 underground and 22 above—with the basements and ground floor representing Hell, the first through fifteenth floors symbolizing Purgatory, and the sixteenth through twenty-second floors representing Paradise. The building’s height of 100 meters exceeded the legal limit for May Avenue, but Mayor Luis Cantilo granted a special exception to allow its ambitious scale. Construction was completed in 1923, and the building was inaugurated with a blessing from the papal representative, Monsignor Giovanni Beda Cardinali.

A remarkable architectural detail is the building’s lighthouse, designed to mirror the one atop the now-demolished Salvo Palace in Montevideo—also a Palanti design—symbolizing the spiritual link between the two sides of the River Plate. The lighthouse once projected a powerful rotating beam out to sea; today, it operates during special events and night tours. The building’s interior is rich in symbolic numerology: 22 floors for the 22 stanzas of Dante’s cantos, and 9 vaults representing the nine circles, terraces, and spheres of the afterlife.

Bilingual English and Spanish tours guide visitors through the Dante-inspired design and the story of its visionary owner. The upper-floor balconies offer panoramic views of Buenos Aires, and the lighthouse balcony provides one of the most dramatic night viewpoints in the city. The Barolo Palace was declared a National Historic Monument in 1997.

Tip:
All tours require advance reservations—check the official website for exact dates and times. Night tours are well worth the extra cost, offering breathtaking views from the lighthouse and a relaxed wine tasting to end the experience.

The Monument to Mariano Moreno is located within Plaza Mariano Moreno near Congressional Plaza and Plaza Lorea. The monument stands in honor of revolutionary Mariano Moreno.

It was built in 1910 by Miguel Blay y Fábregas, or Miguel Blay as he was professional known. Blay was a Spanish sculptor who studied at Ecole des beaux-arts and at the Academie Julian

Mariano Moreno (1778–1811) was a lawyer, journalist and politician who played a decisive role in the May Revolution that led to the declaration of independence of Argentina from Spain. Moreno was a secretary in the First Junta that replaced the viceroy of Spain. Moreno also created the first Argentine newspaper, La Gazeta de Buenos Aires.

Those who visit the Plaza Mariano Moreno will see two other notable works. The Kilometre Zero Monument, built by Máximo and José Fioravanti. The monolith was ordered by the Buenos Aires Public Works department as the spot from which distances in the city could be measured.

The other notable sculpture in Plaza Mariano Moreno is the third original cast of Rodin's "The Thinker." It was commissioned by Buenos Aires' Museums Director Eduardo Schiaffino in 1907.

The Monument of the Two Congresses is located within Congressional Plaza alongside Plaza Mariano Moreno and Plza Loreo.

The monument is a celebration of the one-hundred year anniversary of the 1816 Argentine Declaration of Independence. The monument features a marching republic holding a laurel in one hand while the other hand rests on a plough. It has snakes at its feet and three figures representing the 1813 Assembly, the Congress of Tucuman and the Argentine workforce.

The monument was designed by Belgian architect Eugene D'Huicque with statues created by arties Jules Lagae. The monument was completed in 1909 and inaugurated on July 9, 1914.

Along with being one of the largest sculptures in Buenos Aires, the Monument of the Two Congresses is the largest fountain in the city. The fountain represents the Rio de la Plata. It is surrounded by figures of animals and cherubs, representing nature and peace.

The three plazas and the monument were declared National Historic Monuments in 1997.

The National Congress building in Buenos Aires is the seat of the Argentine parliament. It is located at the western end of Avenida de Mayo. On the other end is the Casa Rosada that houses the offices of the President.

Plans for the National Congress building were drawn by Italian Architect Vittorio Meano and completed by Argentine architect Julio Dormal. Construction of the building began in 1898 and was partially complete in 1906 when it was inaugurated by President Jose Figueroa Alcorta. The first joint session of the Chamber of Deputies and the Senate was held in 1906 in the building. The decorative details were not completed until 1946. Sculptor, Victor de Pol executed the quadriga on top of the main entrance and the interiors were decorated with bronzes by a local sculptor, Lola Mora. The Congressional square facing the structure was designed by the French-Argentine urban landscape artist Carlos Thays and opened in 1910. The kilometer 0 for all Argentine National Highways is marked on a stone at the Plaza.

Tourists and members of the public can take one of the guided tours around the National Congress Building on Mondays, Tuesdays, Wednesdays and Fridays. The guides show visitors the Chamber of Deputies, the room where guests are received that has large paintings depicting historical events in the parliament on each wall and the beautiful library with hand carved walnut wood panels.

Tip:
Ask for guided tours in Spanish/English as they are available on most weekdays. You'll need a photo ID to be let into the building (a passport photocopy should suffice).